Alesis ModFx BITRMAN with Power Supply

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This is a supporting member listing who had the following to say:

"This is the ultimate trash your audio pedal out there, very hands on , the only thing trashier is some Metasonix stuff"

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Bitrman Key Features • Four simultaneous digital effects in one box, each with its own separate control: compression, distortion, dual phasor, and “Bitrness”

• Six different “Bitrness” modes provide unique tone-bending effects: comb filter, decimator, bit reducer, FM (frequency modulation), ring modulation, and frequency shift
Effects can be configured in six different orders • Uniform, friendly, uncomplicated user interface—no fiddling with complicated menus or “hidden” knobs
• Stereo processing via four 1/4” unbalanced connectors
• ModLink port, a cable-free connection that transfers digital audio and word clock to other boxes in the ModFX family
• Footswitch connection to control the bypass function
• Input trim control to adjust input level
• Internal 28-bit digital processing
• 24-bit D/A and A/D conversion at 48kHz sampling rate for quiet, distortion-free effects
• External 9VAC power supply included its 120VAC input

In 2002, Alesis released a line of effects catered to tabletop musicians and DJs called the ModFX series. These units featured a small pushbutton for bypass, four knobs and assorted other faceplate controls. They all featured true stereo ins and outs, a trim control to attenuate extra-hot inputs, and serial COM ports on the left and right edges to chain as many as you would like without patch cables. Some of the offerings were good, some were great, and the Bitrman stood alone at the top.

Featuring three common effects and a whole host of wild ones, the Bitrman offers several patches that were the first of their kind, along with a couple that have not yet been replicated in any stompbox that I can think of.

Four knobs control digital compression, digital distortion, a “dual phasor” (?!) and a knob labeled “Bitrness.” This Bitrness control can represent one of six different effects—one at a time—that are user-selectable. The first is a comb filter, otherwise known as a static flanger. The second is called “Decimator,” which is a sample rate reducer. Many pedal companies came up with sample rate reduction but each manufacturer had its own name—Alesis’s was Decimator. The third—and the reason I sought out this effect—is the Bit Reduction program.

Other effects include ring modulation, frequency modulation and “Freq Shift,” a selective multiplier that livens up any instrument. Even though these effects were awesome on their own, it is the other pushbutton switch that takes the Bitrman to another level. This switch lets you choose one of six “effect orders,” letting you mix and match the order of the effects after you select one of the Bitrness patches. Because each effect used just one knob, an effect with its knob rolled to zero took it out of the chain.