Friday, October 09, 2009
Fairlight at AES 2009 - Interview with Tino Fibaek
YouTube via FairlightAudio. "Fairlight at AES 2009 - Interview with Tino Fibaek"
Yamaha rx 11 Roland tr 808 Roland sh 101 Roland Juno 6 Korg kms 30
YouTube via cosmohelectrastudio
"Yamaha rx 1, Roland tr 808, Roland sh 101, Roland Juno 6, Korg kms 30, playing together.
Too short but my memory card was full !"
Dewanatron Dual Primate Console

"Don't forget about the Spaceland show on 10/13.
Dewanatron is also performing
Wednesday, October 14, 8pm
Dewanatron at The Silent Movie Theater in Los Angeles
Brian and Leon Dewan will accompany a program of silent short horror movies at the Cinefamily Silent Movie Theater.
Tickets: $12
611 N Fairfax Avenue
Los Angeles, CA 90036
323-655-2510"
In another lifetime, I worked just down the street from this at 412 N. Fairfax.
Korg M3 MPC Drum Bass Kit
YouTube via KidNepro
"A demo from our M3 Hit Factory sound collection - "MPC Drum & Bass" Drum Kit For Korg M3. Drum Kit contains 88 samples from our MPC sample libraries .
Beats from the combi titled "Ultimate MPC. No overdubbing or multi tracking was done on the track. Everything was played live into my DAW.
Music & Video - Steve Proto
©1984-2009 - Kid Nepro Productions
More info on all our M3 sounds at: www.kidnepro.com"
The Birotron

"Rick Wakeman of the band "Yes" invented and developed this instrument along with help from David Biro. Wakeman formed the company Birotronics, Ltd. which made just 35 Birotrons. Like the Mellotron, the Birotron "sampled" instruments and uses 8-track tapes for the various sounds. This was necessary before digital sampling became available. They were mainly used for strings, choirs, brass, and flutes; sounds not easily reproduced on the synthesizers of that era."
via 8-Track Heaven where you will find more info.
via John Van Eaton
Updates via the comments:
via Darren Landrum:
I seem to recall this one used tape loops, which contained continuous sounds. Shaping could then be added via an envelope generator. Great for sustaining sounds like strings, organ, and choir, but not so good for transient sounds like tubular bells. Of course, the Mellotron was most famous for the sustaining sounds, so maybe the Biro fellow was on to something. The only artist I can recall using the tubular bell tape for the Mellotron is Isao Tomita.
via Milo Johnson:
"The Birotron used 37 8-track tapes, one per key (with all of the attendant problems of 8-tracks) instead of strips of tape like the Mellotron and Chamberlin. Mellotron sounds last about eight seconds and then the tape has to rewind to play the note again. The Birotron used hand-crossfaded recordings to give "infinite" sustain, or at least until the 8-track clicked and changed direction. Rick was the money man and contributed some ideas for improving the instrument, but Dave had already developed it when he approached Rick for financing. It looks like fewer than 20 were ultimately produced and about half of them are accounted for. Dave didn't have one of his own instruments for many years until David Kean of Mellotron.com found and restored one and gave it to him. There is a Yahoo! Birotron Group moderated by Dave Biro, open membership so you can get the story straight from the horse's mouth."
MMM on Conan O'Brian

Top cabinets moved to the sides.
video here
http://mattsonminimodular.com/
caught by Mark Pulver
Matrix Green MachineDrum For Sale

Analogue Renaissance

(click for more)
Pictured: TS-303 MK2 ACID SCREAMER
"Distortion effect designed for the TB-303. Where the original TS-303 was a variant of the infamous TS-808, with some adaptations to match the signal levels of the TB-303 and a few soundwise alterations, this MK2 version is a complete new design with possibilities never seen anywhere. From electronic design and mechanical construction point of view it is lightyears ahead of the previous one.

* 2 different operation modes: Distortion and overdrive
* Variable dynamics restoration: Every distortion effect has the same problem: Dynamics gets lost and everything sounds equally loud. Translated to the TB-303 this means that you lose accents. This dynamics restoration reconstructs the envelope of the original signal while maintaining the distorted sound. It can be gradually tuned from no restoration to the double of the original dynamic range.
* Frequency selective distortion: This gives the possibility to choose which part of the frequency spectrum gets the most distortion. Quite amazing how this enables to pick things out of the soup which were otherwise not audible.
A more detailed description of what and how can be read in the release notes:" [link]
(you'll also fine samples)
Note Analogue Renaissance brought us the Juno-106 80017A chip replacement. Click on the Analogue Renaissance label below for more.
Analogue Renaissance TS -303 : the acid screamer

Analogue Renaissance
(post on that coming up)

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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH