Alesis Ion 49-Key Analog Modeling Synthesizer with Custom Hardwood Side Panels

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via this Reverb listing

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6/10/25 ThinkGeek Bliptronic 5000 + Metasonix Penile Amputator + CRS Tube Reverb + MIDIVERB II

video upload by Cfpp0

"6/10/25 ThinkGeek Bliptronic 5000 + Metasonix Penile Amputator + CRS Tube Reverb + Alesis MIDIVERB II

Someone was selling some ThinkGeek Bliptronic 5000 sequencer / synthesizers so we picked one up just to check it out. It sounds like a toy, but the interface is fun. It’s polyphonic, but this was just a first simple test. You can chain them together apparently. It sounded a little better through the Metasonix Penile Amputator into the CRS Tube Reverb for mono spring reverb and then a wash of reverb from the MIDIVERB II."

6/4/25 ElectroComp EML 400/401 + Roland TR-909 + General Radio 1654-A + Alesis MIDIVERB II

video upload by Cfpp0

"6/4/25 ElectroComp EML 400/401 + Roland TR-909 + General Radio 1564-A + Alesis MIDIVERB II

The bass pulses are the Roland TR-909 low tom through the General Radio 1564-A, with reversed reverb from the Alesis MIDIVERB II. The TR-909 trigger out is driving the ElectroComp EML 400 sequencer. I recorded two takes of the EML 400 sequencing the 401 (with and with reverb), but ended up stacking them both."

5/31-6/3/25 multitrack test of Roland TR-909 internal clock

video upload by Cfpp0

"5/31-6/3/25 Roland TR-909 + General Radio 1564-A + ElectroComp EML 200 + Ace Tone MP-4 + DeltaLab Effectron II + Peavey DDL-3 + Alesis MIDIVERB II

This video started out as a quick test of a black General Radio 1564-A Sound and Vibration Analyzer, with the 1564-A processing the Roland TR-909 low tom. The 1564-A is kind of crusty, but it works. Then that video prompted a test to see if the Roland TR-909 internal clock is solid. It is very solid; there are about five different takes layered in this video, and they’re all using the 909 internal clock. The kick, clap, rim shot, hats, ride, low tom and high tom are all used, with the low tom getting either all pass processed or 1/3 octave processed. The rim shot also gets processed towards the end. And the high wood block sound is the 1564-A getting pinged by the 909 trigger output (which is set by a rim shot pattern). The clap and the high tom are processed by the Ace Tone MP-4 preamps and spring reverb. The Alesis MIDIVERB II is used heavily for reverbs, including some absurd reversed delays. The Peavey DDL-3 and the DeltaLab Effectron II are used for delays throughout the video. The drones are two ElectroComp EML 200 synthesizers."

David Lynch's Synth Gear Up for Auction

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Apprenlty JULIEN*S auction house is auctioning off David Lynch's belongings.

Among the items you will some of studio equipment including the synths pictured here. It's interesting to see the gear he used. The Roland MKS-70 (JX10/JX-8P) used on Twin Peaks is not listed as I believe it was owned and by Angelo Badalamenti, not Lynch. I included his portable audio recording equipment, not as a synth, but as a possible sample source. Unfortunately the listing does not mention if there are any recordings present in them so keep that in mind if you bid. It would be a shame if they were removed.

Most of the items mention they were "owned and used by David Lynch in his personal recording studio."

Images in this post were captured in the order listed for each listing.

E-Mu Systems E III Model 6083 SN 02200324

Korg microX SN 003322 & Yamaha Motif 7 SN 1001208

Korg KAOS Pad KP3 SN 057331 & Kaossilator SN 080602

"Dumbland" Boss VT-1 Voice Transformer with Box Set and Studio-Used Microphones

"A lot containing the BOSS VT-1 Voice Transformer owned and used by David Lynch for voicing the characters of his cartoon DumbLand (2002), a Dumbland DVD box set, and two microphones used by David Lynch in his home recording studio known as Asymmetrical Studio."

Tony Bassett No. 1 Electronics Theremin "Spacetrip Passport"

Stylophone Pocket Synthesizer

Lot of Three Synthesizers: Alesis Nanosynth, Gakken SX-150 Mark II, Roland JV-1010 SN BN26304

Roland SPD-20 Sampling Pad SN FV41503

Portable Audio Recording Equipment - not a synth, but you have to wonder what recordings, if any, may be preserved for sample sources.

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5/21/25 Hewlett-Packard 3310A & 241A + Landscape Noon + Paia 6740 + Alesis MIDIVERB II

video upload by Cfpp0

"5/21/25 Hewlett-Packard 3310A & 241A + Landscape Noon + Paia 6740 + Alesis MIDIVERB II

We only hear the Landscape Noon passive drum synthesizer, activated by voltages from the Hewlett-Packard function generators and oscillator. The Hewlett-Packard 241A is just providing a certain rasp through channel 8 on the Noon. The left Hewlett-Packard 3310A sync output runs to channel 2, and its high output runs to channel 1, which together create the bass pulse (panned center). The right 3310A high output runs to channel 4 (panned a little left), and the 3310A range switch is played in patterns to create something like a melody. There is a gated reverb from the Alesis MIDIVERB II on both signals, and spring reverb from the Paia 6740 only on the one signal generated by the right 3310A."

5/20/25 Metasonix RK10 & RK7 & RK2 & RK6 + DeltaLab Effectron II + Alesis MIDIVERB II

video upload by Cfpp0

"5/20/25 Metasonix RK10 & RK7 & RK2 & RK6 + MFB AHDSR + Doepfer 183-2 + ALM Pamela’s anew Workout + DeltaLab Effectron II + Alesis MIDIVERB II

The Metasonix RK10 sequencer CV output is modulating the Metasonix RK7 Thyratron VCO and the Metasonix RK6 filter, with no audio input, but with resonance at the threshold of self-oscillation. Both the RK7 and the RK6 run through the Animodule MixMan into the Metasonix RK2 VCA (horsecock). One of the RK2 outputs runs through a 2hp Trim into the DeltaLab Effectron II into the Mackie Onyx 1640 mixer, panned a bit left, with reverb from the Alesis MIDIVERB II. The other RK2 output runs through a 2hp Trim to the Mackie, with the same reverb. The RK10 is clocked by ALM Pamela’s New Workout, boosted by the Doepfer 183-2. Pamela’s is also driving the MFB dual AHDSR, which is controlling the RK2."

5/19/25 (15km throb) Korg SQ-10 + Metasonix S-2000 + DeltaLab Effectron II + Alesis MIDIVERB II (32)

video upload by Cfpp0

"15k breakers bonus bone throb"

5/14/25 MFB 501 + DeltaLab Effectron II + Alesis MIDIVERB II

video upload by Cfpp0

5/11/25 Slope generator and sub oscillator sequence (modules listed in description)

video upload by Cfpp0

"5/11/25 (Slope generator and sub oscillator sequence) SSL 1240 + LWSS CGS01 + Synthesizers.com Q123 & Q125 + muSonics Attenuators & Multiples & Wave Folder + Happy Nerding FM AID + Zerosum Inertia The Scorpion Tail + Blue Lantern Mixer + Alesis MIDIVERB II + ElectroComp EML 200

I spliced two takes one after the other. In the first, the 440 Hz tone from the Synthesizers.com Q123 Standards module, gated by the Blue Lantern mixer, is the constant bell-ish sound panned left. Throughout the whole video I am selecting divide or multiply on the Lower West Side Studios CGS01 Sub Oscillator, which varies the sequence. The Synthetic Sound Labs Dual Slope Generator bipolar output to CGS01 input A. CGS01 output A to .com Q123 to muSonics Multiples to Free State FX Macro Digital Oscillator V/OCT input and to Happy Nerding FM Aid CV input and to .com Q125, with Q125 output to muSonics Wave Folder CV input. Macro output to FM Aid carrier input. Macro sine out to muSonics Wave Folder to Multiples to Zerosum Inertia Scorpion Tail audio in and to Blue Lantern Mixer input 4, with spectral wave folder switched on, triggered by SSL 1240 fall gate out. CGS01 output B to CV in on Scorpion Tail. FM Aid saw out to Mackie Onyx 1640, panned right, with reverb from Alesis MIDIVERB II. Blue Lantern mixer VCA output to Mackie, panned left, with MIDIVERB II. Zerosum Inertia output panned center, dry. The drone is four VCOs on two EML 200, with internal spring reverb, modulated by their master sine waves."

Alesis A6 Andromeda Polyphonic Analog Synthesizer

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via this Reverb listing

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ALESIS MODFX PEDALS — LOT OF 5 - METAVOX - FAZE - AMPLITON - PHLNGR - PHILTRE

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via this eBay listing

"Up for sale is one lot of five Alesis ModFX pedals from the early 2000s.

The sale includes Metavox, Faze, Ampliton, Phlngr and Philtre.

These pedals have sat unused since I acquired them new. All pedals are in excellent working and physical condition.

Every pedal includes its original Alesis power supply in its original cardboard box.

Every pedal has its original manual in cellophane except for Faze. (Once you understand one pedal, they're all easy to use)

Every pedal comes with its original packaging. The boxes show plenty of shelf wear and are in fair condition. Each still has its interior cardboard that holds the pedal and power supply in place, but these are usually broken in two or more places. Still, they do their job.

None of the pedals have Velcro on their underside. I would have included pictures but I've reached my photo limit for this auction."

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Checking out the Alesis Andromeda A6

video upload by Joe Doria Music

"I have a good friend who is a purveyor of vintage synth excellence. He let me check out his illustrious find, the rare and powerful Alesis Andromeda A6.
Needless to say now I want one (Gahhh!!!)"

5/1/25 (1st SDS6 test) Simmons SDS6 & SDS8 + Peavey 1300 + Alesis MIDIVERB II + Paia 6740

video upload by Cfpp0

"A first test of the Simmons SDS6 after having it extensively serviced by The Simmons Guy. I love it!"

Two great Simmons demos today. See the Simmons label below for more.

4/27-30/25 (16th, 145) Metasonix D-2000 + Roland 100m SPH-323 TR606 + EML 400/401 + (in description)

video upload by Cfpp0

"4/27-30/25 (16ths, 145 bpm) Metasonix D-2000 + RYK 185 + Roland System 100m & SPH-323 & TR-606 + ElectroComp EML 400/401 & EML 200 + DSP 808 + 2hp Comp + Soundforce S-LD + Peavey 1300 + Alesis MIDIVERB II + Paia 6740

The pumping drone that sounds like a harmonium is the ElectroComp EML 200 through a 2hp Comp module, with reversed reverb from the Alesis MIDIVERB II and spring reverb from the Paia 6740. The bass pulse is the Metasonix D-2000, triggered by the MFB SEQ-1. The 16th note synth panned center is the Roland System 100m, sequenced by the RYK 185, through the Roland SPH-323 through the Peavey 1300. The 16th note synth line panned left is the EML 400/401. The percussion is the DSP 808 and the Soundforce S-LD, triggered by MFB SEQ-1 and ALM Pamela’s New Workout, which clocks everything."

4/27/25 Roland System 100m & SPH 323 + Peavey 1300 + Ace Tone MP-4 + Alesis MIDIVERB II

video upload by Cfpp0

"4/27/25 RYK 185 + Roland System 100m & SPH 323 Phase Shifter + Peavey 1300 + Ace Tone MP-4 + Alesis MIDIVERB II

I was going for Burzum low fidelity with the Peavey 1300 overloading and the Ace Tone MP-4 spring reverb feedbacking. Anyways, ALM Pamela’s New Workout clocks the right RYK Modular 185, which gates one of the Roland 140 envelopes and the left RYK 185, which gates the other envelope. Each 185 modulates the pitch of one Roland 110 VCO and VCF, while the VCFs are also modulated by LFOs from the 140 and 150 modules. The 140 envelopes control the two 110 VCAs, which are mixed on a Roland 132 and sent through the Roland SPH-323 Phase Shifter into the Peavey 1300 delay. The Ace Tone MP-4 is patched into itself for feedback as it further distorts the delayed signal and adds spring reverb."

4/22/25 Soundforce S-LD + SSL 1660 + GenRad 1564-A + BLM Gate Seq + DSP 808 + MIDIVERB II + PV 1300

video upload by Cfpp0

"4/22/25 ElectroComp EML 200 + Synthetic Sound Labs 1660 + Analog Craftsman acVOKs + STG muSonics Vanilla Envelope + General Radio 1564-A + Blue Lantern Gate Sequencer + Soundforce S-LD + DSP 808 + Alesis MIDIVERB II + Peavey 1300

Testing out a used Soundforce S-LD module we just got. You can hear the cowbell and the maraca (there’s a switch on the back to choose the Linn toms or percussion). The other percussion is from the DSP 808 module, which is a similar sampled sound module, but with pitch control and voltage controls. The synthy kick drum is the General Radio 1564-A processing the S-LD kick drum. Its VU meter looks like it’s out of sync, but it’s just slow and getting pinned hard. The two drones that build up are from two ElectroComp EML 200 synthesizers. The synth lines are Synthetic Sound Labs 1660 The Matrix Algorithmic Composer through the Analog Craftsman acVOKS filter into the STG muSonics Vanilla Envelope. The reverb is preset 10 on the Alesis MIDIVERB II."

4/18-19/25 (tranq staccato) RYK 185 + Roland System 100m & TR-606 + (more listed in description)

video upload by Cfpp0

"4/18-19/25 (tranq staccato) RYK 185 + Roland System 100m & TR-606 + DSP 808 + MXR 136 + Paia 6740 + Alesis MIDIVERB II + ADR Pan Scan + Eventide H3000B

Nothing drones quite like the ElectroComp EML 200. Two EML 200 VCOs are running through its left mixer into its internal spring reverb into its right mixer into the ADR Pan Scan and the Alesis MIDIVERB II and Eventide H3000B (Cyclons). The synth is the RYK 185 sequencing five VCOs through three filters on the Roland System 100m, processed by the Pan Scan, H3000B, and MIDIVERB II, with LFOs modulating the filters and with manual wiggling of the envelopes. The claves is the RYK 185 gate output triggering the DSP 808 module, with spring reverb from the Paia 6740. The tom is from the Roland TR-606, squashed by the MXR 136 limiter, with a room reverb on the MIDIVERB II. As the TR-606 kick drum is faded in, it further squashes the already squashed tom. The other kick is the DSP 808, with a trigger from ALM Pamela’s New Workout inverted by the Ladik U-202."

4/16/25 (transpose) ARP 1623 & 1613 + Roland System 100m + Alesis MIDIVERB II + Paia 6740

video upload by Cfpp0

"4/16/25 (transpose) ARP 1623 & 1613 + Roland System 100m + Alesis MIDIVERB II + Paia 6740 + ALM Pamela’s New Workout

Well, I’ve been having too much fun with the ARP 1623 sequencer, so we decided not to sell it after all. We were lucky and got it during the pandemic from an eBay auction with no reserve and no lurking whales, and we know we won’t be that lucky again. In this video the 1623 sequence is transposed by a slower sequence on the ARP 1613. The ALM Pamela’s New Workout clocks the ARP 1623 sequencer, which is in sequential 8/2 mode. The 1623’s Position 1 output drives the 1613, which is also in 8/2 sequential mode, but with a three step sequence (steps 4-8 are set to gate bus 3). The 1613 quantized output A is mixed with the 1623’s quantized output B in the Roland 130 mixer, then that controls the pitch of one of the Roland 110 VCOs. The 1623’s quantized A controls the other 110 VCO’s pitch. The 150 LFO and the 140 LFO are modulating the two 110 VCFs. Both VCAs run through the Lower West Side Studios M830 Signal Distribution System to the Mackie Onyx 1640 mixer. The Alesis MIDIVERB II is on an aux send and the stereo output returns to two channels on the Mackie, hard-panned, with onboard eq to brighten it up. The Paia 6740 spring reverb is panned hard left."

Electronic rock Jam (DrumBrute Impact, MicroFreak, Circuit Rhythm, SR-16)

video upload by Baron von Lärm

"Arturia DrumBrute Impact, Arturia MicroFreak, Novation Circuit Rhythm, Alesis SR-16, Roland SP404"