Black Corporation Deckard's Dream 2018

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Black Corporation Xerxes SN 1755

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Black Corporation Kijimi SN 1719

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Kawai 100f (with CV-Gate mod) + Original Patch Sheets SN 11-2048

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"Kawai 100f with 1 octave Kenton CV-Gate modification and rare original patch sheets (two blanks and 1 with factory presets).

Just Serviced! Impeccable conditions."

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Heavily Modified RMIF Opus Soviet Synth

video upload by HanzVolt

"Heavily Modified RMIF Opus Soviet Synth
The headphone out is being fed back into the synths filter
Midi added, 3 EXT in ...ring mod, filter, phaser..."

Roland SH 101 Famous Songs and Sounds

video upload by Nicolas Melis

"Roland SH 101 Famous Songs and Sounds"

Jomox XBase 999

video upload by verstaerker

"just a quick testrun of the Jomox Xbase 999

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to listen more music by me please visit
https://verstaerker.bandcamp.com
https://verstaerkerahead.bandcamp.com"

Algo Square Pushing #stazma #eurorack

video upload by Stazma

RYK Modular ALGO Quad Complex Oscillator Bank

06.28.2024 Synton Fenix & Vermona DRM1

video upload by batchas

"Patching the Vermona DRM1 with Scrotum Lab Expander (GATE & CV) to the Synton Fenix III sequencer."

Interpreting the Synthesizer: Meaning Through Sonics - Edited by Nick Wilson

via Cambridge Scholars Publishing

"This volume examines the synthesizer’s significance for music and culture, with a range of contributors providing historical, musicological, practical and theoretical perspectives.

The synthesizer as an instrument has evolved rapidly over the last 50 years, conveying different meanings in musical culture at various times in its history. For example, post-punk and new wave acts used synths to signify their embrace of futurism and modernity. Earlier psychedelic bands used the instrument to sonically represent mind expansion while prog acts signposted their lineage to the classical avant-garde. Techno artists used synths to escape the strictures of acoustic music in parallel with rave culture’s desire for escapism from the mundanity of daily existence. It is now seemingly ubiquitous in modern pop music production."

The essays were originally presented at a 'Synthposium' conference Nick Wilson ran in Melbourne, Australia. You can find more info on the conference at https://synthposium.net/.

Nick Wilson is a supporting member of the site.