ARP Odyssey III + SCI Pro-One + Prophet VS

YouTube via etrosound72

vintage synth demo by RetroSound

digital sounds: SCI Prophet VS
bassline: SCI Pro-One
add seq bass: ARP Odyssey III, sequenced by the SCI Pro-One internal sequencer
drums: Roland TR-606"

Flame Clockwork Eurorack

via this Analogue Haven auction
"Flame Clockwork (Eurorack Format)
individual generator for experimental grooves
easy soundmachine on your analog filter
create new patterns with analog stepsequencer
funny tool for modularsystems and analogsynth

specifications:
analog clock + cv-outputs
3 channels with beat-, gate-, shift / cv-control
beats included triplet and punctuated notes
clock shift forward and backward
lfo (synchronized), 4 waveforms: saw, up, down, up-saw-down
shuffle control (8 or 16th parts)
integrated midi to cv interface (5 octaves, 1v/oct operation)
midi-sync (internal/external tempo via midi-clock)
complex random functions
record functions
midi-controller
outputs 3,5mm mono jacks (1/8th inch): gate, cv + sum, clock/gate, midi-
cv/gate, sum cv, 16th clock
cv voltage: 0..5v
clock voltage: 0..5v
midi input / output
euro rack format size: 3 HU, 28 HP"

see this post for a couple of videos of the Flame Clockwork in Eurorack format.

Vermona DRM1 MKIII with CV Triggers

via this Noisebug auction
"The DRM1 MKIII is an eight-channel, completely analog drum synthesizer. It gives you total control over every parameter through its 72 controls. The trigger option allows you to integrate voltage control to cue each sound plus open and close the hi hats.

The new version has following changes:
- KICK channel instead of the DRUM1 channel. The Kick channel has some different parameters and can create fatter and deeper kick sounds.
- The DRUM channels have a WAVE parameter which transforms the oscillator's waveform from sine to square
- The oscillators of the DRUM channels will be started with each trig signal.

The DRM1 Mk III is a flexible 8-channel drum synthesizer, which gives you the ability to create your own sounds, as well as many other classic analog drum sounds. Every sound parameter of the DRM1 Mk III has its own controller, so its easy to use and you'll always have a clear picture of the settings.

Features
Control Features and Connections:

· MASTER: Sets the main output level of the DRM1 Mk III

· TRIG: Button for triggering the sound.

· TRIG LED: Flashes when the sound is triggered

· SOUND: Programming parameter controls

· PAN: Places the sound in the stereo field

· VOLUME: Individual volume control for each channel

· OUT: Individual output/insert jack

· PHONES: Jack for connecting a headphone

· OUT RIGHT/OUT LEFT: Master output right and left

· MIDI THRU/MIDI IN: MIDI jacks for connecting a MIDI source and for putting the MIDI signal through the DRM1 Mk III

· POWER IN: Power jack with integrated fuse"

Quasimidi Rave-O-Lution

via this Noisebug auction
"Manufacturer's Description:
The RaveOLution is a stand alone groove box that has taken the techno world by storm. Very popular among DJ's for live performance and interaction with the audience! It features a very advanced sequencer and a host of excellent analog and electronic drum and bass synth sounds. The 309 is very intuitive and easy to get started using. Play with the patterns or make your own. All real-time tweaks can be recorded into your sequence for later playback!

The 5 part multitimbral feature is the secret to this units power for live and interactive performances. The 5 separate parts are Kick, Snares, Hi-Hats, percussion and bass synth. During your performance you can mute any of these parts to drop the beat or isolate the kick, thus building or lowering the groove and your audiences energy! A plethora of knobs offer quick and easy access to filter and envelope modulation for shaping and morphing the music. The 309 is also well suited for studio work with complete MIDI implementation that includes all real-time controls and knobs.
The 309 is truly an instant dance machine! It sounds great for analog emulation synthesis! It looks pretty cool and comes from a company that knows all about Trance and Techno music. The RaveOLution 309 is an obvious choice for anybody seriously looking to get into dance music with an affordable all-in-one box that will grow and remain useful in your studio and music for as long as techno is still around!"

ROLAND MSQ 700 MIDI DCB DIGITAL SEQUENCER

via this auction

Atari Punk Console Sequenced

YouTube via nathanielscott. follow-up to this post with a Minimoog.
"This is my variation of the APC. The video starts showing what looks like a normal APC with a built in speaker. Then the voltage output from a sequencer is plugged into the APC. The general schematic can be found on my website: http://owyheesound.com/sequencer.php"

cmos noise lab? lunetta? u dealin with the heat ok

YouTube via horchacha
"cmos lab / lunetta
10 x gated oscilaltors (transistor), two outputs,
2x4017, 2x40106, 2x4030, 2x4077, 2x4025,
2x4051, quantizer, 2x4069, 2x4046, hole ton of
other crap wild times

dave wright
www.notbreathing.com"

Ensoniq mr-61 demo live song play

YouTube via synthmaniak
"The song is preformed & comp. by Mitch K.(for friends) On Ensoniq MR-61 key 64Voice music workstation( no exp.board's) For more videos visit My side on YouTube go search : synthmaniak & meke your comment's"

Roland Jupiter-6

via this auction

Rare 1974 Roland SH-3 Synthesizer SN 240400

via this auction

Note this is not the the more common SH-3A model. Surprisingly a few have come up in the past.

Update: see this post regarding the Moog filter. Apparently the SH-3 does not have a Moog filter as stated below.

"Vintage 1974 Roland SH-3 Synthesizer - one of less than 50 [see update below] made. First model. (Lawsuit model)...

The following is a blurb I found at the wikidot forums (wikipedia):

The Roland SH3 was produced in 1974. It is more rare than the SH3A which was put into the market after Moog sued Roland for the original SH3's filter design. It is believed that less than 100 of these were ever made. The replacement SH-3a is a monophonic analog synthesizer manufactured by Roland from 1974 to 1981. It is unique in that it is capable of both subtractive synthesis and additive synthesis. Two LFOs and a unique S&H section provided capabilities not found in contemporary self-contained synthesizers of the time. The rhythmic pulsing in the Blondie song "Heart of Glass" is an example of its sound." SH-3 vs. SH-3A

Updates via otto in the comments:
"info on SH-3: here"

"There were probably closer to 700+ of these made. The less than 50 seems to be a myth spawned from a sound on sound article. Still not all that common."

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