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Sunday, August 18, 2024

One-of-a-Kind Mechanical and Doepfer Based Eurorack Sequencer

Note: Auction links are affiliate links for which the site may be compensated.
video uploads by Temporary lines

Note the sequencer is listed for sale below with full details. Use the player controls above to skip through videos.

First video:
Patching my picture reader into my eurorack system
Moog grandmother for bass
Moog dfam for percussion and noises
Tiptop 909 kick, clap, cymbals, hats, one
Polyvoks vcfs
Serge 1973 vcf pinging


via this listing

"A one of a kind Eurorack sequencer and case ( 3 x 126HP).

This case was painstainkling crafted from aluminium extrusuions and 6mm hoop pine plywood. It has removable aluminium legs at the rear that posistion the case on an ergonomic angle.

Inside the bottom of the case the 'clock' is mounted. The clock consists of a geared stepper motor 5:1 driving an aluminium arm with magnets. These activate reed switched on the four different time tracks on the custom made circuit board, 4/4,5/4,6/4,7/4, over 8 bars. The stepper motor is driven by a stepper motor controller, this is connected to a panel installed in the lower left position of the eurorack. This panel has an input 2.1mm barrel socket for a 12V (1A Min) supply, a enable switch, a pulse switch and a direction switch, there is a 3.5mm socket for the input pulse from the oscillator; (the frequency division of the oscillator can be adjusted by dip switches on the stepper motor controller). The oscilator I used was a Doepfer A-145-1 LFO set to High range.

The time signatures are then available over 14 'channels' to have each step turned on or off by the array of miniture toggle switch on the control panel over the 8 bars. The ouputs of each channel are available on 3.5mm sockets on the output panel mounted center-top on the eurorack rails. This panel also features the following outputs - 1 every 8 Bars, Kick drum 4/4, Off beat, 2,4 and 2,3,4 on 4/4 time. Also direct outputs for each time signature.

The case also comes with a custion beat counter module, this displays the BPM in binary.

A selection of spare parts is provided, including - a stepper motor and gearbox (high precision) reed switches, toggle switches, diodes.

Note - this device best suits those with some electronic skills as this device will likely need servicing at some stage. Also it my require trouble shooting should it become damaged during transportation. It will be well packed and marked fragile. The damage will like be a solder joint becoming faulty it the device is bashed about. The circuits are very simple and easy to trace. The 'clock' board is mounted to the botem panel that can be 'quickly' removed from the bottom of the case via wingnuts."

Monday, September 21, 2015

Yamaha VOCALOID4 Cyber Diva Now Shipping



"Now Shipping: Yamaha VOCALOID™ Singing Voice Synthesis Technology Offers Realistic Vocal Library in American English

BUENA PARK, Calif. (September 21, 2015)—Yamaha today announced that new software products built on VOCALOID 4, the company’s powerful voice synthesis engine, are now shipping.

Under development by Yamaha since March 2000, VOCALOID enables users to simply input melody and lyrics to synthesize a singing voice. Making their debut on the platform are the Cyber Diva voice library in American English and VOCALOID4 Editor for Cubase.

Cyber Diva is the first VOCALOID exclusive Singer Library with an American English female voice that delivers remarkable expression with clear speech, powerful long tones and smooth vocalization in any genre. The package includes a new feature, Growl Expression, which produces a harsher, gruff tone. Cyber Diva also comes with instrument features for building temporary tracks that serve as a bed for the virtual vocalist. Geared toward professional music producers, Cyber Diva lets users input melodies or lyrics to create the vocal lines.

Two more products, VOCALOID4 Editor and VOCALOID Editor for Cubase, include several new features for innovative music production. Cross-Synthesis lets users design nuanced voice tones by blending two different sound libraries—one to enhance power and attack, the other to emphasize expressiveness like the sustain and release of notes. Growl adds hard tremolo to the voice for a more realistic and versatile sound. Pitch Render allows for editing the smoothness of pitch linkage or the level of vibrato application by using a visual display to make the settings.

'Cyber Diva and VOCALOID4 Editor represent the culmination of years of perfecting the subtleties of virtual vocals,” said Lacy Privette, director, Steinberg North America. “This brings a new level of authenticity to voice synthesis
technology, especially for background parts, so that producers and musicians can test ideas and flesh out tracks even when no singer is present.'

Cyber Diva, VOCALOID Editor for Cubase and VOCALOID4 Editor (each MSRP: $130.99) are now available.

For more information, visit http://4wrd.it/vocaloid4."

Saturday, June 20, 2009

MIDIbox SEQ V4 Teaser #2


YouTube via ucapps

"MIDIbox SEQ V4 has reached beta state, let's celebrate this with a new demo!

[0:00] The electronic harp is played by Sculpture (part of Logic Audio) - a Physical Modelling Synth which I really like!
[0:00] MBSEQV4 plays the 16-step sequence with a new "step progression" feature: on each 4 step interval, the step is triggered twice. In addition, a customized groove template is applied on the velocity to accent the notes based on the master measure. This results into a more complex sequence which varies on each beat, but still sounds nice and not too random!
[0:01] to understand the "step progression" feature watch the GP LEDs - they are stopping each 4th step
[0:11] an Echo Fx is added with 64T delay. Note value is increased by +3 and forced to scale
[0:17] an additional VST synth is added which gets use of the new "step progression" feature as well
[0:21] Echo Fx: temporary increased to 6 repeats with +3 Note Value and +150% delay on each echo - let's scrub the harp!
[0:31] adding drums
[0:41] adding more synth lines, again with "step progression" to vary the sequence
[1:04] adding a chord sequence played by MIDIbox SID V2 (a typical arpeggio patch is used)
[1:48] probably you haven't noticed it due to the bad video quality, but I switched to another pattern which plays the electronic harp at C-3 on each step - the groove template is still enabled (boring?)
[2:05] now something completely different: a LFO is applied on the harp sequence with sine waveform and an interval of 4 steps. Force-to-Scale is enabled
[2:07] the LFO also sends a CC to Sculpture to vary the timbre.
[2:13] adding Echo Fx (1 repeat, 64ppqn delay, +150% tick) to this "modulated sequence"
[2:19] changing LFO waveform to Triangle
[2:31] changing LFO waveform to Sawtooth
[2:36] changing Echo Fx to 6 repeats
[2:46] slowly changing LFO the period to 16 steps (enjoy the change-over effects!)
[2:52] slowly changing LFO reset to 16 steps (enjoy the change-over effects!)
[3:00] changing LFO waveform to Sine, play drums again
[3:14] changing LFO waveform to Triangle
[3:21] changing CC offset of LFO
[3:33] unmuting the other instruments
[3:56] switching back to original sequence (my favourite moment ;-)
[4:16] muting/unmuting the toms...
[4:30] slowly muting the tracks
[4:40] thanks for listening! :-)

This track is the result of a rainy saturday afternoon."
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