Rheyne - Sequenced Jam #52 (Morphagene as a stereo delay)

Published on Sep 17, 2017 Rheyne

"Using the Make Noise Morphagene as a stereo delay for both VCOs of a DPO. The left input is VCO A, with FM from one of the VCOs of a Moog DFAM, faded-in with a channel from Maths to the carrier-in of a modDemix, triggered by a Tempi. The right input is VCO B, with FM from a 0-Coast, faded-in using the slope output to the Dynamics input, triggered by a different channel on the Tempi. Two Mother-32 sequencers control the pitch of both VCOs on the DPO.

The bass swells are from a Noise Engineering LIP, with an Erica Synths Black VC EG controlling filter swells on a Dave Smith Curtis Filter, with all four tone controls of the LIP modulated by an Erica Synths Octasource. The pad is from a third Moog Mother-32. Both of these voices run through an Erica Synths Black Hole DSP for additional reverb. Reverb on the main mix is from a Strymon BigSky.

No outside MIDI or DAW was used, all notes and modulations are from the synths."