Click play on the bottom left if you want to watch the video here on black. This is video from the Waves of Inspiration event previously posted here. "Brian Kehew and Larry Fast discuss their experiences with Moog Synthesizers and their interactions with Bob Moog." http://bobmoogfoundation.com/
"Easy backtrack recorded in a quick way (apologies but I have not enough time for making youtube covers these last weeks).
Keyboards: Upper: Emu EMAX II HD Mid: Emu Emax (with sustan pedal)
All Emax samples belong to my own libraries. * Metallic sound on snare sampled by me hitting a big pipe with a smaller one. I will upload the sampling process soon.
YouTube via popitem "At first i was aiming to make a fully self playing tune but finally i'd needed some more patch chord and multiple. What you ear is the mfb kraftzwerg modul and analogue solutions black coffee thru plan b m12 doepfer quad env/lfo, freq divider, sequenced via mfb seq-02 and doepfer seq. switch."
YouTube via thedeepelement. Surachai of TRASH_AUDIO. "In this example, I demonstrate how years of studying modular synthesizers applies and prepares me to being outdoors."
"Linn LM-1 drum machine, serial # 365. These are relatively rare, as only approximately 500+ were ever built. This model was the first commercially-available EPROM-based digital drum machine with 8-bit sampled sounds.
While this is a digital drum machine that uses 8-bit EPROM based samples run through companding DACs, nothing really sounds like the LM-1. The snare and bass have a very solid fat sound, and the hi-hat is very unique: the hat sample is constantly running, and the difference between the open and closed sounds is merely a long or short analog envelope applied to the sample output, respectively. So even with metronomic triggering, the hi-hat has some ‘feel’ since the envelope is applied at varying points in the playing of the sample. I made this video to demonstrate this effect: