"Soniccouture is pleased to announce the next in the Polarity series: a collaboration with Ian Boddy, UK synthesist and DiN label boss.
Polarity is a series of instruments exploring granular synthesis with different artists and sound designers.
Polarity | Modular is a dual-layer granular engine loaded with 250 custom waveforms crafted by Ian Boddy, utilizing his extensive collection of modular gear, including a Roland System 100M, Serge Modular, Buchla Sound Easel and much, much more.
Featuring a sound design library of 250 presets, NKS2 compatibility and the ability to load your own samples, Polarity | Modular aims to 'redefine the sound of analogue synthesis’.
"Ascent is a sophisticated dual-reverb plugin that combines two powerful algorithms into one fluid interface: a lush, expansive hall reverb and an innovative pitch-shifting particle reverb that creates evolving, granular shimmer effects. Layer spacious, long-decay reverbs with dynamic pitch-shifted textures to craft everything from subtle ambient spaces to dramatic, otherworldly atmospheres. With intuitive controls, and built-in dynamic ducking that keeps your mix clean, Ascent delivers the acoustic character and creative possibilities of premium hardware reverbs in a streamlined, CPU-efficient plugin that works seamlessly across all major formats and platforms.
Features
Dual reverb engine architecture combining a spacious hall reverb with an innovative granular pitch-shifting particle reverb.
Particle engine features pitch transposition from -12 to +12 semitones with dual overlapping grains for artifact-free shimmer effects.
expanse control offers three room size modes (Small, Medium, Large) with carefully tuned delay networks for natural spatial imaging.
Built-in dynamic ducking compressor keeps reverb tails from swamping your dry signal, maintaining mix clarity.
Cross-platform preset manager with XML-based presets compatible across all plugin formats and operating systems."
if you're already planning on purchasing any software and want help support me,
purchasing any software via the above link helps me out with a %15 commission
"Welcome to EVIL PET - your granular processor with built-in FM radio.
EVIL PET can be a synthesizer, an effect unit, a radio FM tuner, a
reel-to-reel recorder, a sampler and more.
https://endorphin.es/evil-pet
EVIL PET bites incoming audio into tiny grains and plays them in new,
playful, or unexpected ways. Stretch, shrink, or flip the grains to create
unique sounds, textures, and effects. Layer grains to make dreamy,
glitchy, or swirling soundscapes. It works with any input - guitar, voice,
synth, or drums - turning ordinary sounds into something magical.
Audio can either come from: the input jacks, the built-in microphone,
the built-in FM tuner or loading samples from a microSD card. Grains
can be triggered by tactile PLAY key or via connected MIDI or
MPE keyboard, allowing for expressive polyphonic performance and live
experimentation.
Performances in that video by @JuliaBondar and @warrenwalkermusic "
User videos:
Playlist:
1. Review: EVIL PET by Endorphin.es // Live granular techniques explored - loopop
2. Endorphines EVIL PET Granular Pedal - No Talking. - mylarmelodies
3. endorphin.es Evil Pet Granular Synth and Effects Pedal Demo (no talking) - Limbic Bits
Today we've got the Solarfaze on the bench, by Vongon. It's a stereo saturation and detune (aka chorus) effect. Here's how it works and what it sounds like.
00:00 Intro
01:43 Chorus
05:23 Saturation
09:45 With Subharmonicon
11:40 With Pulsar 23
14:10 Multiband Guitar Loop"
"Warmth. Movement. Glow.
This is the new Vongon SOLARFAZE — a stereo chorus fused with saturation.
Joined by Replay, Ultrasheer, and Polyphrase, here’s how it dreams.
Enjoy."
00:00 Jam
02:36 Intro
03:59 How to support me
04:30 Overview of SOLARFAZE
05:45 Saturate
08:15 Detune
10:04 Bringing in the other pedals
11:15 A different effect chain
15:13 Bonut tip : Transposing arpeggios with Replay
16:10 Solarfaze on Pads
20:05 Conclusions
Vongon Solarfaze is beautiful (harp, guitar, synth, drums)
The Solarfaze from Vongon is a stereo 3-band saturator and detune/chorus pedal that gives you exacting control over the frequency landscape of your signal. Whether you're adding a bit of undulatory warmth and saturation or assaulting the frequency spectra of your choice, Solarfaze as you covered, often surprising you with its tonal complexity. The heart of the pedal is a 3-band Bass, Mid, and Treble saturation mixer with each section offering three levels of gain: Soft, Boost, and Hard. Each band can be finetuned to one of five different frequencies, making this pedal as versatile as you are.
The Detune section offers a simple interface for adding movement and interest to your signal, affecting the stereo field, as well for a satisfying binaural experience. Adjust the Amount and Mix to your taste and turn up the Envelope control for dynamic expression that is based on your playing. Size can be adjusted as well to create a smoother or tighter detune effect. Other features include a built-in Noise Gate and an effect rerouting option. Indeed, the Solarfaze is a wonderful addition to the already incredibly Vongon lineup and is sure to find a use in any pedalboard.
SOLARFAZE FEATURES
Stereo multi-band saturator and chorus Soft-clipping waveshapers for smooth transition from subtle warmth to heavy breakup Bass, Mid, and Treble drive sliders Selectable gain level per band: Soft (0dB), Boost (+6dB), Hard (+12dB) Each band has 5 different frequency options Stereo detune chorus with independent left/right pitch shifts Envelope modulation of detune amount for dynamic stereo animation Route Saturation into Detune and vice versa Built-in Noise Gate with adjustable threshold MIDI Input for parameter control and 9 preset storage
"The ESI GRANULIZER is updated to V2. Reminder: the ESI GRANULIZER is a midicontroller allowing to play samples on the EMU ESI (and other) samplers in grains, being free in speed and position. This was the introduction video: [posted here]
New in V2:
1. improved & simplified interface
2. play sample ONE SHOT in adjustable speed without the need to turn the SAMPLE POSITION knob for traveling through the sample
3. play sample LOOPED in adjustable speed with free START and END points. If END is before START the sample will run backwards
The concept works on any sampler supplying SAMPLE STARTPOINT modulation like e.g. the MPC ONE. Thats the content of the video's third part.
0:07 textintro showing old & new faceplates
0:22 demoing the known features as a reminder on ESI 4000
1:05 new features, still ESI 4000
2:20 GRANULIZER on MPC ONE"
"Adam Husk presents the BM-18M CLUSTER BOX, a compact modulation pedal that blends classic chorus and flanger tones with deep creative control. Switch easily between chorus and flange modes using the range rocker, then shape your sound with Drive, Output Level, and a dry/wet mix.
At Behringer, we believe in pushing the boundaries of music technology to make high-quality gear accessible to everyone. Our mission is to empower musicians at every level by delivering innovative tools at a fraction of the cost—without compromising on sound or performance."
Classic Modulation, Reimagined
The Behringer BM-18M CLUSTER BOX is a modulation powerhouse that blends the warmth of classic chorus and flanger tones with a modern edge. At its core, a simple range rocker lets you switch between lush chorusing and sweeping flange textures—but the CLUSTER BOX is anything but basic. Whether you're chasing vintage shimmer or pushing into wild, unpredictable territory, this pedal is built to inspire.
Deep Control, Limitless Texture
Beyond the familiar sounds lies an expressive control layout designed for sonic sculpting. Shape your tone with adjustable Drive and Output Level for analog-style saturation, or blend dry and wet signals to taste. A six-shape LFO selector lets you modulate Rate, Amount, Delay, and Feedback in highly creative ways—while a dedicated tap-tempo footswitch keeps your modulation locked to the groove.
Modulation Meets Modularity
From pedalboard to modular rig, the CLUSTER BOX opens up a world of routing possibilities. Control key parameters via CV, MIDI, or expression pedal, and sculpt your effects further with a dedicated feedback insert loop. USB-C integration with the Guitar Tribe App adds even more flexibility, while stereo output with DIP switch customization ensures the pedal plays nice with any setup—guitar, synth, or studio.
WARP is a high-quality multi-purpose audio processing unit, able to add might and magic to almost any instrument. It contains 15 different effects that can be divided into three types:
Spatial effects — ranging from traditional reverbs to granular, experimental algorithms, with pitch-shifting, reverse and micro-loops. Most of the spatial effects feature extremely long decay times, all the way to infinity. With feedback ratios above 1 you can drive the algorithm into self-oscillation for creating endless, rich, lively soundscapes out of almost any sound. To keep the sound under control with reasonable headroom and tonal aesthetic, all the generative algorithms include dedicated modules to automatically control sound levels. Special effects — such as flanger, sample rate/bit reduction, vintage tape simulation. All special effects include unusual functions giving them a unique SOMA flavor. Dynamic effects and filters — compressors, distortions, filters. All the effects in this category can be applied to submixes, e.g. a rhythm section group, or even to the whole mix – so one can conventionally call them master effects. All the effects in this category also have their unique extended features, SOMA-style. All of that makes WARP a great unit for spatial processing of any acoustic or electronic instruments — guitar, vocals, strings, synthesizers etc., — as well as processing drums or complete mixes. WARP uses top-class audio chains and AD/DA-converters, same as those found in the best professional audio-interfaces made by APOGEE, FOCUSRITE, LEXICON, ECHOAUDIO, LINE 6, NOVATION. This prevents sound deterioration, even in such demanding situations as processing a complete mix. WARP has stereo inputs and outputs, compatible with both balanced and non-balanced connections. All of the sound processing is digital, including the MIX control. The AD/DA resolution is 24bit/48KHz. The internal digital processing resolution is 32bit IEEE.
WARP has a simple, intuitive interface, with instant direct access to all functions — perfect for playing live. Every processing parameter has a dedicated CV input, controllable via Eurorack systems and any CV source.
"Everything about Uhbik 2.0 is new: A new GUI, the new preset browser, a new family member (Compressor), the new modulation matrix, new extra LFO and envelope follower, built-in oscilloscope for viewing audio and/or modulation signals, CLAP support, IPluginCompatibility support for easy migration from VST2 to VST3, all-new filter and surround code... what could be better?"
Ghosts is a 6-voice physical modeling effect and instrument.
Excite high-fidelity strings, tubes, and bars to conjure resonant objects and acoustic environments: a blooming cello, a playful xylophone. From organic realism to spectral fantasy.
Retune the voices to preset chords — including custom chords and microtonal scales. Connect a MIDI keyboard for polyphonic play and the full spectrum of its synthesis engine.
"Refine your dynamics with Bus TRANSIENT. This intuitive attack shaper gives you immediate, surgical control over the attack and body of any sound source. Add clarity, tighten your groove, and bring every element of your mix into focus."
"We try out Bus Transient, a new effect plugin from Arturia for shaping transients. It provides separate multi-band processing of transient and non-transient elements of the sound. It sharpen and soften attacks and make individual instruments pop in a mix. We will explore its features with a few different types of instrumental sounds, and also check out a few of the factory presets.
00:00 Introduction
00:25 Overview
00:51 Drum examples
05:59 Guitar examples
08:17 Electric piano
11:26 Factory presets
13:12 Conclusion
Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
"SCRATCH FIGHTER is a new musical instrument based on scratch performance using a turntable.
Although the operation is the same as scratching with a turntable, it is relatively easy to play scratches. In addition to the built-in samples, there are three sampling slots.
This appears to be the first post to feature Dobbo by Butterfly Effects.
"Welcome to Dobbo: our first habitat, made for playful discovery. Dive into lush clouds or listen to rhythmic crystals forming.
Dobbo is a granular effect designed to spark curiosity and inspire new sonic directions. With elements of randomness, controlled chaos, and evolving textures, it invites you to explore sounds you didn’t know you were looking for.
Dobbo takes small bits of sound and rearranges them. It can stretch, pitch and blur these bits, or transform them into rhythmic textures."
"Nembrini Audio Launches The Hughes & Kettner Tube Rotosphere Plugin
Classic Rotary Sounds With Rich Tube Warmth And Easy Rotor Speed Control
3rd October 2025: Nembrini Audio is pleased to launch the Hughes & Kettner Tube Rotosphere plugin, an authentic digital emulation of the acclaimed Hughes & Kettner Tube Rotosphere MKII Rotary Speaker* simulator. Listen to it here and see it here.
In the 1960’s the Leslie Speaker System*, originally developed in the 1930’s for the Hammond Organ, began to be used for guitars by The Beatles, Eric Clapton, David Gilmour and more. In the 1990’s Hughes & Kettner, a highly respected manufacturer of instrument amplifiers, cabinets and effect boxes, created the Tube Rotosphere pedal, an extremely accurate, analog reproduction of the Leslie Speaker System.
More than thirty years later, Nembrini ‘s new plugin breathes fresh life into this cool sound with the introduction of a realistic digital simulation of the much admired Hughes & Kettner Tube Rotosphere. Celebrated for its rich tube-driven character and highly musical rotary modulation, the original hardware was used keyboardists and guitarists seeking the iconic swirling depth of a classic rotary cabinet, with the warmth of real tube saturation. The new Hughes & Kettner Tube Rotosphere plugin faithfully captures every nuance of its analog counterpart, offering everything from subtle to dramatic Doppler-infused motion, with can be seamlessly integrated into any rig.
Nembrini’s advanced modelling technology captures all of the lush swirl, warm tube saturation and authentic rotary motion of the original pedal. The key features of the new plugin include true to life emulation of the analog circuitry and tube preamp behaviour, independent rotor speed simulation with separate LF and HF controls allowing precise adjustment and a breaker switch for realistic ramp-up/down and rotor stop effect. There is also tube saturation modelling with visual feedback, rotor balance control for fine tuning the blend and a stereo signal path for wide, immersive rotary modulation.
The Hughes & Kettner Rotosphere plugin desktop version is available at the introductory price of $29.99 (normally $99) until the October 31st 2025.
"'MFX motto' is a multi-effects plugin from ALM Busy Circuits, which brings the much lauded FX engines from our 'MFX' Eurorack Module, Guitar Pedal and Desktop plugins to the iPad with the unique ability to now chain multiple effects. In this video we demo the plugin with a hybrid hardware + iPad setup using the AUM mixer/syncing app.
Inspired by our favourite classic hardware effects processors, the MFX motto incorporates DSP technologies from the dawn of digital effects in the 70s to the present day. This combines with ALM character and uniqueness to form a highly useful, fun and practical iPad effects processor.
Bend time space and pitch with multiple feature rich reverb and delay engines. Modulate signals with the flexible panner, phaser and range of ensembles. Fracture sounds with a one of a kind glitch engine. Reshape sound with the dynamics engine.
Important! MFX motto is an Audio Unit Effects Plugin (AUv3) which requires a compatible host or DAW to work such as Garageband, AUM etc. It does not work as a standalone app.
Unique to the MFX motto is the ability to create custom effect chains of up to 11 effects in any order - all within the plugin itself - allowing for clear, efficient routing between multiple effects.
MFX motto is available to purchase now for iPad at the special launch price of 9.99 until the 10th October via the App Store button below."
"Today I show you the new Pilule pedal by Glou-Glou.
It's a Fuzz & PLL (Phase Locked Loop) with many tricks up its sleeve and I will try it out with electronic instruments rather than guitar or bass, because it's great on these as well."
00:00 Intro
02:40 First taste
03:30 Pedal Overview w/ 0-Coast
17:42 Breakbeats, Poly Synths & Both w/ Tracker+
25:36 Drum Machine Test w/ 880
36:41 End Talk
"Introducing Remixlive 8.5, with brand new Pro FX from Noise Engineering!
We are excited to partner with Remixlive to bring their users top-of-the-line effects. We've closely collaborated to bring our brand of sound to Remixlive, with four handcrafted distortion patches ranging from bubbly to outright acidic, seamlessly integrated into the intuitive and powerful interface designed by Remixlive.
Download Remixlive on your mobile device and unleash them today!
"Ever wondered what a Jupiter-4 sounds like through a Ring Modulator and a Spring Reverb?
Well I did and made some cool, fun sounds ranging from subtle to outrageous.
The Roland Jupiter-4 is connected to a Warm Audio Ringer Bringer, an Echo Fix Spring Reverb and that passes through a Franklin Audio DI-20 before hitting my Universal Audio Apollo Twin.
This video is part of my Sunday Sessions Series where I create improvised Jams that will form the basis for future tracks."
This appears to be the first post to feature the Warm Audio Ringer Bringer. Some info below.
"REVIVING AN AVANT-GARDE PEDAL FOR MUSIC’S TRAILBLAZERS
From light Lo-Fi modulation all the way to the piercing sound of infinity ring-modulation, the Warm Audio RingerBringer accurately recreates the ultimate all-analog ring modulation effect used for experimental tones. Like the original, loved by artists like Jeff Beck, Radiohead, Omar Rodríguez-López, Trent Reznor, and many more, RingerBringer delivers the original distinct set of controls, extensive in/out options, and rich sonic textures to inspire boundless sonic experimentation.
DON’T JUST PLAY, CREATE
The ideal platform for the sonic tinkerer, RingerBringer inspires you to generate layered frequencies and harmonics, explore a wide range of sonic possibilities for guitar, bass, synthesizers & beyond, and design your own sounds from the ground up. Extensive controls including LFO, MOD, FREQ (FREQUENCY) & RATE open up sonic possibilities that range from subtle overdriven textures all the way to wobbling, warped leads soaked in texture and tone. RingerBringer is 100% analog and sports premium components including hand-selected op-amps and transistors. RingerBringer is no emulation or 'patch', instead it delivers true-to-spec performance of the boutique, analog original."
"Liminal Space is my 'haunted digital reverb'... It used to be "headless" but now it has a GUI! And now available in VST3 format!! Just a quick touchbase here about this project. Yeah, there are likely still some bugs (please report any that you find... I'll fix 'em!), but it's coming along. Grab your immediate-mode interface and come along with me to a world of infinite reverb-erb-erb-erb in this echoes-a-go-go episode of your favorite talky synthesizer content show."
"Adam walks us through the BM-14M ANALOG DELAY — a rebirth of one of the most sought-after pedals from a long-discontinued series.
Far beyond a standard analog delay, the BM-14M delivers deep sonic shaping capabilities with enhanced control features and expanded I/O. This is not just a delay pedal; it’s a full-on sound-sculpting machine designed for creative musicians and tone explorers alike.
*Chapters:*
00:00 Welcome BM-14M ANALOG DELAY
00:17 Story time
01:32 The BBD Chip
02:07 Features
02:37 Delay Demo
03:05 Hidden feature
03:36 LFO control
04:44 Tap in LFO rate
05:07 IO
05:44 IO Demo"
BM-14M ANALOG DELAY The BM-14M brings a classic delay device back to life, celebrated for its unmistakable warmth and high level of control. Known for sparking creativity, this reborn design delivers rich analog tone while pushing you into uncharted territory. Its hands on approach invites you to sculpt echoes that can move from subtle depth to radical soundscapes, perfect for those who thrive on inspiration through exploration.
Deep Control and Expansive Connectivity This isn’t just a delay pedal, it’s a laboratory for sonic experimentation. With CV and expression inputs for Feedback, Time, LFO Rate, and LFO Amount, plus MIDI In for precise parameter control, BM-14M gives you unmatched flexibility. Dedicated audio outputs like DELAY OUT let you isolate the wet signal, while the FB Insert unlocks new routing possibilities by sending and returning the delay path into other effects. The result: endless ways to push delay beyond the expected.
Easy Integration The BM-14M is made for creators chasing texture, movement, and analog depth across any setup. Whether paired with guitars, synths, drum machines, or modular rigs, it adapts seamlessly and rewards experimentation. Wherever creativity leads, the BM-14M is your tool for shaping truly unique sonic journeys.
