SEOK synthesizers Introduces BOUNCE – One-Shot Event Generator Eurorack Module

video upload by SEOK synthesizers

"Bounce is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control. It creates trigger-driven one-shots with 8 distinct waveforms that can range from sharp clicks to rounded contours.

Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle. Length, repeats and delay shape the result from tight hits to rolls, flams and clustered rhythms perfect for kick and bass.

Full CV control + inverted output. Designed and hand-built in Sweden."

Timestamps:
00:00 Intro
00:33 Patch 1 Rolling Filter Beat
01:11 Patch 2 Fading Inversions
02:05 Patch 3 Ratcheting HH/Perc
02:35 Patch 4 Sweetspots
03:29 Patch 5 Neg Resonance Mod
04:00 Patch 6 Random Mod
04:14 Patch 7 Ramps Ramping Rapid
05:15 Outro

Additional details:


"BOUNCE One-Shot Event Generator

This is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control signals.

Bounce creates trigger-driven one-shots with a set of 8 distinct waveforms selectable via the large control knob. From sharp, click-like hits to softer, rounded contours. This offers fast access to clearly different envelope characters.

Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle.

The length control sets the length of the waveform while repeats add repetitions of the wave, and delay sets the time between those waves.

These features in combination makes it easy to move from single tight envelopes to rolls, flams, clustered impacts and creative rhythmic patterns.

All main parameters got CV-inputs. A dedicated inverted output adds instant polarity flip.

Background

We like techno. For us its about solid kicks with defined transients and a fundamental low end that moves air without collapsing the mix.

Bounce is built to be performative and work at the source. By shaping events, accents and repetitions already at the control stage – it lets the mix breathe and leaves space where it matters most. Perfect for basslines, drums and transients."