MATRIXSYNTH: Backrooms Inspired Sound Design with Omnisphere 3 and Vulture Culture’s Legendary Synths

Monday, May 25, 2026

Backrooms Inspired Sound Design with Omnisphere 3 and Vulture Culture’s Legendary Synths


video upload by Keith Crosley

"We’re noclipping into liminal sonic realms, doing some Omnisphere 3 patches inspired by the Backrooms… and using Vulture Culture’s “Legendary Synths” sample library that I’ve converted to O3 multisampled soundsources! We’ll talky talky talky about liminal ambient inspirations, some of my favorite sound design tricks, and a few of the more unusual effects in Omnisphere. So grab your low-proximity magnetic distortion system and get ready for an ANALOG-HORROR-A-GO-GO episode of your favorite talky synthesizer content show!

-- MENTIONED IN THIS VIDEO --
🎹 Vulture Culture Legendary Synths Collections: https://vultureculture.live/collectio..."

You can find wavetables and additional resources by Keith Crosley available at https://www.wavetables.lol.

─── CHAPTERS ───
00:00 Why Sound Design for the Backrooms (A24 Film + Kane Parsons)
01:02 What This Video Uses: Omnisphere 3 + Vulture Culture's Legendary Synths Vol. 1 & 2
02:14 Why Omnisphere 3's New Effects Are Perfect for Analog Horror
03:07 Pre-Built Patch Walkthrough: Noisemaker, Film Projector & Spring Reverb
03:48 The JX-10 "Mays Pad" + Wavestation Tape Splice Sound
05:09 Horror Scoring Tricks: Pitch Shift, Christopher Young & the Hellraiser Coil Story
06:55 Building a New Patch From Scratch: The Concept
07:53 Picking the Sound Source: Korg Poly-800 Vibrato Strings
08:50 The Concept: Reverse Tape Splice + Found Footage Vibe
13:01 Tape Echo and Stereo Panorama on the Bell Layer
16:25 Adding Shimmerverb for Atmosphere
21:05 Unison and Tape-ifying with Drift and Wow/Flutter
24:33 50s Tube Compressor for Color
25:33 Using the Hidden Imager Utility Module for Stereo Width
27:43 Saving the Patch: "Found Footage KRC 1"
30:04 Adding the Reverse Cymbal Trick on Layer D
32:39 Vintage EQ 2 + Analog Studio Wow/Flutter
34:26 Mod Wheel to Amplitude for the Reverse Hit
35:01 The Fluorescent Light Patch: Building a 60 Hz Hum from Scratch
35:38 How to Tune a Sawtooth Wave to 60 Hz (Single-Cycle Waveform Trick)
36:43 Multiband Distortion + the Noisemaker "Old Computer Fans" Sound
38:31 Final Patch: Inspired by Instupendo's "Six Forty Seven" from Kane Pixels' Backrooms
40:14 Starting with the Legendary Synths Vol. 2 K3 Piano Sample
40:53 Pitch Modulation, Tape Effect & Sample-and-Hold LFO
43:00 Liminal Ambient Sound Design: Wrap-Up
44:22 Join Vulture Culture's Members-Only Livestreams (Plus Liminal Space Reverb)

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