MATRIXSYNTH


Friday, July 18, 2008

Lost tapes of the Dr Who composer

via the BBC
"A hidden hoard of recordings made by the electronic music pioneer behind the Doctor Who theme [Delia Debyshire] has been revealed - including a dance track 20 years ahead of its time...

Most unexpected of all, however, is a piece of music that sounds like a contemporary dance track which was recorded, it is believed, in the late sixties.

Paul Hartnoll, formerly of the dance group Orbital and a great admirer of Ms Derbyshire's work, said the track was, "quite amazing".

'That could be coming out next week on [left-field dance label] Warp Records,' he noted.

'It's incredible when you think when it comes from. Timeless, really. It could be now as much as then.'

Delia Derbyshire's voice can be heard introducing it. 'Forget about this,' she says, 'it's for interest only.'"

Click here for the track. Realize this is the 60s. Utterly amazing.

John Bowen Solaris Sound Samples

John Bowen has uploaded new audio samples of the Solaris, specifically the 'Weird Rotor' samples 5 and 6 in the player. The following is a description of what's in the player. Click here to check them out.

"Here's what I wanted to show:
1. AM example - Solaris_AM1.wav.
This is an extremely simple patch, made up of 2 oscillators, no filters, 2 envelopes, and 2 LFOs. Osc 1's amplitude is being modulated by Osc 2, whose output is shaped by an envelope. (The 2nd env is the Amp EG, of course). Since you can modulate each input of a mixer, I have a mixer with Osc 1 coming into 2 of the 4 inputs. The first input is getting modulated by Osc 2, and the second input is modulated by an LFO. Another LFO controls panning.

2. Lowpass filter with polymod - http://www.johnbowen.com/WavDemos/Solaris_LP11.wav.
This just because it's an old favorite of mine from my Prophet 5 days. 2 oscillators feeding the ladder-type Lowpass 24 dB filter, with medium resonance. The filter cutoff is modulated by 2 LFOs, one of which is tracking the keyboard, while the other a very slow sweep. A third input provides an envelope to the cutoff. Again a bit of Pan modulation by another LFO.
3. Panning Modulation at audio rates - http://www.johnbowen.com/WavDemos/Solaris_PanMod.wav.

Again, another very simple sound, using 2 oscs (sine waves), one with a slight bit of pitch EG (and no filter). The point here is to show how nicely audio rate modulation of the Pan position works - something you won't find on your typical synthesizer. As I hold down the F major chord a few bars in, I start to adjust the Coarse tuning of Osc 4, which is modulating the Pan. At first it's at -60 semitones (sub-audio range), and then I gradually (more or less!) raise it all the way up to +60 semitones. At the end, I again grab Osc 4's Coarse frequency and quickly drop it all the way back down while holding a higher chord.

4. Someone requested to hear something bright and buzzy, or lots of resonance.
Here's something using 2 filters in parallel - the MiniLP and the OB Notch filters: http://www.johnbowen.com/WavDemos/MiniLP+OBNotch2.wav.

5. Rotor FX - WeirdRotor1.wav.
This is a single note held, showing the Rotor module playing through the 4 oscillators. Each one is a bit different, with slow LFOs modulating the pitch of each. Osc 1 is set to the MultiMode osc, using the S&H waveshape. Changing the frequency of this oscillator varies the clock rate of the noise generator. Osc 2 is using the SuperSaw, Osc 3 the Morphing Saw, and Osc 4 is playing the (new) WAV Osc with a test sample. Everything is being fed through the (also new) Comb Filter.

6. Rotor FX polyphonic - WeirdRotor1Poly.wav.
Here's the same patch played polyphonically, at different ranges on the keyboard. I thought it might be interesting to have a 'non-traditional' example to hear.

The Solaris can produce very complicated things, but I wanted to start out with very basic, simple sounds. Now that I've got the basic recording process down, I'll get some more examples up within the next few weeks. (I'm also hoping to have some videos of basic operation available).

-John Bowen"

PAiA 6710 Vocoder Mod


via this auction

"The vocoder comes in a hand-made wooden case that I made several years ago. The vocoder's electronics kit costs $175 from Paia. The included metal face panel costs $26, but is no longer available. And the included regulated power supply, which the vocoder requires, costs about $15 from Paia. Also, this unit has been upgraded with Scott Lee's excellent Vocoder Clarifier mod! For much more info, including fantastic sound samples, click here."

Violin Sounds


YouTube via boobtube356
"Cwejman VCO-6 with FM input from Doepfer A-111. Both VCOs are fed a S&H LFO signal (no sequencer) via an A-156 Dual quantizer. The VCO-6 output is going to a Cwejman VCEQ-3, which handles a lot of the timbre adjustments. The output is passing through an MX-4S (with some panning from the quad ADSR), then on to a pair of reverbs."

Moog Little Phatty Synthesizer Demonstration


YouTube via mattcrispell
"Moog Little Phatty Synthesizer Demonstration - By Thee Unthuziast"

The Liquid Hihat demo Part 2 - October 2007


YouTube via dolphinicus
"This is the 2nd vid. that I had shot, to give an idea of some of the capabilities of my Liquid Hihat percussion module that I innovated / created, in October 2007."

COLOR CHANGING SYNTHESIZER


YouTube via synespro
"I pimped out my microkorg for maximum sound color duality"

Pixelh8 Micro Busking Chip Tune Music 2 "Chocolate Milk"


YouTube via Hiddenfortress
"Pixelh8 Micro Busking Chip Tune Music
'Chocolate Milk'
This video was originally part of a video shown at Nerdapalooza 2008."

Synthesizer Player's Stairway to Heaven:aka On The Run PlanB


YouTube via dkimcg
"The only song I knew how to play on my first guitar was Stairway to Heaven and Smoke on the Water. This lasted a few years as I played it and Pink Floyd ballads to try to impress the girls. I wasn't very impressive, not a great guitar player, but knew how to play Stairway to Heaven dammit. Me and millions (literally) of others. So when I was watching some videos on youtube and listening to Dark Side of the Moon at the same time, it all syncs up like the wizard of oz! I realized that the synth loop in On The Run was kinda like something you had to do if you play around with synths and sequencers. Well, at least in my head. So, today I spent some time figuring out the Model 17 Triple Event Timer. The trick is to use low frequencies, really low frequencies, like cycles that take seconds or maybe even a whole 16 bars or something. I could see using it with a few Model 10's, One to drive at a leisurely pace, maybe even over a whole song since it can generate an envelope that's minutes long. Chain some more Model 17s to trigger more 17s, on man...I should get back to max/msp or i'll go broke! Anyhow. I came up with this version of on the run. I used my phone video camera, so the video sucks, but I think the sound should be ok. You can definately hear the triple timer triggering 3 different events. Neat. I think I figured out the technical side of all the modules, now time to make music...

Enjoy this synth cliche! I had fun making the patch.

Revolution is the master sequencer, but it has it's CV modulated with a signal out of the modular. The modular also controls the feedback on the Moogerfooger delay. The slow envelope that the triple timer follows the LFO in the Moogerfooger CP-251, the envelopes on the Paia are used to modulate or VC something, I forget what exactly. I don't document my patches so far, I probably should."

Thighpaulsandra's Aeriel Studios Part 6!



Tara Busch

http://analogsuicide.com
http://thighpaulsandra.com
Let's take a deeper peek at the beautiful vinyage synths - The VCS 3 (The Putney) and the SYnthi Aks!

SonicStateTV by tarabusch. See the write-up on AnalogSuicide. "Part 6 in AnalogSuicide.com's series featuring Thighpaulsandra and Aeriel Studios!"
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