Phillip Glass Ensemble Yamaha DX7 for Auction

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"Powers up. Misbehaves: LCD display blinks, stuff happens at random; sounds are garbage. Will not properly init a patch. Keys all work.
Used in the 80's by the Philip Glass Ensemble for performances and recordings. Has been in storage for at least 20 years. Scratched up quite a bit as shown. Modded with an internally-mounted Jensen transformer which supplies a balanced signal to an XLR jack at the output; no DI necessary. Complete with heavy-duty road case."

via Mark Milanovich on Facebook

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Moog Voyager :: Step Sequenced

Published on Jun 1, 2013 Chris Stack·48 videos

"Moog Voyager and a bunch of other synths arpeggiated or step sequenced to the same master clock. Learn more at www.experimentalsynth.com"

Receptor Antagonist

Receptor Antagonist from fiocz on Vimeo.

A Serge Modular Creature Patch .

Minimoog clone by IV3TIX

flickr by IV3TIX
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Moog Minitaur Analog Bass Synthesizer

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Be sure to check out my Moog Minitaur review if you haven't already.

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Korg Lambda ES50 String Analog Synthesizer

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Cynthia Voltage Controlled Tabla Module

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See the cyndustries's other items for more.

"NO LONGER AVAILABLE FROM Cyndustries

Original Price was $750.... This very last one is only $550.00


Holy Jhoomra Ganesh!
A Voltage Controlled Tabla!

Bill Sequeira suggested that we do this special project together, and after inching along on it in the background for many many months it's finally done!

THE PROTOTYPES

The TABLA

We circuit-bent an East Indian beat box used for percussion in classical Indian Music by adding Voltage Control Functions and logical inputs and outputs so it can interface with the rest of your modules and make beautiful music together!

Two dozen classical rhythmic cycles of percussion or "Taals" can be selected either manually or by patch cord. (click on the keypad for a close-up)

For example as Ravi Shankar at the Monterey Pop Festival explains an "Ek" type of taal is a cycle of 12 beats divided 4,4,2,2 A faster Ek Taal would be based on only six units and thus become 2,2,1,1.

This Cynthiafied Tablatron uses digitally sampled recordings of real acoustic Tablas and allows you to voltage control the pitch, tone, and tempo, as well as use logic signals to cycle through dozens of taals.

A row of Gate Outputs and LEDs light to the rhythmic pulsings of temples from lands far away..."

MOTM 120 Sub-Octave Multiplexer

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"Built bt Paul at MOTM

The MOTM-120 is a Synthesis Technology exclusive design. Based on an article in Electronotes, we have updated, improved, and added features to create a truly unique module.

The MOTM-120 contains 2 4-stage sub-octave dividers, a digital mux, and 4 digital ring modulators. It operates in one of two modes, selected by the cleverly named MODE switch.

In the simplest operation (MODE is set to SUB), a single input is fed into the A IN jack. The signal passes through a level comparator, whose lower threshold is 80mv pk-pk. When the input exceeds

this, a 4-bit binary counter is clocked with the input signal. This generates the lower 4 sub-octaves. These are then mixed by 4 individual pots along with the input signal. A switch selects either the

original source mixed in, OR the "squared" version of the input.

The additional 4 sub-octaves (similar to pulling out lower octave drawbars on a Hammond) greatly fatten up the bottom end of any signal. Even a simple sine or triangle will punch through in the mix.

Lots of synths have a single sub-octave, but we give you FOUR!
But the real fun starts when you flip the MODE switch to CROSS. In this mode, 2 input signals are required. Each is divided into their respective 4 sub-octaves, then each sub-octave is ring modulated with
each other! Since we are in the digital domain, it's easy to ring modulate (you'll have to buy one to see how we did it!). This results are simply awesome and bizarre. If A IN is audio, but B IN is from a LFO,
what you hear is a 16-cycle patteren of the sub-octaves getting multiplexed in. As the B IN signal is raised into audio frequencies, the results are HUGE chordal timbres with lively beat frequencies.
Electronotes used to describe this as Waveform Animation, and that's a pretty accurate description.

The MOTM-120 is a powerful addition to your studio. The wimpiest digital synth can be turned into a growling monster! "

Roland Juno 106

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Cool shot of the inside.

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Waldorf Q Rackmount Virtual Analog Synth

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#9200008000055

Anyone know what that number is?  It would be interesting if it was the serial number.  If so it would mean each OS install would have to have it entered.