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this auction
"This Little Phatty® synthesizer was donated to the Bob Moog Foundation and the Museum of Making Music by Moog Music, Inc. pursuant to their joint exhibit, Waves of Inspiration: The Legacy of Moog, which was on display at the Museum of Making Music until April 2010. The Bob Moog Foundation and the Museum of Making Music both convey inspiration from music, history, and innovation. They will share the proceeds from the auction.
George Duke signed the back of the synthesizer after his November performance at the exhibit with the inscription “Keep Playing” and his signature. Herbie Hancock signed the iconic curved side panel of the instrument. Duke and Hancock are both considered synthesizer pioneers, making heavy use of the innovative instruments in the 1970s and 1980s.
This Little Phatty will be a unique conversation piece in your studio or music room. After all, who else has a synthesizer signed by two legendary synth players?
This is truly a one-of-a-kind piece!
50% of the sale price will be donated to the Bob Moog Foundation and 50% will be donated to the Museum of Making Music.
From the Moog Music site:
Like the Stage and Tribute Edition before it, the Little Phatty Stage II puts the performer in control of a 100% analog signal path, two ultra stable Voltage Controlled Oscillators, a Voltage Controlled Filter and other versatile features like an external audio input, CV and KB gate inputs and a full MIDI controller.
“The Little Phatty not only has it’s own signature killer sounds, but the ability to use it’s innovative interface as a versatile general MIDI controller make it an incredible tool for both performance and the studio.”
-Cyril Lance, Engineering Manager
Additionally, the Stage II boasts great new features including; MIDI over USB, MIDI Clock Sync, an Arpeggiator, Tap Tempo and a stylish New Black Finish.
The addition of MIDI over USB makes this performance and sound sculpting tool even more powerful. Combined with its warm analog sound, ability to process external audio and its intuitive performance, sound design and control features, the Stage II makes a great addition to any rig... from full-on analog, to a laptop/softsynth setup. You can also connect it directly to a computer running the Little Phatty Editor/Librarian.
MIDI Clock Sync allows you to synchronize the LFO and arpeggiator rate to the tempo of your MIDI sequencer, drum machine or software. Sample and hold, triangle, square, sawtooth and ramp wave modulations can now be perfectly timed with your rhythm tracks and the arpeggiator.
The arpeggiator is a great new performance feature with applications for musicians in all genres. Its wide variety of uses is sure to find a place in any style, and of course it also syncs to MIDI clock. Tap Tempo brings LFO and arpeggiator tempo sync functionality to situations in which there is no MIDI clock.
“The new features in the Little Phatty Stage II bring true analog synthesis to contemporary performance and production.” says Cyril Lance, “USB, MIDI Clock Sync, Tap Tempo and the Arpegiator make it a modern music powerhouse.”
The Bob Moog Foundation
www.moogfoundation.org
The Bob Moog Foundation honors the legacy of synthesizer pioneer Bob Moog through its mission of igniting creativity at the intersection of music, history, science, and innovation. Its projects include Dr. Bob's SoundSchool, which brings electronic musical instruments into the schools to teach children science through music; the Archive Preservation Initiative, an effort to preserve and protect the inventor’s extensive and historical archive; and the future Moogseum, an innovative educational, historical, and cultural facility that will bring Bob Moog’s spirit alive. It will be located in Asheville, NC, in the years ahead, pending necessary funding.
The Bob Moog Foundation is an independent, donor-driven 501(c)(3) non-profit organization and is not formally affiliated with Moog Music, Inc.
The Museum of Making Music
www.museumofmakingmusic.org
The Museum of Making Music's mission is to celebrate the rich history and encourage the future of music making.
The Museum's vision is to preserve, communicate, and advance the tradition of innovation and excellence in the music products industry and to help ensure that music making processes, in their broadest sense, continue to thrive.
To achieve this vision, we engage people of diverse backgrounds in the exploration of the creation, design, distribution and use of musical instruments and tools, and provide opportunities for people to develop their personal connections with music."
