


Press release follows:
"Supercritical Synthesizers has just released a new firmware update for the Redshift 6 and it’s available on their website. Firmware Update 1.3 introduces 6-part multitimbrality and multitimbral presets.
With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral — there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.
With each of the Redshift 6’s six voices capable of generating up to 16 oscillators for a total of 96, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators.
Watch the multitimbral Redshift 6 in action: [posted here]
Added
Multitimbrality
Preset preview: presets are automatically loaded while browsing
Amp & VCF envelope ADSR controls now have CC numbers
Key page now has controls for Low/High key limits
Multitimbral factory presets
Various improvements and tweaks
Fixed
Fixed all known bugs
Supercritical’s Redshift 6
Redshift 6 is a true Sonic powerhouse. With 16 analog oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs, combined with complex yet easy-to-assign modulation possibilities and the 32-slot mod matrix, offer endless possibilities for sound design.
Each of the Redshift 6’s six voices features a Demon Core Oscillator, capable of generating up to 16 simultaneous analog oscillators per voice. These oscillators can be assigned in various ways, from lush polyphonic textures to a massive 96-oscillator unison."
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