The October 2007 SEAMUS newsletter goes retro. click here for the pdf. It includes a full analog modular round up written by John Loffink of The Microtonal Synthesis and The Wavemakers Synthesizer web sites. Pictured in the article: Modular formats, left to right: Mattson Mini Modular, Eurorack (Plan B), FracRack (Blacet), Serge, Buchla 200e, MOTM, Moog (Synthesizers.com), Modcan A, CMS, Wiard 300. Be sure to click the image for the full size shot.
From the Editor, Kurt Stallmann:
"As we celebrate 50 years of musical computing we can’t help but notice that the analog technology that many predicted would be outmoded and replaced still hasn’t died! Not only that, in recent years, there has been a resurgence of interest in analog instruments in popular music and among many young instrument builders. New designs of analog modular synths have been released, some of which hybrid sophisticated digital control with analog sound engines (like Buchla’s recent release of the 200e). It is along these lines that we asked Chapman Welch to conduct an interview with German improviser/composer, Thomas Lehn, whose sole setup consists of a classic analog Synthi. We also asked the Austin-based Wavemaker specialist and analog enthusiast John Loffink to give us a quick overview of a few current analog synth makers. Going even farther back, and in response to our July interview with Max Mathews, David Mooney contributes an article tracing the history and influence of Henry Cowell’s Rhythmicon on a current generation."
via Grant Richter of Wiard on the Wiard list.
Update via John Loffink: "Article has a typo, mentions Analogue Solutions as having Bode FS and Putney tribute modules, should be Analogue Systems. That will be corrected in an errata."
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MATRIXSYNTH - EVERYTHING SYNTH
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