Sequential Fourm - He bought the Sequential Fourm, for the wrong reasons, and you may want to too!

video upload by kgbirmingham media

Don't miss the videos below. Also see Sequential Fourm - The Non Prophet Presets by kgbirmingham media.

"I traded in my Roland MC-707 for a Sequential Fourm. And, I did it for all the wrong reasons!
This video is different than my usual music videos. I needed a synth that was simple to use, could be a Polyphonic Aftertouch Controller for my ASM Hydrasynth and horror of all horror had MiniKeys.
So, this is why I bought the Sequential Fourm and why you may want to too!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into a Zoom R4 and transferred it to my DAW - Fender Studio Pro 8.
The background music is five tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and an iPhone SE and iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm - For All The Wrong Reasons - The Song!

video upload by kgbirmingham media

"Sequential Fourm – For All The Wrong Reasons – The Song!
When I shot my Sequential Fourm video 'For All The Wrong Reasons' I created a background music track using only the Sequential Fourm for that video.
It is short, but I like it, so I put it together with some video on a misty day from Marie Curtis Park.
Enjoy!
For the Techies
The background music is five tracks all created on the Sequential Fourm using Factory Presets:
1 - A New Legend, 44 - Ryan Reverse, 69 - Sin Cussion, 72 - PluckyArp, 42 - Mini Prophet
The signal chain is fairly straightforward: MC-707, into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer.
Processing was limited to a: Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects at All.
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video: iPhone 17.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"

Sequential Fourm Creating Chaos

video upload by kgbirmingham media

"Sequential Fourm – Creating Chaos
This is a 'Making Of' type video. I just recently purchased a Sequential Fourm and I wanted to create a 'Song' using only Fourm Presets. So, I created six tracks, using six Fourm Presets. I ran the Fourm through a TC Electronic Plethora (Chorus, Delay, Reverb) and played around with the Filter, Noise, ARP and Amp Envelope.
I put “Song” into quotes, because it is rather cacophonous. Anyway, I like the variations of tone, structure and noises!
Enjoy!
For the Techies
There’s not much to say about the tech. I recorded the narration directly into my DAW - Fender Studio Pro 8. I used an AKG 414B microphone running through an ART TransX Preamp into an Allen&Heath ZEDi10 Interface/Mixer.
I recorded six tracks all created on the Sequential Fourm using Factory Presets.
The signal chain is fairly straightforward: Fourm, into TC Electronic Plethora X3 (stereo output), into a pair of SSL SixChannels, into a Drawmer MQ-2 EQ/Compressor/Saturator, into a Lindell 77X Compressor and into an Allen&Heath ZEDi10 Interface/Mixer and recorded in stereo directly into my DAW (Fender Studio Pro).
Processing was limited to Waves L1 Limiter, Beyerdynamic Headphone Lab and UADx Manley Variable Mu Compressor. No Reverb. No Delay. Do Effects in the DAW
Everything was recorded through an Allen&Heath ZEDi10 and into Fender Studio Pro 8.
Video:
Fujifilm X-T3 camera with Fujifilm 10-24mm lens and iPhone 17. And, OBS studio for the screen shot.
The final video was edited in DaVinci Resolve.
Recording and monitoring was through an Allen&Heath ZEDi10 with Beyerdynamic DT990 Pro and Beyerdynamic Headphone Lab.
©2026 kgbirmingham media"