MATRIXSYNTH


Monday, December 08, 2008

Roland MC-202

images at this auction

MOOG PRODIGY

images at this auction

Oberheim OB-8

images at this auction


Korg Trident MKII


via this auction

Yamaha CS-30L

images at this auction

"Feature-wise, as far as i know, it's the same as the CS-30, but without the simple sequencer. Looks completely different, though."

Arp Odyssey Synth 2813 MkII

images at this auction

"comes with the original ATA flight case, patch manual, foot pedal, expression pedal."

Technosaurus Microcon II Analogue Synthesizer


via this auction

Moog Liberation Keytar

images at this auction


Oberheim Xpander

images at this auction

MAM MB-33 mk2 Analog Bass Synth

via this auction
"The MB 33 is a rack-mounted TB-303 clone released in the mid-nineties by German synth maker MAM (Music And More). It's basically a re-packaged Freebass 383. It is a true analog monophonic bass synthesizer with MIDI implementation so you can create 303-like bass lines from your sequencer. Its single VCO offers the same two basic waveforms as the TB-303: a sawtooth and square wave. But in the MB 33 they can be mixed together for a more interesting tone than the 303 could originally produce.

Additional knobs control the VCO tuning, filter frequency cutoff, resonance, envelope mod amount, envelope decay time and accent intensity - the same controls found on the TB-303! The 24dB lowpass filter can also produce the characteristic sound of the 18 dB filter used in the original 303. There's also an auto-slide function (4 octave range) for producing those 303-style slides and a separate input for filtering external signals through it. Unfortunately there is no program storage.
MAM MB-33 II Image

MB 33 mkII
The MB 33 mkII (pictured above) released in 1998 adds a few more features. The 24dB filter has been replaced by an 18dB filter just like the original TB-303 used. A new sub-oscillator was added and can be mixed with the other two waveforms for even meatier mono-bass sounds. A new distortion effect is also present and can be dialed-in to dirty things up - sounds great when resonated at high frequency cut-offs! MIDI can send/receive controls for the cutoff, resonance, ENV mod, accent, decay, distortion, and autoslide on/off."
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