BeauSoleil - Prison Made Modular

Fascinating. Title link takes you to the full story. Charles Manson ties below.

"BeauSoleil got his first hands-on exposure to electronic music during the recording of the soundtrack. "I needed to enhance the sound palette of the basic rock instrumentation we'd used. I read Polyphony magazine [which later became Electronic Musician] and a couple of books by Craig Anderton to learn how to build my own circuits and instruments. From there, I graduated to building modules from scratch using parts from electronics surplus houses, and I used the modules to create new sounds." Thereafter, he studied audio electronics for several years in a prison vocational electronics program. This learning phase gave him the opportunity to develop skills he has put to good use ever since as a synth programmer and engineer. In 1984, he persuaded Jerry Kovarsky of Casio to loan him a CZ-1 synth in exchange for developing sounds for the instrument. (Kovarsky is now with Korg.) This was BeauSoleil's first experience with digital programming, but because the instrument was based on an analog architecture, he was able to complete several volumes of sounds. He is also a guitar player, so Casio later provided him with a PG-380, a MIDI guitar synth that he still uses as a stand-alone instrument. Actual programming of the PG-380 had to be done on Casio's rack-mounted VZ-10, from which patches were transferred on a data card. This programming experience and his connections at Casio later led to programming gigs with Ensoniq for the KT-76 synth, Kawai for the K4 synth, and Kurzweil for the K2000."

Update via the comments:
"Robert Beausoleil was also a member of the Manson Family before his imprisonment. http://en.wikipedia.org/wiki/Bobby_Beausoleil"

From Wikipedia:
"He met Charlie Manson in Topanga Canyon in 1966 and later went on to be one of the group who killed Hinman, allegedly for defaulting in a drugs deal. Accompanying Beausoleil that night were Susan Atkins and Mary Brunner, both later involved in other murders."

Mystery Modular

Lester Barnes posted this on AH asking if anyone on the list knows what it is. If you do, please share. Title link takes you to more shots.



"From what I've worked out the thing has 6 VCOs with various features, 3
VCA, Noise/S+H, 3EGs with toggles for speed, 2 filters: one is Low pass or band pass with subtle cutoff slope and doesn't self oscillate with reso at max the other is a multimode but without Resonance. It also has a 3 input sum mixer, VC Reverb, VC Echo - with 3 separate echo return times and controls. VC Vowel Filter - Bloody Lovely, Equalizer, inverter Divider, Counter clock. It has a two manual keyboard each with a joystick and the cabinet has two separate keyboard control sections as well as a basic CPU ? There seems to be an input for 'GUIT' guitar ? and a din input marked 'Micro 15'

Patches are made on a 60 x 60 patch matrix and there are ten output faders as destinations on the row E - 5 for Left and 5 for Right -

The most unusual thing and the thing I haven't sussed out yet is the functions of the Sequencer: Its a 3 x 10 analogue sequencer. rows A+B are clocked together but row C can travel at any subdivision of the upper rows clock speed. As you'll see in Picture 3 on the link, at the far right of the cabinet are 4 groups of 4 controls - each group has a Left and Right control and two dials above - - in picture 4 you'll see another 10x10 patch matrix which has something to do with the 10 stages of the the sequencer and L+R outputs of each of these groups of four dial named GC,CY, CC,B and 58 - putting a patch pin into column 4 row 1 produces a beep clocked every time the sequencer passes stage 4 but altering the the voltage on that stage of the sequencer has no effect on the beep. One of the unknown controls above the L+R of GC alters the gate time of the beep - the other seems to alter the pitch - I have no idea what this is for. Row CY has a multi-step dial and toggles .. . ?"