YouTube Uploaded by GruithuisenCityMan on May 4, 2011
"Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made in one take using Plogue Bidule, the Meesha Gemini 1 VSTi, the Kiesel Free Delay VST and the Ambience VST. Enjoy !"
Wednesday, May 04, 2011
1 comment:
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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Hi there Frederic, my name is David Wolfman, I am a musician /digital-composer/virtualDJ/producer/audiographer,let me first say that I love the synth sounds you are getting on this video, the one embedded into the page (Spiral Pearl), I would like to establish a dialog concerning the use of purely mathematical ideas in music. I find it easy to research sequences, like Fibonacci, and also what I assume was the basis for 'Spiral Pearl' which would be based on a paper by Prof. Elaine Chew in her MIT doctoral thesis titled "Toward a Mathematical Model of Tonality" is this accurate? If so, can you help me grasp a method or approach vector for defining context for a math notion or formula within a musical (digtial with low latency, and DAW software, Cubase/Bidule, etc...
ReplyDeleteAnd really, is any of this possible or are we playing a catch up game as artists to the scientists we respect? Meaning, is it possible, do computers/technology bridge a gap so exactly between math and music? What are your views, Frederick?