Super JX 9000 / Adam Szabo Viper Software Synthesizer / Classic Trance Presets

video upload by ULTIMATE X SOUNDS [ Presets for Synthesizers ]

"Experience the golden era of Trance music with SUPER JX 9000, an exclusive sound pack designed for the Adam Szabo Viper Software synthesizer ( 1.2.2 ).
Captures the essence of classic Trance, delivering a powerful toolset for every music producer.

WEBSITE : https://www.ultimatexsounds.com"

Some additional info on Adam Szabo's Viper. I realize I never captured it before. Viper was introduced seven years ago:

Adam Szabo Viper Introduction

video upload by adamszabomusic

Virus vs Viper: Can Viper sound like the Virus?
video upload by adamszabomusic



"Viper aims to deliver the sound characteristics of legendary hardware synthesizers in a virtual format. It comes with multitude of features like: multiple Oscillator types, Sync, Frequency Modulation, Ring Modulation, Unison up to 8 voices, Filter Saturation, Filter Routings, Modulation Matrix, high quality Effects, a powerful Arpeggiator, and much more!

A lot of time and research has been invested to make Viper capable of delivering a wide array of sounds, everything from lush pads, huge basses, and powerful leads, typically found in analog synthesizers. This was achieved with careful coding, experimenting, analyzing hardware synths, and using the ear to fine tune its parameters.

The audio engine is written in optimized code to use as little CPU consumption as possible, while maintaining a high quality sound engine, finding a good balance between the two. Viper also has a smoothing algorithm for its controls to remove the ‘steppyness’ associated with digital synthesizers.

Viper is available as a 32 and 64-bit VST 2.4 and VST 3 instrument for Windows."

https://www.adamszabo.com

Analog Vol.2 for Access Virus Ti & Adam Szabo VIPER EDITION | Classic presets

video uploads by ultimateXsounds [ custom presets for synths ]

Two vids for:

"ANALOG Vol.2 for VIPER Software Synthesizer.
The collection of sounds drawing inspiration from the rich legacy of Classic Analogue Synthesizers such as Minimoog, Polymoog, Moog Modular, Juno, Jupiter, Buchla, EMS Synth, and CS-80, alongside nods to retro digital synths like the DX7, D50, and SQ80."

"ANALOG Vol.2 for Access Virus Ti Hardware and VIPER Software Synthesizer.
The collection of sounds drawing inspiration from the rich legacy of Classic Analogue Synthesizers such as Minimoog, Polymoog, Moog Modular, Juno, Jupiter, Buchla, EMS Synth, and CS-80, alongside nods to retro digital synths like the DX7, D50, and SQ80."

https://www.ultimatexsounds.com/

JP6K Synthesizer by Adam Szabo (No Talking)

video upload by Elektronick Musick

JP6K made its first appearance on the site back in 2011.

https://www.adamszabo.com/vstplugins/...

"JP6K is a virtual synthesizer dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behavior of the original oscillator. Even after decades, the Super Saw is still an important tool for producers and musicians all around the world, and is a crucial part of many kinds of electronic music!

Features
32 Voice Polyphony
2 Super Saw oscillators with Panning
1 Noise oscillator
Resizeable GUI
3 Filter modes: Low Pass, Band Pass and High Pass with -12 & -24 dB/Oct
3 independent LFOs controlling the Filter, Amp and Pitch
Pitch envelope
Glide (Portamento) / MIDI pitch-wheel support
Built in Delay and Equalizer
114 presets, which includes presets from CFA-Sound, MASCHINENBAUERMUSIC, Mikey O’Hare and Grzegorz"

Synth Shorts - Access Virus B - Fat Pad & Analog Trance Dreams

video upload by Eyezer Productionz Sound Design

"A fat pad I made with Access Virus B via DSP56300 emulator. This pad is somewhat of a re-creation of the Paradise Pad that can be found in some of my Adam Szabo Viper soundbanks.

FX used: Valhalla Room, Valhalla Delay, Fruity 7 Band EQ, Virus B Phaser & Chorus."

Synth Shorts - Access Virus B - Analog Trance Dreams


"This is a patch I made on the Access Virus TI, but I used the DSP56300 emulator to play this patch with the Access Virus B instead. This patch combines the trancy sound of the Virus with the lush sound of an Oberheim synthesizer.

FX used.: Valhalla Room, Valhalla Delay, Fruity 7 Band EQ.
Midi used: Gouryella - Ligaya"

Adam Szabo JP6K

"JP6K is a synth dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behaviour of the original oscillator. Even after a decade, the Super Saw is still sought after by people all around the world, and is a crucial part of such music genres like Trance.

There are several factors that make the Super Saw in the JP6K different than other synths that provide a similar sound. The original Super Saw from Roland was aliasing, thus creating a bright and “airy” sound. To prevent the sound from sounding harsh below the fundamental harmonic, a high pass filter was possibly used to remove the unwanted frequencies. The JP6K uses the same design to achieve that special oscillator waveform giving it a unique tone.

Another important aspect of the classic Super Saw, was its special detune curve. It was non-linear, which gave the user greater control over the detune amount. Even when the detune control was half way, the spread of the detune was small, which made it possible to make very smooth sounding pads. The curve then gradually increased, and at higher values, the detune rapidly spread out to maximum. This unique curve is accurately modelled in JP6K, making it nearly identical to the detune in the hardware.

The JP6K also emulates other features from the JP-8000 like the filters, key tracking and the EQ, to give it an even more authentic way to shape the Super Saw sound. The synth has been optimised to use minimal amount of CPU, so it is possible to use multiple instances.

Key features:
32 voice polyphony
Two Super Saw oscillators, an upper and lower
1 noise oscillator
Three filter modes: low pass, band pass and high pass with -12 & -24 dB/Oct
Three independent LFOs controlling the filter, amp and pitch
Built in delay and EQ"