MATRIXSYNTH

E-mu Systems DRUMULATOR 7000 Drum Machine with Manual and Case

via this auction where you'll find more pics.

"The Drumulator is a sample based drum machine from early 1983. The original Drumulator stock sound set was gritty, lo-fi, 12-bit samples of basic drum sounds, which become a classic in many songs of the 80s. The company now known as Digidesign, or Avid (Pro Tools), created sound sets for the E-Mu Drumulator and other sample-based drum machines.

There is a fantastic website review of the E-mu Drumulator if you go to the following url" [emulator archive]

SN 4572

Pics of the inside below.

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TAMA SNYPER - Previously owned by BILLY COBHAM

via this auction where you'll find more pics.

Note with the amount going up, not all pics will be posted for auctions. Click through the link for the rest.

MPC ELECTRONICS MPC1 VINTAGE ANALOGUE DRUM MACHINE 1982

via this auction

"MPC Electronics MPC-1 analogue drum machine from 1982. These are very uncommon - an English drum computer... It's capable of some great sounds, and is one of the less-used analogue drum machines: it's been likened to an 808 sonically, and whilst that's not far off the mark, I think its strength is that it isn't an 808 (which has been used/sampled/replicated to death) - it represents a chance to stand out from the crowd. It certainly has a unique physical presence and wow-factor.
Individual outs also make it very tweakable mix-wise, as do the various onboard tweaks for individual sounds."

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Cwejman PH-4

via this auction

"It's a 4 phase frequency generator that can work brilliantly for very slow LFOs up to audio rate oscillation. It has 4 outputs of the same waveform, but at different phase points which are 0 degrees, 90, 180 and 270. The 4 phase outputs are great for very organic modulations of different functions when used at audio rate as a modulator and as a very slow modulation source. Tracks at 1 volt per octave Switchable between sine and triangle waveforms, offset control (very useful) and CV control over the rate, offset AND level.

This is really well thought out module and is a compliment to any modular system."

Flame Clockwork, Analog CV/Gate pattern generator

via this auction

"This is the desktop version of the Flame Clockwork.

More info: http://flame.fortschritt-musik.de/start.htm

- Individual generator for experimental grooves
- Easy sound machine on your analog filter
- Create new patterns with analog step sequencer
- Tool for modular systems and analog synth

- Analog Clock + CV-outputs
- MIDI-Sync (intern/extern MIDI-Clock)
- 3 Tracks with Beat-, Clock-Shift/CV and Gatetime-control
- Beats included triplet and punctuated notes
- Clock shift forward and backward
- LFO (synchronized), 4 Waveforms: saw, up, down, up-saw-down
- Shuffle Control (8 or 16th parts)
- Independent MIDI(in) to CV/Gate(out)
- Complex Random Functions
- Record Functions
- MIDI-Controller
- Outputs 3,5mm mono jacks: Gate or CV + Sum, Clock/Gate, Midi-CV/Gate
- Output 3,5mm stereo jack: Sum Clock + Sum Gate
- CV voltage: 0..2V
- Trigger voltage: 0..5V
- MIDI in + out
- 12..14VAC input
- Size: 165x100x42mm"

Oberheim OB-8 with MIDI

via this auction

SN 050808 or 050606

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ZOOM 3000B BASS MULTI EFFECT PROCCESSOR

via this auction
"Built-in bass synthesizer detects bass pitch and controls a sound source to generate unison phrases and harmonic voices. Unusual auto effects such as TRILL and Sweep are also available.
• 45 built-in effects types covering a wide range. Up to 9 effects can be combined in a patch, lettng you easily crreate your own sound
• 80 Patch memories (40 User and 40 Preset)

• Hold Delay/Sampler (separate from effect path) can store and repeat phrases of up to 6 seconds in duration. Hold delay function is separate from individual effects. The delay time can be conveniently set by tapping a footswitch.
• Unique attack effects like Defret, Slap, and Dual Comp.
• 7 Bass Synthesizer modes including Harmonic Synth (4-voice).
• Harmonized pitch shifter for intelligent pitch shifting.
• Trill, Sweep (arpeggio), and Ring Modulator effects.
• Separate effects modules for Comp, Dist/Amp, Wah, EQ, Synth, Effect, and Dly/Rev.

• Seamless patch change function allows smooth transitions between effects by allowing the delay of the previous patch to continue after the patch has been switched.
• Connecting the optional remote pedal RP01 provides an even more powerful range of real-time controller functions. Use as pedal or pedal pitch shifter is also possible.
• Tap input allows delay time to be matched to tempo of song being played, using the function switch or a remote pedal.
• ZNR Noise Reduction.
• Built-in metronome function and auto-chromatic tuner enhance sessions.
• User-definable Function switch operates as a bypass or mute switch and can also be used as real-time controller, for example to vary effect parameters or volume during a performance.
• Input sensitivity and tone can be adjusted to match the instrument characteristics and the playing venue."