
"sub vision brings together two elements: the sounds of the Subharchord, an electro-acoustic instrument developed during the 1960s in East Berlin and a processed visualization of illustrations of scientific experiments by Werner Meyer-Eppler, a German physicist and theoretician of electro-acoustics.
In the installation, the Subharchord’s tonal landscapes and constantly modulating tonal spectra are directly transposed into a real-time visual transposition derived from Meyer-Eppler’s illustrations. The visualization is projected onto the wall behind the instrument, thus combining sound and image in the same space.

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