Tuesday, August 26, 2008
Downbeat Steiner and EML Scans

downbeatSteiner.jpg
downbeatEML.jpg
"Stumbled across a handful of mid-70's down beat magazines that a friend threw my way a few years back. Apart from a '74 Stevie interview, can't say much piqued my interest, except for the various gear ads..."

1982 YAMAHA KEYBOARD PRODUCER CS01 SYNTHESIZER AD
Update: some more info on the other items via AH: "They are the MR-01 Drum Machine, MM-01 Mixer and the MA-01 Headphone Amplifier. There was also a 4 track taperecorder and a chassi with integral patchbay to mount the recorder and mixer in.
If you mean Yamaha MM10 (not "MM-01"), that was my first mixer. Four mono unbalanced line/mic inputs, one stereo line in, one stereo out. Powered by wall wart or 9 V battery."
casio cz5000 cz 5000 synthesizer keyboard controller
YouTube via bluesparklejet
"?? how does it work? There are 3 manuals with this none of them says how the sequencer works!! So I muck about on it and find tone mix, bells and whistles etc. yes, harsh sound clean through the mixer -anyone know how the sequencer works?? PLEASE! It has a midi out and can be used as a controller with Garageband, works ok"
Keytar solo
YouTube via SteffenH89. Solo comes in at 1:22.
"From the danish Musical "Evig og altid Venner", 2008"
bratigel Dual SSM Filter Bank
YouTube via heidibeerbel
"from bratigel Modularsystem, Modul is a Stereo SSM 2044 Low Pass filter with 2 SSM2056 ADSR and 2 BA 6110 VCAs with many voltage control Parameters."
Jarre sound from Oxygene Part 2
YouTube via grauoliv
"In an ambient circle session, I heard a sound I knew from Jarre's Oxygene album. And TOMABEMAN told me how to make it on an analog synthesizer. It has to be analog, because the filter settings make the filter self-osciallte. I'm not sure if virtual-analog synths or software can emulate this. GATTOBUS also uses this sound on his cover version on the classic Oxygene Part 2 track, also on a Little Phatty."
SH-101 + SL-20
YouTube via landor101. via kevin.
"Roland SH-101 + Boss SL-20 Slicer Audio Pattern Processor. Small test that the SL-20 can be used on synths also. Great arpeggiator !!! + Looper!!!"
VERMONA DRM ANALOG DRUM MACHINE
via this auction
"Vintage Analog drum machine with TR style sequencer, made in Germany in 1987. There's not too much information available on the VERMONA DRM on the internet, so I will provide some of my own background knowledge.
It was released in 1987 by a German synthesizer company named Vermona. These days they are best known for their
analog drum module the Vermona DRM-1 MK3 .
It is the European answer to ROLAND's TR-X0X and CR-XXXX drum machines.
SEQUENCER:
First of all it offers a 32 step TR style sequencer. It is as simple to use as the roland machines.
It has 16 preset patterns and allows you to store 10 of your own. There is even support to chain patterns together, change pattern length, change time signature between 4/4 and 3/4. The unit is MIDI syncable, it will respond to midi clock, start and stop messages. It will also respond to MIDI note data allowing you to sequence the analog voices from any external piece of midi gear. It also transmits midi data as well allowing you to use it as your master clock source.
Alongside your preset and standard patterns you have fill mode, where the drum machine will play a drum fill. The ability to have just the bass drum playing. Flam is also available for the Toms.
In addition to the analog voice control their is a separate sequence for a trigger out, and 2 bizarre time signature sequences which can also be used as trigger outs.
SOUND:
The reason why I bought the Vermona was because I was so impressed by the sound. Just check out this video by KinK on youtube. For something over 20 years old it is surprisingly modern sounding.
KiNK composing live on Vermona DRM part I
YouTube via kink303
KiNK composing live on Vermona DRM part II
"KiNK composing live on the vintage analog drummachine with a t.r. style sequencer - VERMONA Digital Rhythm Machine (part II : 24 step sequences)" There are 11 completely analog voices on this machine. The timbre of each voice cannot be modified. Bass Drum - Nothing like an 808 or 909. Very simple oscillator design with transient click. But great for electro/minimal pulsing bass drum. Low Tom - The toms are all pitch varients of each other, with separate circuits. They sound nothing like real toms, something like a 606 tom. Mid Tom - Great for melodic rhythmic patterns. High Tom Claves - Sounds exactly like an 808 clave to me. Cowbell - AWESOME sounding FM synthesis based cowbell. Uses 4 oscillators to create a very convincing tone. Snare 1 - Filtered noise ciruit snare. Sounds great. Snare 2 - Similar to snare 1 with less punch. Clap - Incredibly modern sounding hand clap. Short, no reverb. Nothing like a TR clap. Closed High Hat - The high hats sound very similar to the VERMONA DRM MK3 high hats. Probably based on the same noise circuit Open High Hat - Similar to a cr-8000 but very metallic sounding Cymbal and Accent.
MORE FEATURES:
There are 10 volume sliders to control each grouping of sounds. A master slider for volume. A slider of accent.
The back of the unit features LEFT and RIGHT audio outputs, whereby each instrument is panned by a preset amount. Also features a Headphone out. A dedicated Trigger out and 4 foot pedal inputs to control program change, start/stop, fill and bassdrum removal.
There is an odd european style input port on the back which gives you access to each AUDIO OUT of each instrument. Also each TRIGGER out of each instrument. A dedicated TRIGGER out. And 2 addition rhythm Triggers.
This machine has everything..."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH