Schober Dynabeat 1968 Transistor-Based Drum Machine

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video uploads by Adrian Täckman

Found the above searching for a demo after seeing the listing below. This is the first post to feature the Schober Dynabeat.

via this Reverb listing

This appears to be the first one featured on the site. Moby had a Portable Dynabeat you can see in this post (do a find for Schober when you get there).

"Here’s a rare Schober Dynabeat (1968). It’s a vintage, transistor-based electronic drum machine designed as a DIY kit to accompany Schober organs. It produced percussion sounds (bass drum, tom-tom, cymbals, bongos) using phase-shift oscillators, allowing players to trigger sounds via small pads or by connecting it to the organ’s lower keyboard and pedals."

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Wildwood Soundworks Express V3 Sampler / Sequencer / Synthesizer

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via this listing

Additional Perfect Circuit listings

See the V2 demos here.

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Yamaha RS7000 Music Production Studio SN HX01366

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via this listing

Additional Perfect Circuit listings

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Roland JD-990 Super JD Synthesizer Module SN ZG38895

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via this listing

Additional Perfect Circuit listings

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1970’s Electronic Music Laboratories EML Electrocomp 101 and 200

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via this Reverb listing

These appear to be listed separately as well. See the seller's other items.

"We recently acquired these two consecutively cute curiosities courtesy of a very inspiring and equally interesting gentleman and great friend of the late Don Buchla. When I brought them back to the shop, naturally I plugged the 101 in and attempted to get proper scaling and triggering sound out of it for 45 minutes, watching videos reading pointers etc. Finally I tried turning the 5 pin keyboard plug around, and then I lost 4 hours in seemingly 10 minutes. I was floored. I didn’t hook up the 200. The next day I delivered these to my friend and tech in Santa Ana. Within a week he had checked them out , addressed any issues and found them to be fully functional and in great working condition. So I picked them up and was really excited to try the 200. Got back to Fullerton and plugged it in with a mf-104 tailing into an early cooper cs-106+ and went to heaven. The spring sounded like the grampian, the preamp is also in that vein, dual ring modulators are very special. In particular as a studio piece the stereo functionality takes this to another level, signal processing to use while mixing or effecting tracks Is very much more than 1/2 the value with the 200. Awesome machines."

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Serge Mantra & TKB improvisation

video upload by synthemodulaire

Techno Pattern with Bullfrog Drums 🐸

video upload by Yan Cook

"I absolutely love the form factor and tactile, analog feel of the Bullfrog Drums. I think this 7-track sampler could be an amazing gift for a teenager who's interested in music production, and the built-in microphone and speaker make it even more fun and immediate to use. If I had gotten this when I was 15, I would have gone crazy and used the hell out of it 🙃

In this video, I create a Techno pattern from scratch using all seven tracks and only the factory samples of the machine."

00:00 - Track 1 — KICK
01:34 - Track 2 — SUB
04:06 - Track 3 — LEAD
06:50 - Track 4 — PAD
09:36 - Track 5 — RIM SHOT
11:16 - Track 6 — HI-HAT
13:40 - Track 7 — RIDE
16:36 - Jam with Analog Heat+FX

Polyend Drums - First Sounds of FM

video upload by Polyend

"This track explores the new FM Synth engine for the first time. Piotr paired a gritty FM bass-line with minimal industrial rhythms

The new FM Synth engine brings a different character to Polyend Drums, from dirty basses and abrasive leads to evolving textures. Everything in this performance was created directly on Polyend Drums."

TTMC Dual Sine Sawtooth Generator Model 158 , DFG , 5Step Sequencer , Tokyo Gate 2

video upload by Tokyo Tape Music Center

Send and returns

video upload by WMDevices

"Sends and returns are one of the most powerful and most misunderstood concepts in mixing, and they work exactly the same way in Eurorack as they do on a big analog console. This video walks through how AUX sends, pre/post-fader routing, bus outputs, and the master insert all work on the Performance Mixer MKII, using Cosmic Debris as the effect. You'll learn why effects return directly to the master (and why that's the point), how to keep delay tails when you pull a fader, and when to reach for pre-fader AUX 2 vs. post-fader AUX 1. Concepts apply to any mixer with sends."