MATRIXSYNTH


Thursday, January 05, 2012

Funky Jam ! (Yamaha MM6 / Roland D-50)


YouTube Uploaded by thiagogomestoledo on Jul 16, 2011

"A E minor improvisation using "Pattern" mode of the Yamaha MM6. The "Pattern" used was the "Acid Jazz" with splited real time "auto accompaniment".

Voices of Yamaha MM6:
Jazz Guitar
Power Grand
Vintage 74'

Roland D-50 patches:
Intro: Spacious Sweep (factory patch)
Octaved Brass 'aka' Jupiter-8
Monophonic Lead (original card patch)
"Mooged" monophonic bass (edited by me)

Sorry some mistakes, it's a little hard to play with half of keyboard 'splited'. The "themes", voices and patches, key, were chosen at the time!

Enjoy and thanks for watch!"

via The MATRIXSYNTH Lounge. Be sure to check out the lounge for what others are doing. If you are on Facebook yourself, feel free to join.

joasihno please go back i will & the Wernick Xylosynth


YouTube Uploaded by joasihno on Oct 29, 2009

"live at carl-orff saal / munich"

joasihno - please go back i will by joasihno

http://joasihno.bandcamp.com/track/joasihno-please-go-back-i-will

Spotted this one on Wolfgang Palm's (PPG) FB wall.

via Wernick

"Designed and engineered without compromise, thanks to years of feedback from professionals on the front line of touring and West End shows, the Xylosynth™ remains an unrivalled opportunity for mallet players to unlock the flexibility and convenience of MIDI whilst retaining the physical playing experience of an accoustic instrument.

Our revolutionary sensing and filtering technology means that the Xylosynth™ can bring the best out of your sound source with a vast dynamic range, and all with accuracy of triggering and lightning fast response time that means what you hear is exactly what you played. With the XS6, latency has now been all but illiminated, at a phenomenal 0.003 seconds or less, and speeds of 33 hits per second, per note will now be flawlessly recognised. The unique transpose pedal allows the player to shift to any key signature or switch octave in real time. Wee!

The Xylosynth’s solid hardwood keys unlock an unparalleled level of nuance and playability in any MIDI sound source. It looks, plays and feels just as a real instrument should and, thanks to intuitive hands-on control of note length and sensitivity, can gracefully adapt to your playing style. And the Xylosynth™ makes no demands for special technique - whatever your playing style or choice of mallets, the Xylosynth™ will make you forget that you are playing an electronic instrument, allowing natural glissandos and true expression..."

You might remember the Xylosynth from this Atomic Shadow video.

Octave Plataeu Voyetra Eight

via this auction

Video at the auction and below.

Dave Smith Tempest

Click the pic for the full size shot. This one is currently up for auction. Note the pic is different, but it is the same unit. Feel free to send your auctions in. They will go up either here or on MATRIXSYNTH-B.  Note the auction link in the menu above only filters by auction for M.  It does not include B.

Rare SEIKO DS-202 Keyboard + DS-310 Synth & DS-320 Sequencer

via this auction

SN 20200194

"Included in the auction is the SEIKO DS-202 keyboard, SEIKO DS-310 synthesizer module, SEIKO DS-320 sequencer module, SEIKO S1B-1 Midi module, original SEIKO power supply, SEIKO data recording cartridge, and original silver colored vinyl SEIKO gig bags for the keyboard, synth module & sequencer module. The gig bags have handles and detachable shoulder straps. All three gig bags have the SEIKO logo and are in very good condition."

1982 MOOG Mystery Synth Teaser Ad with Extended Organ Pedalboard

via this auction

See the seller's other items for more.

1982 MOOG POLYPHONIC SYNTHESIZER PRINT AD

1982 ROLAND TR-808 & Guitar Series Ad

via this auction

See the seller's other items for more.

"1982 Roland GR-300 Synthesizer Guitar, G-303, G-505 & G-808 Electronic Guitar, TR-808 Rhythm Composer - Jimmy Page, Jeff Baxter, Andy Summers, Robert Fripp & Leon Gaer 2-page Guitar Magazine Ad."

ElectroComp EML 500 Vintage Analog 2 Oscilator Synthesizer


via this auction

Note the thick wood over the back panel.

"This synth was hand built in 1975 and has a beautiful hand made tiger maple case. Inspection tag shows 2/17/1975 completion date.

All components are functioning perfectly and has been recently refurbished. New capacitors installed in power supply. New slider caps.

This is one of 300 ever made and is very rare."

PPG Realizer for $25K at Big City Music

via Big City Music

"This is the legendary PPG Realizer that we have all heard about. From my understanding, only two of these were made. This is one of those two. Please contact us if you are interested in buying this rarity."

For those not familiar with the PPG Realizer, see this post from Nov 2005. In short it was PPGs attempt to create a virtual modeling synthesizer back in 1986. If you look at the knobs you will see lines going from each to the screen. The screen would actually show an image of the synth being modelled, with virtual knobs that the lines connected to. The Minimoog was the one in all the pics. Realize this is 1986. The graphics were green and vector like. See the post linked directly above for an image.

"An impressive exhibit from PPG was the Realizer (about $50,000). This consists of software versions of familiar synthesizer configurations. It allows you to design your own analog, FM digital, and sampled sounds, patch any of the components of one instrument into another instrument, and then sequence or sample the resulting sound. Wolfgang Palm, designer of the Realizer and head of PPG Instruments, earns the the quote-of-the-show award for explaining how he designed it: 'I copied the circuit diagrams into software.' No easy task."

Was the Realizer the first software modeled hardware synth? Credit typically goes to the Yamaha VL1 (1994 - Physical Modelling), Clavia Nord Lead (1995 - Analog Modelling/VA), and Korg Prophecy (1995 - Physical & Analog Modelling). Considering the ability to mix and match components, modern day hardware equivalents would be Arturia's Origin and John Bowen's Solaris. As for ability for the display and controls to morph into unique individual synths, the iPad would be the obvious realization of the Realizer.

via It's Full of Stars

Update via Wolfgang Palm:

"i wrote it all down in my blog...
http://wolfgangpalm.wordpress.com/ppg_story2/c14/
http://wolfgangpalm.wordpress.com/ppg_story2/c15/"

Be sure to see the video link to PPG System Demo 1986 with Tom Oberheim.
Also scroll all the way down for the larger pics.

Update via Wolfgang regarding the remaining two: "as far as i remember :) there were two left in the end.
one went to Steinberg, when i started to work for them in '87
the other remained in the USA with PPG America Inc.
but where these two systems ended up...i dont know."

Update via Peter Stone on FB: "I'm glad I was able to at least get a demo of the one in the L.A. office before the office closed. That and the HDU doing some great real-time time stretching way before it's time..." Sounds like it was indeed working. See the Facebook thread for more. Here's an interesting note from Andy Thomas regarding graintable synthesis: "I was scaring people with the time-stretched intro to the 1970s hit by Supertramp called 'Logical Song' in 1986/87. Peter, you and Kevin Lamb were there! All the graininess a synthesist could resample before we termed it granular!"

Vivi Pedraglio + Live Tango Electronico


YouTube Uploaded by vivipedraglio on Jan 5, 2012

"Vivi Pedraglio + Galeria Sergio Oliva Gerli + Espacio 7
desde el 7 de enero al 21 de febrero en Punta del Este, Uruguay

Vivi Pedraglio tocara en vivo en la inauguración y sonara su musica del 7 de enero al 21 de febrero en el espacio 7."
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