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Thursday, February 20, 2025

Noise Engineering Batverb - Experimental Reverb, Delay, and Infinite-Tail Generator


Sound Study // Noise Engineering - Batverb video upload by collector//emitter

Listen to Batverb stereo reverb pedal with modular and hardware synths
video upload by Noise Engineering

0:00 Intro
0:21 Doom and Shimmer
1:04 General Reverb
1:59 Ducking (with Arturia MicroFreak)
2:57 Focus and Ducking switches (with Tasty Chips GR-1)
3:53 Grit switch
4:40 Desmodus Versio and Batverb

Get your Batverb here: https://noiseengineering.us/products/...

Batverb is the stereo reverb that dreams are made of: less of a room simulator and more of a tail generating pedal, Batverb is an instrument in its own right.

Taking inspiration from our popular tail-generating modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.

Start by setting a predelay time and adjusting Regen to set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. A variety of unique controls make Batverb sing in any signal chain:

Doom adds in chaotic suboctaves, and Shimmer brings in haunting overtones. With each on its own control, go wild and have both at the same time!

Low and high damping settings for the reverb tank

Add filtering and harmonics to reverb tails

Built-in saturation can apply to only the wet signal or the whole output
Includes onboard dry/wet Blend control and input- and output-gain parameters

Unique Duck switch controls the reverb’s behavior: duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb

Create instant atmospheres with reverb-freezing Hold footswitch
Route the expression input can to any parameter on the pedal

Store and recall 16 different presets and recall them in response to MIDI program-change messages.

.-- .... .- - - .... . ..-. ..- .-. -. .. ... .. - . .-. .. - .- ...

Exploring and sharing engaging ideas in sound, music, and synthesis
• Eurorack, 5U
• Guitar Pedals
• VST, AU, AAX plugins
• Reason Rack Extensions"

Press release follows:


Noise Engineering announces Batverb, an experimental reverb, delay, and infinite-tail generator

Los Angeles, CA — Noise Engineering, known for their expansive selection of synthesizer effects and sound sources, announces Batverb, a distinctive stereo reverb with a twist.

Noise Engineering’s take on reverb has always been innovative, creating effects that are as much instruments as they are processors. Batverb is no exception: parameters allow the resulting effects to morph organically from slapback delays to infinite reverb tails.

“Batverb was inspired by our Desmodus Versio module, but when we tried to bring the Desmodus experience to guitar, we realized quickly that we would need to rethink the approach. Batverb shares concepts with Desmodus but shares zero code: the entire thing was redesigned from the ground up, with the dynamics and tonality of guitar at the forefront,” said Stephen McCaul, Chief Noisemaker at Noise Engineering. Kris Kaiser who is the Doer of Many Things at the small company added, “Working with guitar was key, but what sounds great on guitar also works really well for loads of other instruments.” Indeed, Batverb’s stereo I/O and MIDI integration make it a perfect choice for a multitude of instruments.

Kaiser continued, “I like to say Batverb isn’t your father’s reverb because it has such unique features.” She’s not wrong. Along with predelay/delay Time and Regen controls, Batverb includes a number of parameters for shaping the tone of the reverb itself. The Grit switch adds a unique harmonic distortion to the tail or the whole mix, and the Doom and Shimmer controls add in subharmonics and overtones. Batverb also has onboard adjustable highpass and lowpass filters to shape the tone to taste.

Batverb’s configurable Bypass footswitch can cut the reverb tail immediately, or simply mute the input to the reverb processor, allowing the tail to ring out while you play. The Infinite footswitch mutes the input to the reverb tank while maximizing the feedback for an infinite atmosphere.

The innovative Duck switch uses the dynamics of your playing to shape the reverb tail. Use the right setting to duck the reverb out of the way of your guitar’s tone, or the left setting to make the reverb’s dynamics match your guitar’s.

Batverb also stores/recalls up to 16 presets with MIDI Program Change messages. Batverb features a convenient MIDI thru jack, so it’s easy to patch into your MIDI control chain. In addition, all parameters can also be controlled via MIDI for automation and remote control from a DAW or configurable controllers.

Noise Engineering is a member of 1% for the Planet and has been donating a percentage of all sales to environmental conservation. Proceeds from Batverb will benefit the organization Bat Conservation International.

Batverb is available for preorder with MSRP of $499. It starts shipping March 13 from noiseengineering.us and retailers worldwide.

Batverb was designed and built in sunny Southern California.

Sunday, March 01, 2020

Waterfall Delays (Blooper + Rev2)


Published on Feb 19, 2020 collector//emitter

"Messing around with Blooper as a delay, using a mellow arp from my Prophet Rev2 as the input. The modifiers on Blooper are set to Dropper and Stepped Speed, and I'm mostly just messing with Stepped Speed."

Monday, March 16, 2009

Roland TR77 Rhythm Machine

via this auction
"Roland TR77 Rhythm synth.
The Roland Rhythm 77 drum machine was Roland's first product (formerly Ace electronics) - released in 1972. It is actually an updated and relabelled Rhythm Ace FR-8L.

It was one of a trio of drum machines released by Roland that year, offering features intermediate between those of Rhythm 33 (TR-33) and Rhythm 55 (TR-55).

It comes in a flat wooden case with a metal base and has a holding for scorebooks - was dedicated to put at top of an organ for rhythm accompaniment.

General Product Information:
Contents
* 1 Rhythms:
* 2 Instruments:
* 3 Some technical inside:
* 4 External Sync

Rhythms:
· Latin: rhumba, beguine, cha-cha, mambo, samba 1&2, bossa nova, baion, bolero, tango
· Rock: rock'n'roll 1&2, slow rock, ballad, western, march, jazz waltz, waltz, cancel
· 2beat & 4beat: bass drum, snare, fox trot, swing, parade, shuffle

Instruments:
Bass drum, snare drum, lo conga, low bongo, high bongo, rim shot, maracas, high hat, cymbal, tambourine, guiro, cow bell. Rim are used for metronome, too.
has a little mixer for: bass drum, snare drum, guiro, high hats.
has a tempo & volume fader; and a fade-out option : for start there's no button, it's a finger-sensitive touch-bar, supports double tempo.
the power switch is not a primary AC-switch.

Some technical inside:
There's no IC inside - only one VCA...
Left: transformer, rectifier, softstart.
Mid: master clock, 5 dividers, reloop & down-beat LED, diode matrix.
The 1st divider is connected to the tempo-up switsch for a 1:1 or 1:2 ratio, the 2nd ones for switching between the 4/4 and 3/4 clock - 1:2 or 1:3 ratio.
Right: the voice board, mixer & output stage. BD, LC, LB, HB, rim are passive circuits.
Bottom: the rhythm switches...
External Sync
There's a little possibility to use din-sync on this device.
Logic board: leftest transistor, on its right the base resistor, solder on lower pin the clock line. For start/stop - its like a pedal switch - just put a transistor serial into the male connector: gnd=emitter, top=collector, base=start/stop line.

Works best at 8 ppm clock, up-tempo off for best results. On up-tempo on the guiro & tambourine it sounds bad as they have a 2nd trigger input which they get from the 1st divider."
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