"HARD TO FIND- Nomad Rhythm Maker 12 from the early 1970's. Has 12 built in rhythms.... march, cha-cha, sambo, rhumba, tango, swing, foxtrot, bosa nova, slow rock, rock-n-roll and waltz...."
Tuesday, September 07, 2010
NOMAD RHYTHM MAKER 12
"HARD TO FIND- Nomad Rhythm Maker 12 from the early 1970's. Has 12 built in rhythms.... march, cha-cha, sambo, rhumba, tango, swing, foxtrot, bosa nova, slow rock, rock-n-roll and waltz...."
MXR DRUM COMPUTER SN 000969
via this auction
"The MXR Drum Computer is a professional quality signal generating device capable of providing an extremely wide range of real individual drum sounds, patterns and complete songs, all in a single, compact unit (or so the book says).
You can buy a computer program which can simulate the sound of the MXR, but to my ears you can hear the fuller thicker sounds that the real machine with all its discreet components will give you. It will give your next hit song that bigger drum sound that only an analog output can deliver.
Number of Sounds: 12
Kick, Snare, Rim Shot, 3 toms, Bell, Open/Closed Hi-Hat, Crash Cymbal, Claps, Block
Storage Capacity: Up to 100 Patterns of up to 99 Beats
Pattern Length: Up to 99 Beats
Song Length: Up to 99 Steps
Song Capacity: Up to 100 Songs
Memory Capacity: 2,000 Events
Accuracy Levels - Selectable 1/8 note, 1/4 triplet, 1/16 note, 1/8 triplet, 1/32 note, 1/16 triplet, 1/32 triplet
Tempo Range - 40 - 250 Beats per minute
Sync Rate - 24 Cycles per Quarter Note
What do you get?
* The MXR Drum Computer, Model: 185
* The owner’s manual"
WURLITZER ANALOG DRUM MACHINE
Sold For: US $125.99
"VINTAGE WURLITZER ELECTRONIC SWINGIN' RHYTHM ANALOG DRUM MACHINE MODEL 5020.
WALTZ, LATIN ,FOXTROT, TEEN, MARCH. DRUM, BRUSH, SNARE, BLOCK, SYMBAL.
HAS TEMPO
ALL CONTROLS WORK SMOOTHLY, NOTHING BROKEN, LOOKS REAL NICE , IN SUPERB CONDITION.
LIGHTS WORK GOOD.
ELKA ONE MAN BAND OMB-5 KEYBOARD SYNTHESIZER
"ELKA OMB 5 , THE ONE MAN BAND HAS MIDI IN, OUT AND THRU
DESIGNED FOR MUSICIANS THAT NEED ACCOMPANIMENT. THE OMB 5 HAS; RHYTHM, BASS, PRESETS 1 AND PRESETS 2, OF MANY CHOICES OF BACKUP INSTRUMENTS.
ELKA PROFESSIONAL INSTRUMENTS, WAS WAY AHEAD OF THE MARKET AND DEVELOPED THIS INSTRUMENT IN THE LATE 1980s...
THE OMB 5 HAS PROGRAMMABILITY AS WELL, PLEASE REFER THE FLYER ATTACHED."
Voice to Spirit : Synth Session 01
YouTube via voicetospirit | September 07, 2010
"Having some fun in the studio. Running a sequence into the modular via MIDI as well as running the drums and bass. Playing the pad lead by hand. Everything's in real time.
The modular is passing through a Lexicon MX200 and a Behringer Bass V-amp Pro.
Modular: Synthesizers.com
Pad lead: Access Virus C
Bass Drone: Alesis Qs6.1
Drum: Casio RZ-1 Circuit Bent"
DK SYNERGY II+ SYNTHESIZER, KAYPRO II & SYNHCS SOFTWARE
synergyII timbres Uploaded on Sep 5, 2010 xenmaster0
s 2 demo 1 441 final 320x240stream Uploaded on Sep 5, 2010 xenmaster0
Warning: this is a long post and can't be paged with the "click for more" link otherwise the videos will not load. Also, no time to parse the entire listing, so everything captured below for the archives.
"DIGITAL KEYBOARDS SYNERGY II+
WITH KAYPRO II & SYNHCS 3.182 PROGRAMMING SOFTWARE, 14 FLOPPY DISCS OF SYNERGY TIMBRES, and 3 SYNERGY ROM CARTRIDGES
Some of these Synergy voice banks were designed by Wendy Carlos, and all of 'em sound gorgeous.
The Synergy is based on the Bell Labs Digital Synthesizer designed by Hall Alles. The Bell Labs Digital Synthesizer used a remote computer to program the synth, with access by a different kind of port (RS-488 serial port, then common for programming lab equipment over a serial link). The remote computer at Bell Labs had to use software written by the composer (Laurie Spiegel, for example, whowrote programs on a DEC minicomputer in the then-new C programming language to control the Bell Labs Digital Synthesizer) to program the synth. When Digital Keyboards licensed the design of the Bell Labs Digital Synthesizer, they also built an 8-bit microcomputer that could program a version of the Synergy called the GDS.
When Kaypro started producing the Kaypro II CP/M computer in the early 1980s, Stony Stockell, the lead engineer on the Synergy synthesizer, saw an opportunity to replace the cumbersome General Development System with a cheaper setup for programming timbres on the Synergy, so he hired someone to write the Synergy Host Control Program in Z80 assembly language to program the Synergy using the Kaypro II instead of the S-100 buss IEEE 696 CP/M computer used with the GDS.
The general method of programming involves pressing a specific button on the front of the Synergy to access a given function, then typing in a value in the Kaypro II to adjust the synthesizer parameter. Once you get the sound you want, you save it on the Kaypro floppy disk as a single .VCE file. Then you can load the VCE file off the Kaypro floppy disk and send it to the Synergy to recreate that timbre whenever you want. The SYNHCS program lets you arrange timbres defined by VCE files into banks which get saved as a single large files called a .CRT files, so SYNHCS combines the functions of synth programming and a synth librarian (and remember that this was back in 1981-1982!).
MIDI became a big deal between 1981 and 1984, so Stockell retrofitted the Synergy synthesizer with an add-on circuit board that added full MIDI in and out capabilities. This was the Serial I/O board, which Crumar sold for owners of the original Synergy I synth to upgrade to a fully programmable Synergy II+ along with the SYNHCS software and the voice library discs and the Kaypro II. These new modified versions of the Synergy were called the Synergy II+. This Synergy II+ of course includes a MIDI IN and OUT port, along with the RS-232 serial port for programming the timbres via the Kaypro computer.
The last and most sophisticated version of the SYNHCS software was version 3.182, which is the version I'm including with this Synergy II+ synthesizer. To quote from the manual PRELIMINARY OPERATION OF THE SYNERGY II WITH COMPUTER, "The SYNHCS version 3.xx significantly extends the capabilities of the Synergy II+ synthesizer even beyond the original General Development System." Yes, this combination of the Kaypro II plus null modem cable plus Synergy II+ plus the final SYNHCS version from 1985 gives you more abilities than Wendy Carlos had when she programmed the Synergy voices for her albums Digital Moonscapes and Beauty In the Beast.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH