9/15/26 (2050 test) 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + MIDIVERB II

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"9/15/26 (2050 test) Jakub Jasiński 2050 + MFB OSC-02 & dual ADSR + Ladik S-143 & U-202 + CXM 1978 + Alesis MIDIVERB II

If you came for metallic falcon screams, jump to 1:19. This unbranded 2050 module was made custom by Jakub Jasiński for the previous owner. It’s plugged in a 4ms pod, but it’s getting 5v DC externally. It’s not a clone, but it seems to have been based on the Zerosum Inertia 6550-99, which is probably the greatest voltage controlled oscillator of all time. The Ladik S-143 (through the U-202 and multiplied) is sequencing the 2050 tune input and pulse input, as well as the MFB OSC-2 CV1. The triangle on the OSC-2 is running to the sync input on the 2050. An envelope from the MFB dual ADSR is running to the 2050 drive input. The delay is from the Peavey DDL-3 and the reverb was blended on CXM 1978."

9/3/26 (300 test) ElectroComp EML 200 & 300 + Peavey DDL-3 + CXM 1978

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"It took many years to find an EML 300 controller that wasn’t too haggard or too expensive, but here it is—and it’s blue! We weren’t sure whether it worked properly or not, but I plugged it into one of our EML 200 synthesizers today and it powered up. So far it seems to be working pretty well. This was the first test. The oscillator we hear is coming from the EML 300, with the pitches punched in manually on the keypad. The envelope settings are also from the EML 300, but the envelope is modulating the EML 200 VCA, which is processing the audio from the 300. The VCA output runs through the EML 200 internal spring reverb then out to the Mackie Onyx 1640. The delay is from the Peavey DDL-3 and the reverb was blended on the CXM 1978, but the delay is only heard through the wet delay."

6/6-12/26 (130bpm) Roland TR-606 + Narco Biofeedback System + 1613 + 2a76 + HD 1000 + 1564-A + (…)

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"6/6-12/26 (130bpm) Roland TR-606 + Narco Biofeedback System + Brüel & Kjaer 1613 + Ibanez HD 1000 + Peavey 1300 & DDL-3 + Dukane 2a76 + General Radio 1654-A + DSP 808 + Simmons SDS-1 + Roland System 100m + Zerosum Inertia 5654 + MFB dual ADSR + Alesis MIDIVERB II + Waveform LPG + CXM 1978

I tend to leave ALM Pamela’s New Workout (the clock) at the same bpm for long periods of time. And since the videos all have the same tempo, I’ll sometimes drop them on top of each other to hear if they work together. Depending on the top layer video, this can result in ugly videos, but iMovie only allows two videos with audio and three audio-only files in the timeline. This video is a composite of several recent unrelated videos, plus a bass drum synthesized for this video to tie it all together. The Roland TR-606 toms are distorted by the Dukane 2a76, and bandpass filtered by the Brüel & Kjaer 1613. The quarter note hat and shaker sound are from the DSP 808 through the Peavey 1300 delay. The snare is distorted by the General Radio 1564-A, and the additional snare sound is the Simmons SDS-1. The hats are from the TR-606. The bass drum is the Roland System 100m 121 VCF, with the resonance maxed, modulated by an envelope from the 140 module, externally triggered by ALM Pamela’s New Workout, then it runs through the Zerosum Inertia 5654 left channel into the right channel, modulated by the MFB dual ADSR, and a reversed reverb from the Alesis MIDIVERB II. The melodic gated element is the Narco Biofeedback System through the Ibanez HD 1000 through the Waveform LPG, gated by the MFB dual ADSR, and then delayed by the Peavey DDL-3. The drone towards the end is also the Narco Biofeedback System through the Ibanez HD 1000, through the DDL-3, and with significant amount of reverb blended on the CXM 1978. Two Alesis MIDIVERB II units are used for the reverbs."

6/4/26 Narco Biofeedback System + Peavey DDL-3 + CXM 1978

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"This intriguing piece of scientific equipment from Narco Bio-Systems Inc. was intended for Electroencephalography (EEG), not for music, but it was available on eBay and seemed promising so we made an offer. The fraying power cable needs to be replaced, there’s a hum and it’s hissy, but it turned on. If we find the right electrodes I might hook it up to my brain, but for now, it’s running through the Peavey DDL-3 digital delay pedal, with reverb blended on the CXM 1978. At around 3:00 the manual fade-ins start turning into a drone and then, by around 4:45, the feedback is turned up higher on the DDL-3 to loop the drone."

4/16/26 (Oofos) Roland & RYK System 100m + Peavey 1300 + CXM 1978 + Alesis MIDIVERB II

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"Resistance starch
Shin splints"

4/3/26 ElectroComp EML 200 + Peavey DDL-3 + CXM 1978

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4/2/26 Buchla 243v 258d 281 292r 244 + TTMC 5 step seq + CXM 1978

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"Transposing a sequence on the Tokyo Tape Music Center 5 step sequencer using its own clock divider and the Verbos & Associates 243v pulse generator. Delay from the Peavey DDL-3 and reverb from the CXM 1978."

3/30/26 (Facai’s Rimowa) Technosaurus Cyclodon & Microcon + Peavey DDL-3 + Mackie Mix12FX

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3/29/26 (fu jian straps) Technosaurus Cyclodon & Microcon + Peavey DDL-3 + Mackie Mix12FX

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3/29/26 (ha mi gua shazhao) Technosaurus Cyclodon & Microcon + Peavey DDL-3 + Mackie Mix12FX

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"Two build ups from 4 to 16 steps, with delay from the Peavey DDL-3."

3/17/26 (1635, passport) Technosaurus Cyclodon & Microcon + Peavey DDL-3 + Mackie Mix12FX

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3/9/26 (little Lee) Technosaurus Cyclodon & Microcon + Peavey DDL-3 + Mackie Mix12FX

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3/6/26 Technosaurus Cyclodon & Microcon + Peavey 1300 + Mackie Mix12FX

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1/25/26 York TT4 & rBPF + Zerosum 5654 + MFB OSC-3 ADSR LFO + Ladik S-143 + OAM Time Machine +

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"1/25/26 Zerosum Inertia 5654 + MFB OSC-3 & dual ADSR & dual LFO + York Modular TT4 & rBPF + OAM Time Machine + Ladik S-143 + ALM Pamela’s New Workout + Alesis MIDIVERB II + Peavey 1300 + Paia 6740 + CXM 1978

We got some resonant filters by York Modular and this was a first test. The Ladik S-143 sequences the MFB OSC-3. The MFB oscillators 1 and 2 run through the TT4 into the right side of the Zerosum Inertia 5654 dual VCA, which is modulated by the MFB dual ADSR, and then through the OAM Time Machine. Oscillator 3 runs through the rBPF into the left side of the 5654, modulated by the MFB dual LFO and dual ADSR, and then through the Peavey 1300 delay (panned left). All of the signals have reversed reverb from the Alesis MIDIVERB II, spring reverb from the Paia 6740, and stereo reverb from the CXM 1978."

1/17/26 Buchla + Eardrill + JRB + Synthetic Sound Labs + Peavey DDL-3 + CXM 1978

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"1/17/26 Buchla 258 & 244 & 281 292 + Eardrill Morphun + Synthetic Sound Labs 3650 + JRB VCBF + Peavey DDL-3 + CXM 1978

The Eardrill Morphun is sequencing the Buchla 258d sine/square wave oscillator. I’m playing the Synthetic Sound Labs 3650 manually to control the pitch of the 258d sine/saw wave. Eventually I insert a cycle from the 281 into the Morphun reset jack, which randomizes and disrupts the sequential loop. The sine/saw VCO runs through the 292r, with the gated sine/saw signal panned center on the Mackie Onyx 1640 mixer, while the gated sine/square signal runs through the JRB VCBF filter, modulated by the 281, then through the 292 into the Peavey DDL-3 delay, with the direct output panned slightly right on the Mackie and the delayed output panned left. All three signals have some stereo reverb blended on the CXM 1978."

12/28/25 ARP 1623 + ElectroComp EML 200 + Peavey DDL-3 + CXM 1978

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"I think this is the first time I sequenced the EML 200 with the ARP 1623. The sequencer is 1 volt per octave and the synthesizer is 1.2 volts per octave, but it still works. Here the gate bus 1 on the ARP is triggering the envelope on the EML, which controls the VCA both VCOs are running through. That signal then runs through the EML spring reverb into the Peavey DDL-3 delay to the Mackie Onyx 1640 mixer, where the dry is panned left and the wet is panned center. Both have stereo reverb blended on the CXM 1978."

12/23/25 (O Holy Night) Roland SH-101 + PV 1310 + MXR 129 + Yamaha EM-100 + MIDIVERB II + CXM 1978

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"Some “O Holy Night” Christmas crystals"

12/23/25 (Christmas crystals) Roland SH-101 + MXR 129 + (…)

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"12/23/25 Roland SH-101 + Peavey 1310 + MXR 129 Pitxh Transposer + Yamaha EM-100 + Alesis MIDIVERB II + CXM 1978

Merry Christmas crystals"

12/14/25 Roland SVC-350 & SH-101 + Shure SM58 + Peavey 1300 & DDL-3 + Alesis MIDIVERB II

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Cfpp0

"12/14/25 Roland SVC-350 Vocoder (for sale) & SH-101 + Shure SM58 + Peavey 1300 & DDL-3 + Alesis MIDIVERB II

'Hello, buy my vocoder—now, now, now! Please.'

Those are the lyrics. We are listing the SVC-350 Vocoder and the SPV-355 pitch to voltage synthesizer in this video on reverb.com at Christopher’s Boutique 489."

via this Reverb listing

"This listing is for two rare rack units by Roland that will let you turn your voice into robots, aliens, or just plain old voltages: the SVC-350 Vocoder and the SPV-355 Pitch to Voltage Synthesizer. The video in the photos section of this listing is of the actual unit.

The SPV-355 allows you to take audio and convert it into pitch voltages, envelopes, and gates to use on other equipment. It’s also a nice two-VCO synthesizer itself, with filter and envelope controls.

The SVC-350 is a coveted Vocoder, allowing you to connect synthesizers, drum machines, guitars and, of course, a microphone, and get either a fully wet vocoded version or a blend of the dry and wet.

Both work well, but both are old. This means you need to use them regularly or they can develop a little bit of scratch when turning the knobs.

You are the robots."

11/30/25 Metasonix D-2000 + MFB SEQ-1 + Roland SPH-323 + Peavey 1300 + Alesis MIDIVERB II

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"11/30/25 Metasonix D-2000 + MFB SEQ-1 + Roland SPH-323 + Peavey 1300 + Alesis MIDIVERB II

ALM Pamela’s New Workout clocks the MFB SEQ-1, which is triggering the Metasonix D-2000. The D-2000 mix output runs through the Roland SPH-323 phase shifter into the Peavey 1300 delay, in a double mode with heavy feedback. That signal runs to the Mackie Onyx 1640 mixer, where a reversed reverb from the Alesis MIDIVERB II is applied."