Ehrbody Duzzit

Published on Jul 7, 2013 davidryle·115 videos

"A short clip of a live session in the studio. Endless questionable noodling but fun for me anyway.

All sounds are the modular synth except the keyboard part. The keyboard sound was comprised of a Waldorf MicroWaveXT, MicroQ, FM8 and Hollow Sun's VP330 vst. The keyboard looper was a Korg Kaoss 3 Pad.

The video features a few of Ian Fritz' and Douglas Slocum's (Synthetic Sound Labs) module designs such as the Double Deka Ultrasonic VCO, A Teezer Thru Zero Oscillator and a pair of 5 Pulser wave shapers.

The DDVCO was used as a two channel step sequencer and sync'd to the Q960. The vco's were Q106's and filtered through a Q107 in band pass mode.

The first bass line was the STG Voltage Mini Store sequencer with a pair of Q106's into a Q150 Transistor Ladder Filter. A Trigger Mini Store handled the timing.

The secondary mid-bass line was a pair of vco's (Q106 and SSL1200) through the pair of 5 Pulsers and an Analog XOR. Several LFO's and an SSL 1520 Segwencer IV module permitted various timbral enhancements to the sounds. All the blending was done using a YuSynth Mixer.

The Q960 and Q119 Sequencers and quantizers managed most of the other melodic pitch stuff along with Moon Modular trigger and divider duties. A CGS Master Divider split the long division duties for voices coming and going.

The drone sound is a single Q106 into the Strymon Blue Sky reverb and through an Oakley Deep Equinoxe phaser.

A pair of pulse clicks were a Sputnik WCRS into a Polivoks Filter and the second was the Fritz Teezer vco and a CGS BiNTic filter. The envelopes were all Q109's.

A groaning formant sound was WCRS into a Sputnik VCS, through a FFB and SSL Digital Delay, then a Grove PM Resonator.

A final harmonized sequence was a Q106 to an Oakley Diode Ladder Filter."