Thursday, January 24, 2019
Reason Complex-1 // MEGA TUTORIAL
Published on Jan 24, 2019 DivKidVideo
"TIMING INDEX / SECTIONS BELOW - My index is so long (aka so much in the video) I have no room to write anything else! So here's Complex-1 which is a rack extension for Reason. I worked with them making some patches (bonus free patches to come) and there's a few videos coming too. Here's the first! Enjoy, grab a drink and skip around below.
00:00 introduction
00:28 Complex-1 overview
SOUND GENERATORS
Complex Osc
01:00 Buchla 259 heritage and features
01:40 Waveforms and waveshaping
02:28 Mod bus - FM / frequency modulation and modulating FM depth
03:03 Mod bus - AM / amplitude modulation and modulating the AM depth
03:53 Mix output - modulating the crossfade between the oscillators
04:18 Building complex tones with internal modulation, cross modulation and feedback
05:05 Audio rate modulating waveshaping
Osc 3
05:16 Osc 3 overview
05:40 Osc 3 as even more audio rate modulation for the Complex Osc
06:29 Range control, turning the Osc 3 into a sub audio rate LFO
Noise
06:46 Noise overview and sound demos
06:58 Red noise
07:15 Noise as a FM / modulation source (tool for learning and new sounds)
07:59 Blue noise
08:13 Jitter, instability and “life” with noise modulating oscillator pitch … or “how to make an angry bee in a can live in your waveforms
08:55 Resonant noise
09:52 Band noise
10:01 Static noise
10:10 Binary noise
10:16 How to make dial up internet modem sounds … wooohooo!!!
11:00 Modulating / sequenced noise as an audio rate modulator for oscillator wave shape
11:22 Buffer noise
SOUND SHAPERS
Shaper
11:58 Shaper set up and functions
12:26 Saturate - overdrive and PWM like FX
12:52 Wavefolders - what are they? How do they work?
13:08 Fold 1 - wave folding and PWM-like symmetry FX
13:36 Fold 2 - more VCO sync like tones with the second fold mode
13:59 Bipulse - wave-wrapper-esq. tones with a curved, folded, rectified like wave
14:25 Pickup - pick up style overtones, great when modulated with an envelope
14:40 Processing external audio through the Complex-1, hit tab and patch the rack!
15:01 Glitch - adding kinks and inaccuracies in the waves for rich and buzzy overtones
Filter
15:43 Low pass filter
16:14 Audio rate filter cut off modulation for formant / vocal / vowel / glottal tones.
17:03 LFO filter wobbles
17:17 Filter drive - filter burn and fattening
17:26 A word on filter key tracking
17:44 High pass filter
17:57 LPGs / Low Pass gates - what are they? How do they work? What’s unique about them?
19:29 Percussive LPG set up
20:32 Alternate ways to use the LPG
Comb Delay
20:52 Comb Delay set up and explanation
21:13 Karplus Strong Synthesis - what is it? Set up and sounds.
22:30 Using modulation for chorus / flanger like sounds
MODULATORS
LFO
22:53 LFO functions - rate, shapes, sync/reset, positive and inverted negative outs.
23:26 Clock sync-like effects with the reset input
24:17 A basic look at uses of normal and inverted LFO outputs used in a patch
24:58 Decay shape - falling envelope like shape
25:23 Step up 3 and 4, Step up and down
25:44 Smooth random - the secret sauce! :) … using it to create drift, “life” and an organic moving base texture to patch around.
ADSR
26:44 ADSR, set up, patch, inverted outputs
UTILTIES aka the real magic of a synth!
Mixer
27:56 Mixing oscillators pre-filtering
28:31 Mixing CV modulation for more complex interesting and animated modulation
29:14 Mixing unit “offset” voltages
30:18 Modulating modulators
30:40 Chaining mixer channels for up to 4 channel mixing
Lag Processor
30:58 Lag processor - slew, lag, glide, portamento - what is it?
32:08 Using the lag processor as a second low pass filter
32:41 Creating more fluctuating smooth random voltages
Scale & Amp
33:24 Scale & Amp as attenuators or VCAs
33:41 Modulating modulation depth with VCA and making the classic fading vibrato modulation
34:55 Using the MIDI / sequence inputs or controllers to create velocity dependent modulation depths
Clock, quantising, sequencing, function generator and oscilloscope
36:01 Building a quick sequence
36:32 Creating sequencer patterns, controlling the range and quantising
36:59 Gate pattern sequencing
37:18 Changing sequencer step length
37:52 Clock 1 - a bonus LFO!
38:32 Clock 2 - with modulatable clock multiplication
38:45 Clock 2 - freeze / on/off control
39:31 Using the lag processor with modulated clocks for complex LFO shapes
40:05 Sequencer reset
40:28 Sequencer Curve output as a modulation source
41:03 Using an offset to transpose a sequence
41:39 Quantizer 2 - quantising LFOs for arpeggios
42:03 Function generator overview
42:26 Sample and hold S&H - making stepped random voltages
42:47 Sample and hold - LFO inputs for stepped LFO movement
43:16 Min/Max for audio processing
43:55 Onboard FX - building a sequence to demo the FX
44:44 DON’T FORGET THE OUTPUT MIXER!"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
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