Synthesizing with Moog | Lesson 6: Carrier

video upload by Moog Music

Synthesizing with Moog

"In the 1970s, composer John Chowning used early computers to experiment with extreme vibrato effects. Modulating the pitch of a sound with an LFO gives a nice vibrato, but raise the frequency of the LFO into the audio rate and all of a sudden dense new textures are created. In this episode we look at how to create harmonics using basic waveshapes through processes such as Frequency Modulation (FM), Amplitude Modulation (AM), and distortion effects like saturation and wavefolding.

Written, hosted, filmed, and produced by our team of electronic musical instrument experts, this new seven-part educational video series makes learning the fundamentals of synthesis accessible, engaging, and inspiring for anyone curious about science, music, and how the two worlds converge. We set out to create a series that brings you as much technical knowledge as it does entertainment and joy as you watch each episode!

We invite you to follow along with us at home with a printable worksheet corresponding to the contents of each weekly episode. https://inmusic.to/bdhnff3m

Creator, writer, and host: Chris Miller
Director and editor: Paul Shaver
Producers: Max Ravitz and Chris Miller
Director of Photography: Paul Shaver
Music: Max Ravitz and Gunnar Haslam
Graphics and Animations: Ryan Ford
Special thanks to Ana Rome
Filmed on location at Schneidersladen Apotheke, Berlin"