via this Reverb listing, also on eBay

Unlike its contemporaries, the 101 featured four voltage-controlled oscillators—two of which operate sub-sonically for LFO duties—with morphable waveforms accessible via rotary selectors. It’s duophonic, allowing up to two-note polyphony, and provides a unique modulation architecture where control voltage and audio signals are treated interchangeably, offering highly creative patching possibilities.
A 12dB/oct multimode filter (low-pass, band-pass, and high-pass) with resonance adds tonal versatility, and the onboard ring/amplitude modulation, sample-and-hold (“Sampler”), and dual envelope generators give the 101 deep sound-shaping power. Thanks to its use of op-amps instead of temperature-sensitive transistors, the 101 also boasts impressive tuning stability compared to Moog or ARP synths of the era.
Designed with portability in mind, the unit folds neatly into its own wooden case, making it ideal for studio or stage use.
Originally marketed to universities and educational institutions, the EML-101’s modular flexibility, rich analog tone, and rock-solid build quickly caught the attention of professional musicians and sound designers, cementing its place as one of the most powerful portable synthesizers of the 1970s.
Features:
Polyphony: Duophonic
Oscillators: 4 VCOs (2 with sub-audio range; variable waveforms + noise)
Filter: Multimode 12dB/oct filter (low-pass, band-pass, high-pass) with resonance
Envelopes: 2 ADS generators
Effects: Ring/Amplitude Modulator, Sample-and-Hold
Modulation: Any CV or audio signal can be patched freely
Keyboard: 44-note
Control: CV/Gate compatible
A previously used item that shows signs of cosmetic wear but is fully operational and functions as intended—a vintage gem ready to inspire."

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