Being Boiled - The Human League Synth Cover

video upload by Alex Ball

"Following on from my Roland System 100 feature video [posted here], here's a full cover of the Human League's first single, 'Being Boiled' from 1978.

Breakdown:
I was very fortunate to receive a copy of the original beat patch from Martyn Ware via Robbie Puricelli. Martyn had passed on that it might need to tweaking and experimentation, which wasn't surprising given the nature of analogue gear.

The patch sheet gave me the pitched noise part and the snare and I found I needed to add a bit of EQ from my mixer to dial those in too. I also had had to adjust the settings in tiny increments for quite a while until it sounded very close. Strangely, I had to use the white noise on my 100 to get it to sound like the original recording as the pink noise that they actually used sounded too dull on mine. Maybe it's the age of the unit now!

Interestingly, they used a technique explained in the 104 sequencer manual where a CV from one of the channels can be used to alter the clock speed. If this is dialled in correctly then the note value can be set for each step of the sequence. This is how they got a 4/4 pattern within 11 steps, instead of 16. As I wanted an exact tempo, I cheated and used an external clock pulse via midi.

A puzzle: After the initial beat, another drum sound joins in. It's a sort of bass drum, but it doubles the snare, rather than providing a typical bass drum pattern. This could have been a manual overdub, but it could have also been done with the other two drum parts because I've seen at least one photo of the Human League with two 102 expanders at this time. Either way, it isn't part of the patch on the original patch sheet.

Next, there's the narrow pulse wave rhythm that appears throughout the song, again, it's not part of the original patch, so it was presumably an overdub. Did they put down a clock pulse at the outset and then use it for synch of a 2nd pass? That's my suspicion.

Finally, if you listen you can hear a track of synth FX running continuously through through song. Often it's ring modulator atmospheres, but there's some definite filter resonance and filter LFO mod tweaking in places. My belief was that someone just sat there and tweaked for the entire song on an available track and they blended it in as a texture and I subsequently found an extended interview with Martyn Ware on the Bonedo website where he indeed confirms that they did exactly that. The thinking was to make it sound more cinematic.

Bass line:
Dead easy - two sawtooth waves on the miniKORG 700S with a little detune, no attack and max sustain ('singing') with no release ('sustain'). The 'sustain long' setting is used.

Roll the highpass filter up a bit and the lowpass slightly higher until it sounds right and make sure expand and bright are engaged for filter mod. That's basically it.

Vocals - double tracked, but I also used a 1979 Boss DM-2 on the send of my mixer for some vintage doubling. I don't know exactly what they did on the original, but it's definitely double tracked at the very least."