6/16/25 Roland (RYK, E-licktronic) System 100m + Peavey 1300 + DeltaLab Effectron II + MIDIVERB II

video upload by Cfpp0

"Haven’t been using the E-licktronic 118a 808 bass drum and snare drum clone lately, so this was a chopping-block patch. We’re going to keep the 118a module in the end, as it’s still the closest thing to a Roland TR-808 around here. This System 100m patch is based around two RYK Modular 185 sequencers. The right 185 is clocked by the left 185’s gate output. The 118a snare is being triggered by that same gate pattern and the snare audio output is running through the DeltaLab Effectron II delay, feedback maxed, panned left. Both 110 VCOs are controlled by two RYK 185 sequencers, and both VCOs pass through the right 110 VCF into the right 110 VCA into the Peavey 1300 delay with plenty of feedback, panned center. The 150 and 140 LFOs are on the 110 filters and modulating the 118a accent in and decay CV. Some reverb (preset 23) from the Alesis MIDIVERB II."

5/31-6/3/25 multitrack test of Roland TR-909 internal clock

video upload by Cfpp0

"5/31-6/3/25 Roland TR-909 + General Radio 1564-A + ElectroComp EML 200 + Ace Tone MP-4 + DeltaLab Effectron II + Peavey DDL-3 + Alesis MIDIVERB II

This video started out as a quick test of a black General Radio 1564-A Sound and Vibration Analyzer, with the 1564-A processing the Roland TR-909 low tom. The 1564-A is kind of crusty, but it works. Then that video prompted a test to see if the Roland TR-909 internal clock is solid. It is very solid; there are about five different takes layered in this video, and they’re all using the 909 internal clock. The kick, clap, rim shot, hats, ride, low tom and high tom are all used, with the low tom getting either all pass processed or 1/3 octave processed. The rim shot also gets processed towards the end. And the high wood block sound is the 1564-A getting pinged by the 909 trigger output (which is set by a rim shot pattern). The clap and the high tom are processed by the Ace Tone MP-4 preamps and spring reverb. The Alesis MIDIVERB II is used heavily for reverbs, including some absurd reversed delays. The Peavey DDL-3 and the DeltaLab Effectron II are used for delays throughout the video. The drones are two ElectroComp EML 200 synthesizers."

5/20/25 Metasonix RK10 & RK7 & RK2 & RK6 + DeltaLab Effectron II + Alesis MIDIVERB II

video upload by Cfpp0

"5/20/25 Metasonix RK10 & RK7 & RK2 & RK6 + MFB AHDSR + Doepfer 183-2 + ALM Pamela’s anew Workout + DeltaLab Effectron II + Alesis MIDIVERB II

The Metasonix RK10 sequencer CV output is modulating the Metasonix RK7 Thyratron VCO and the Metasonix RK6 filter, with no audio input, but with resonance at the threshold of self-oscillation. Both the RK7 and the RK6 run through the Animodule MixMan into the Metasonix RK2 VCA (horsecock). One of the RK2 outputs runs through a 2hp Trim into the DeltaLab Effectron II into the Mackie Onyx 1640 mixer, panned a bit left, with reverb from the Alesis MIDIVERB II. The other RK2 output runs through a 2hp Trim to the Mackie, with the same reverb. The RK10 is clocked by ALM Pamela’s New Workout, boosted by the Doepfer 183-2. Pamela’s is also driving the MFB dual AHDSR, which is controlling the RK2."

5/19/25 (15km throb) Korg SQ-10 + Metasonix S-2000 + DeltaLab Effectron II + Alesis MIDIVERB II (32)

video upload by Cfpp0

"15k breakers bonus bone throb"

5/14/25 MFB 501 + DeltaLab Effectron II + Alesis MIDIVERB II

video upload by Cfpp0

5/3-5/25 (2 patterns) Simmons SDS6 & SDS1 + DR-55 clone + DigiTech HM4 + EML 200 + (in description)

video upload by Cfpp0

"5/3-5/25 (2 patterns) Simmons SDS6 & SDS1 ('flange snare') + Doctor 55 clone + DeltaLab Effectron II + TAMA DS200 + ElectroComp EML 200 + Ace Tone MP-4 + DigiTech HM4 Harmony Machine + Alesis MIDIVERB II + MXR 136 Dual Limiter + DBX 119 + Peavey 1300

This Simmons SDS6 was dead, but it’s been serviced by The Simmons Guy. It got converted from 220v to 115v with a rebuilt PSU, a cloned reset circuit on a custom PCB, traces rerouted on the dead expansion PCB with new caps and trimmer, new RAM ICs, new batteries, plus a MIDI in mod and, due to a lot of corrosion, plenty of new traces, caps, resistors, diodes, and so on. I’m still working my way through the SDS6 manual, but it’s already been a real pleasure to have such a giant sequencer. It makes the Doepfer Trigger Matrix seem microscopic. Considerable noise from the SDS6 is audible through the (always noisy) Doctor 55 clone. Not sure why. Anyways, the SDS6 is triggering the DR-55, which runs through the DeltaLab Effectron II, overloading the preamp limiter, fully wet, full feedback. In the first pattern, the Effectron II is set to Flange Lo (16ms). And then Double (64ms) in the second pattern. The SDS6 also triggers the SDS1, with a “flange Snare” EPROM and with the auto run feature on, and it’s panned a bit right with reverb from the Alesis MIDIVERB II. The SDS6 also triggers the TAMA DS200, which runs through the Ace Tone MP-4 for saturation and spring reverb. The DR-55 is also running through the Peavey 1300, which is panned left and has a lot of reverb from the MIDIVERB II. I did an overdub where I ran the whole first pattern through the DigiTech HM4 harmonizer, but the detuned copy sounded better when placed early, before the high pitched original. So if you are wondering why you can’t see those detuned notes on the SDS6 matrix, that’s why. You can see those notes being leveled by the MXR 136 limiter in the cutaway shots. The second pattern has drones from the EML 200 synthesizers: one is constant, panned left, and getting louder the whole time; the other is four VCOs through two VCAs, modulated by two different master sine waves, with the EML internal spring reverbs and reverb from the MIDIVERB II."

DeltaLab Effectron II ADM 1024 demo with external modulation.

video upload by Ross Totino and Fans of Collision

"DeltaLab Effectron II demo. Two versions of the Effectron II are used in this demo. All examples use external modulation signals from a modular synthesizer system such as Envelope Followers, LFOs, and Sample and Hold modules."

See the DeltaLab label below for additional demos.

DeltaLab ACOUSTIKCOMPUTER DL-2 Professional Module Series

video upload by foleytronics fx repair

Filing this one under synth effects. It's not a synth, but an effects rack with Reverb and Delay. Note the VCO used for Delay modulation.

See the DeltaLab label for additional posts featuring some of their other products.

Shin-Ei “Four-in-the-floor” drum synthesizer foot pedal

video upload by Cfpp0

"Shin-Ei drum machine. Runs on two 9v batteries. Works perfectly, just some occasional scratch on the volume sliders. Distort it and it becomes another thing altogether. Compress it and you can get some 808-ish. Sticker on bottom says from 1974."

Playlist:
7/14/23 Shin-Ei “Four-in-the-floor” drum synthesizer foot pedal + Deltalab Effectron II + CXM 1978
7/14/23 DEMO: Shin-Ei “Four-in-the-Floor” drum synthesizer pedal [bone dry]
7/14/23 Pam’s + Synare 3 and a Shin-Ei Four-in-the-Floor into Effectron II (x2) + PCM 70 + CXM 1978
7/14/23 Shin-Ei “Four-in-the-Floor” drum synthesizer pedal and Metasonix TM-5
7/14/23 Chuck Johnson’s “Caldera Wires” poorly programmed into Firstman SQ-01 + Metasonix TM-5

Some pics with the original box via this auction

"This is a vintage Shin-Ei 4 IN THE FLOOR PERCUSSION COMBO foot operated drum machine. Yes, the same Shin-Ei that brought you the Univibe pedal!

Powered by 9v batteries, and operated via four pedals to trigger four drum sounds, with four sliders to control the volume of each drum sound.

The snare rooooolllllllllllllllllls. And you can set the rate of the roll, which they call REPEAT, with a flathead screw driver! Mono 1/4” out.

Great skeuomorphic wood grain laminate with chrome and aluminum. Rainbow on the back, and a cool wedge shape all around. The drum sounds are beefy, robust, healthy, and sound very analog.

I played the pedals by hand, though they are meant to be played by foot, probably while playing guitar, keys, woodwinds, brass, drums, turntables, or possibly the harp if you wanna get all Zeena Parkins and Ikue Mori with it.

Rare as a leprechaun, ride this rainbow into the night."

You can find additional info and pics of another one here.

CLICK FOR MORE »

Rainy Day Modular #3 - Zvex Lo-Fi Junky, Temps Utile, Moog Mother 32

Published on May 1, 2017 ann

"Rain came back for some afternoon noise making. One take, no overdubs. JHS Alpine, Boss ME-50, Strymon Blue Sky, and the Delta Labs Effectron providing copious amounts of Delay and Reverb."

Yamaha DX7 through DeltaLab Effectron II

Published on Jun 16, 2014 SynthMania·338 videos

Delta Lab Effectron JR 1050 + Dave Smith Instruments Poly Evolver

Published on Apr 3, 2014 LESINDES·164 videos

"Stunning combination. I was quite surprised how strong the EFFECTRON JR was affecting the per se rich sound of the POLY EVOLVER!!!! The internal delays of the POLY EVOLVER were switched off. The delay FX you hera in the video and that is creating this scent of ambient are only produced by the fabulous DELTA LAB EFFECTRON JR."

Delta Lab Effectron JR 1050 + Roland TR606

Published on Mar 31, 2014 LESINDES·161 videos

"Vintage Digital Delay
Very Dubby"

Six-Trak through Effectron II ADM 1024

Published on Oct 30, 2013 SynthMania·283 videos

"A Sequential Circuits Six-Trak processed through a DeltaLab Effectron II ADM 1024"

Village - Stranger Thoughts (the passenger's drift mix) & the Delta Labs DL-2

the passenger · Village - Stranger Thoughts (the passenger's drift mix)

"sea sick head nod...look out and unfocus your eyes
villagevillage.bandcamp.com"

via Jesse Creed on The MATRIXSYNTH Lounge

"remixed with ableton and a tr808 through a delta labs acoustic computer"


via Lace Dj on The MATRIXSYNTH Lounge

"By request here is the rare deltalab dl-2 from the Canmarc collection. Jesse & I use it all the time. It's a dual digital delay line that can function in serial or parallel mode. It's unique in many ways, the most obvious being in the name. It's one of the few digital devcie that uses delta modulation instead of pcm to sample audio and it's part of the reason it has a unique sound. You can sample the input, hold and randomise the delay, then add eq + reverb and modulate the result with an LFO on delay time and reverb pitch. You can change image and phase on the fly, and it has voltage control inputs on the back for the VCO. Around it are a couple other of our vinatge units, above is another rare Deltalab, The dl-5 Harmonicomputer voltage controlled pitch shifter and below it is the Intersound R100 spring reverb."

The Passenger - New Tracks & Synth Pics

the passenger · The passenger - backyard acid

"Roland TR606, Roland TR808, Roland SH101, Roland MC202, Modular Synthesizer, Korg Wavestation, Octave Cat, XOXBOX, Tascam DM4800, Roland SDE2500, Delta Lab Effectron 1, Otari MX80"

the passenger · The passenger - sombre landscape 05

"Akai S612, Akai AX60, Arp Solus, Octave Cat, SCI Prophet 5, Modular synthesizer, Korg Stage Echo, Tascam DM4800, Otari MX80"

CLICK FOR MORE »

Akai AX80, Micromoog, and Deltalabs Delay

current pic on suitandtieguy.com

The pic was from this show.

Deltalab DL-5 Harmonicomputer Demonstration

YouTube via caffeinatedrecording
"This guys has a very noisy signal path, but here's what one of these weird contraptions sounds like. I am running a Maestro Rhythm King into it."

DeltaLab Echotron

Another scan via LDT.