MATRIXSYNTH

Korg MS-20 + iPad

YouTube Uploaded by kevintypo on Jun 26, 2011

"Playing around with my MS20 and the iPad with LittleMidi sequencer!"

Little MIDI Machine - Synthetic Bits, LLC
iPads on eBay
iPod Touch on eBay

EMU PROTEUS 2000 DEMO.wmv

YouTube Uploaded by supersoundcrafter on Jun 27, 2011

"EMU PROTEUS 2000 PRESET SOUNDS DEMO"

My Movie 37 - Siel PX

YouTube Uploaded by SPFXsynthesisers on Jun 27, 2011

YouTube Uploaded by makemagazine on Jun 27, 2011

"Easily overlooked, but elemental to electronics hardware, the manually operated switch is the simplest of electromechanical devices -- and likely the most familiar. While the most basic switch is ... well, quite basic -- there's a crazy-huge variety of switch types & sizes available to the electronics maker nowadays. Those new to the soldering & schematics scene will surely benefit from an introduction to some of the terms and formats relevant to various switch species."

1921 > 1989

YouTube Uploaded by ExMachinaPub on Jun 26, 2011

"This is the second of two collaborations between Michael Scroggins and Barry Schrader in the late 1980s. For more information, and an explanation of the title, go to barryschrader.com ➔ video"

via Barry Schrader:
"This was a relatively early computer video work, the second of two that Michael Scroggins and I collaborated on in the late 1980s.

The music was done with a Yamaha TX816.

1921 > 1989 Notes

In beginning my first work in 3-D computer video, I found that the basic spatial parameters of the computer were described by the Cartesian coordinates of X, Y, & Z (width, height, and depth). The symmetry of this lattice structure reminded me of the right angle orientation of Neoplasticism, especially the three dimensional constructions of Theo van Doesburg. The correspondence between the spatial model of the computer and the elegant simplicity of the reductivist formal devices of De Stijl suggested an interesting discipline for my first experiments with computer animation.

In researching the theories of De Stijl in order that I might be true to their ideal, I discovered that in the search for universal and immutable principles of art, Van Doesburg's thinking was in constant revolution, and that each edition of the journal De Stijl brought forth new definitions. In 1926, Van Doesburg found it necessary to supersede Neoplasticism with Elementarism declaring:

"As a result of a new orientation relative to the earlier attempts at renewal in life and art (including Futurism, Cubism, Expressionism, Dadaism, Neoplasticism, etc.), Elementarism has assimilated all truly modern elements (often ignored through one-sidedness).

"Elementarism is to be regarded, therefore, as the synthesis of the new plastic consciousness of the age. The "isms" of the last decades have mostly perished, either because of their one-sided, dogmatic limitations, or because of compromise or chauvinistic tendencies. They no longer have any force or value for renewal."

As a result of a new orientation relative to the earlier attempts at renewal in life and art (including Futurism, Cubism, Expressionism, Dadaism, Neoplasticism, etc.), Elementarism has assimilated all truly modern elements (often ignored through one-sidedness).

In order to work within the limits of De Stijl, it became useful to fix a particular date as a reference, and so the piece became 1921 > 1989.

Michael Scroggins

__________________

When Michael Scoggins first came to me with quite detailed plans for his computer video work 1921 > 1989, I was struck by the overriding importance of structure in the piece. While it was obviously in three large sections, the intricacies of the details of each section were such that they not only displayed specific characteristics which gave each sections its unique character, they also seemed to exhibit in visual terms the musical qualities of exposition, development, and expanded recapitulation, something akin to the classical sonata form. In addition, the precision of the timing of the movements called for composing a score that would catch the specific “hits” of the action. At the same time, I realized that constantly “stinging” the images would quickly grow tedious; some sort of deflection from the obviously expected was occasionally necessary in this regard. Finally I saw that the limitations of images and colors, which were explored in great detail of variation, demanded a similar approach in the musical materials.

I decided to employ these observations in composing the music, and also to take the attitude of scoring to a preexistent choreography. I saw 1921 > 1989 as a dance, not of human dancers, but of plastic geometric entities, constantly reorganizing themselves in different ways. The music, then, was arrived at by considering the score as if I were composing music to a dance already created. The resulting work reflects these attitudes, moving from accompaniment to counterpoint and back again to a more synchronous style of scoring, thus reflecting the overall structure and plasticity of the piece and creating a unified whole.

Barry Schrader

++++++++"

Experiment 1

Experiment 1 by URBANSPACEMAN
"Just an experiment with my new OP-1 Synth"

via The MATRIXSYNTH Lounge

Hadikat Raja VI

Hadikat Raja VI, Première Partie

Uploaded by RADIOKLOW on Jun 26, 2011

"Sixth visit to the garden. Composition for Keyboard Virus TI"

For this piece we get to see the creation of the art on canvas. It's interesting from the perspective of abstract sound design and exploration. A Rorschach of audio and vision.

Hadikat Raja VI, Deuxième Partie

10 Channel Analog Sequencer 10SQAx10a

YouTube Uploaded by pieruixmaster on Jun 27, 2011

"10 Channel Analog Sequencer Via Antena Project, custom built analog sequencers."

Da'ku

Da'ku by alienrobotdance
"Organic chords are JX3P through an old crappy JB-Systems mic-pre-amp... for just a little bit of overdrive. Bass is JX3P. Stringstabs are Juno 60... lead is Juno... some redux and filters from Ableton... other sounds are recorded live or sampled."

Circuit Bent ClearTone Three Tone Duo BLUE by freeform delusion

YouTube Uploaded by eecouk on Jun 27, 2011
freeform-delusion on eBay

"ClearTone Three Tone Duo BLUE

Two On/Off Switches (one for each synth)

Two Blue Power On LEDs

Two 1/4 Inch Mono jack socket for each Synth

Two Three way Toggle Switches for alternate Synth tones/drones

Each Synth has three control knobs to shape the sound

Both synths each run off a 9v PP3 battery so they should last ages!

For this person:

http://arrendersimorte.blogspot.com/

http://www.perversemisanthropicdistribution.com/"