Yip-Yip's Audible Archive - Muson Synthesizer

YouTube via AudibleArchive | July 10, 2010

http://audiblearchive.blogspot.com
"Welcome to Yip-Yip's Audible Archive!

This is a demo of the Muson Synthesizer, a mini organ with a built in sequencer, created in 1978 by Mego Corp.

The keys play just over an octave of whole notes. The colored pegs above the keys operate the built-in sequencer. Each color represents a note on the keyboard. For more information about this synthesizer, please visit http://audiblearchive.blogspot.com"

Be sure to also see this Yip-Yip video on MATRIXSYNTH-C.

Inception Premiere with Hans Zimmer and Johnny Marr

Live starting 11PM PST today. Some synth spotting sure to come.

"Watch the INCEPTION premiere red carpet and a live performance by Hans Zimmer and Johnny Marr,..."

Update: here it is:

Free live streaming by Ustream

via Michael

Update via Gregtronic in the comments: "The CMI Fairlight used on stage belongs to none other than Sound Designer Stephen Dewey!"

DOUBLE RAINBOW OH MY GOD! 2001 EDITION!

YouTube via Disasteradio | July 04, 2010



"We loved Hungrybear9562's double rainbow video so much we decided to make it even more intense. Stay totally awesome dude!

Music is me playing the Roland JP-8000 'Chariots' default patch. Editing by number one video guy Simon Ward.

I'm a band from New Zealand, find me on facebook! http://www.facebook.com/pages/Disaste..."

via Charlie Visnic of The B-Roll.

And one more, synths not listed:

Disasteradio - VISIONS

Disasteradio | July 12, 2010



"To close the era of the Visions album, here's VISIONS, the EXPERIENCE, b/w "Midnight Lipstick"

New album in late 2010!

By Simon Ward, Don Brooker and Luke Rowell
http://www.siward.tv/
http://donbrooker.blogspot.com/

Featuring from The Ministry Of Boys:
Hamish Brown, Elizabeth Crummett
and Myles Climo as SAVALON
http://www.ministryofboys.com/

With help from Ryk Fortuna and Regan Bailey

DISASTERADIO is a band from Wellington, New Zealand - http://www.disasteradio.org

Thanks to Philly for the sax!"

Update via loneraver in the comments: "This is the original that started off the double rainbow madness."

Yosemitebear Mountain Giant Double Rainbow 1-8-10

Hungrybear9562 | January 08, 2010



"It was rainbowing for at least an hour on January 8th 2010. It was incredible. The camera could not capture the vivid intensity and brightness."

1981 Linn LM-1 Ad

via Retro Synth Ads where you'll find the write-up.

Korg Minikorg 700

via this auction
"There has been one modification done to it by the previous owner in the late 70s: a 1/8 jack socket has been installed on the back panel which runs to the inside someplace and provides access to pitch bend DOWN ONLY beyond the standard range. A small project box with an ON/OFF switch and a pot/knob can be plugged in here to achieve this bend down. It has no affect on normal operation and plugging it in is entirely optional. If I recall, there is a slight pitch shift either when the plug is in place or when switched on - I don't recall which, and this can be easily offset with the normal tuning slider. He told me he did this so he could pitch bend down without detuning the synth. It may be able to be modified to provide more options, such as bending up also, but these are questions for the new owner to ponder.

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KORG MAXI-KORG K3

via this auction

Sold For: US $1,399.00

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MOOG Realistic MG-1

via this auction
"This synth was fully restored by my tech (RAMCUR on Flickr). He cleaned the black gunk off the circuit board and lubricated all the sliders and pots. He also did the following upgrades :

-Output has been changed to a 1/4" jack (from rca)
-Input has been changed to 1/4" and is now routed to the filter of filtering external sounds
-The polyphonic section now has its own output on 1/4" jack
-The filter's frequency can now be controller by an external CV input (on 1/4" as well)
-The envelope can now be routed to the osc 2 frequency for AMAZING SYNC SWEEPS!!!
see video example of the sync sweep here (not my video)" [video here]

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LARGE CUSTOM MMM ANALOGUE MODULAR SYNTHESIZER

via this auction
"# Large custom MMM synthesizer with two wing cabinets
# Wing cabinets are original production #0001 MMM made from oak
# Large four section custom cabinet made from canary wood
# System has 4 MIDI, 8 LFOs, 4 VCOs, 2 Sample/Track and Hold, 4 EGs, 4 VCFs, 4 VCAs, 4 multiples, 6 mixers, 1 analog glide, 1 noise generator, 1 divided gate generator
# Non-smoker owned
# main cabinet dimensions are 46 x 15 x 6
# wing cabinets are 11 1/2 x 15 x 3 1/2
# Includes patch cords, some blank panels - all module screws will be installed (not shown)
# To listen to this system search "MMM SYNTH DEMO" on youtube.com" [or see the MMM label below]

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v2 Jomox SunSyn Analog Synthesizer

via this auction
"This instrument was fully serviced, v2.0 upgraded, and burnt in by Jürgen Michaelis, the man behind JoMoX GmbH, in December of 2009.

Those who say that modern analog synthesizers simply cannot contend with their classic brethren simply have not played the SunSyn! And at under 200 units ever made, this is understandable. As a point of comparison, there were around 2000 Roland Jupiter 8 synthesizers produced. It has been noted by well versed users that the sunsyn can pull off a lot of other synths, but yet, not very many synths can 'pull off a sunsyn' when it's being modulated and when it's using the RCO digital waveforms or wave sequencing to its fullest. The power of having those RCOs at your disposal is nothing short of amazing.

The SunSyn also employs an elegantly designed routing system allowing modulation and signal routing usually found only on the full blown classic modular synths by ARP, E-mu, Moog and Buchla, turning it into an 8-voice modular with complete patch memory and multitimbral MIDI implementation. The multi-mode filter section is also a true analog design but with very modern features. It is a 4-pole filter but fully configurable with independent high pass and low pass switching for each pole, with a cross fader allowing seamless morphing sweeps between any two 'filter presets' you want. Create filters that range from the sounds of a Minimoog, to the squelchy 303 or classic Oberheim, or timbers completely unique to the SunSyn and morph between them as you play, or use it to set the 'bounds' of filter sweep for recording or performance situations setting zero to the lowest desired cuttoff and full crank as the highest cutoff, resonance envelope amount desired. Again a feature typically only found in the realm of high end modular synthesizers such as Serge Modular Music Synthesizers.

In addition to the two discrete analog oscillators per voice the SunSyn also has a pair of Ramp Controlled Oscillators fed by 7 wavesets with 248 waveforms each. With the version 2 upgrade these RCOs can include user waves or short samples uploaded to the SunSyn with user defined start points which restart syncronous to note triggers, and a loop length allowing the play back of samples of about 1.5 sec length.

While the version 2 upgrade does bring a final resolution to the bug list that SunSyn users have lived with for years, as well as adding new functionality and improving tuning, stability and noise, one of the most important yet often overlooked improvements is the inclusion of a firmware based boot-BIOS. This new boot routine which executes under any circumstances provides the user with the tools to recover from any potential issue regardless of the severity. This is just one more element allowing the SunSyn to be enjoyed as it ages and becomes part of the ranks of the vintage classics."

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Modified Moog Opus-3 Polyphonic Paraphonic Synthesizer

via this auction

"If you’re not familiar with the Opus, it’s basically Moog Music’s version of an ‘orchestra’ synthesizer, having separate String, Brass, and Organ sections. It uses divide-down technology, which makes it basically ‘allophonic’ in that all keys can be simultaneously played. There’s a classic Moog filter which the Brass and Organ sections can be run through, and an analog Chorus section which the Strings and Organ can be run through. There’s also a triangle LFO for modulation of the oscillators or the filter, a pitch wheel, and an ‘articulator’ (basically the output VCA).

maintenance/improvements:
* Cleaned out the horrible foam that destroys the sliders
* Replaced all the sliders and switches with new ones from Technology Transplant (a $150 value, just for the parts)
* Recapped the electrolytics on the panel board and the power supply

modifications to this unit; most of these are very basic but very useful:
* Expanded the range of the LFO, from very slow (~ 0.1Hz) to audio range (>30 Hz)
* Added an audio input to the VCF
* Added an audio input to the Chorus circuit
* Added a ‘GATE IN’ jack (triggerable by voltage > 2V)
* Replaced the slider caps with Arp-like, color-coded rubber nips (I still have all the old slider caps, and I’ll include them with the shipped unit)

...the Opus had one of the better implementations of the Moog filter and this unit allows an external input to be run through it while being triggered from an external gate. Feeding a sound into the analog Chorus can certainly add richness and shimmer. And, credit where credit is due: the modifications that I’ve made were inspired by a Moog Opus-3 that was ebay’ed several years ago by a well-known Moog synth technician. Note that he did not make the modifications to this unit - I did - but he should get credit for the ideas!

Now for the bad news. There’s a cosmetic flaw in that the front panel sticker on this unit is fraying in the upper corners (see the pictures). It’s not a progressing problem, as it’s been like that since I got the unit 4 years ago and it never bothered me."

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