Wednesday, February 29, 2012
M569, Control Yourself! Part2
YouTube Uploaded by JohnLRice on Feb 29, 2012
"Picking up where I left off last time, although I left most of the lights off for fun. (same Sony VX700 camcorder)
The question was asked if the Moon Modular 569 Quad Sequential Step Sequencer can somehow have the timing of each row be different without using an eternal clock divider etc. The answer is YES, it IS possible by using one row's gate output to control another's row's tempo. In part two I show how turning different gates on and off on a row affect the timing of the rows below it.
Discussion thread is here: http://www.muffwiggler.com/forum/viewtopic.php?t=53628"
Part 1 here
Related: Moon Modular at the Oscars
Selbstversuche in elektronischer Klangerzeugung
YouTube Uploaded by planeteatrr on Feb 29, 2012
ARP Odyssey + MF-102 + VM Superdelay = Alien Alarm System
YouTube Uploaded by n3bsvid on Feb 29, 2012
"A little weird noise tweakage featuring the ARP Odyssey as the source tone which is then run into a ring modulator and delay pedal.
Hardware:
ARP Odyssey MK 2
Empress Effects Vintage Modified Superdelay
Moogerfooger Ring Modulator MF-102
Moogerfooger CP-251 (used only for an LFO into the Odyssey here)"
Snazzy FX:ardcore arp melody
YouTube Uploaded by snazelle on Feb 29, 2012
"2x SNAZZY ardcores with ferguson's great arpeggiator program...so pretty"
TeeBee and WASP filter.
YouTube Uploaded by Janoise on Feb 29, 2012
"Syntecno TeeBee (TB-303 clone) with analog WASP filter."
Vangelis making 'China' | better image & sound |
YouTube Uploaded by Nimanty on Feb 29, 2012
"Vangelis vintage footage at the time of producing his album 'China'.
Video and audio remastered by Nimanty."
Peter Vogel and Thomas Dolby on the Impact of the Fairlight CMI
YouTube Uploaded by matrixsynth on Feb 29, 2012
"Blinded By Science: Thomas Dolby and Peter Vogel in conversation with Tim Ritchie
This is a great Big Ideas for tech geek musicians and innovators. Blinded By Science is the name of the show and it features musician, Thomas Dolby and the inventor of the Fairlight synthesizer, Peter Vogel, talking to Radio National’s Tim Ritchie at Notes in Newtown. If you love music , you’ll love this conversation. It has the ‘after performance’ feel of musicians talking about why they do what they do – the highs and the disastrous lows!
These were the early days of electronic music and both Peter and Thomas were there at the outset and were both brilliant innovators."
via abc via Failed Muso
The Fairlight Qasar

Top: "The Fairlight CMI was based on the architecture of the Qasar M8 (Multimode 8), created by Tony Furse in 1975. In the early 70's, Tony Furse created his first prototype of hybrid analog/digital synthesizer, the Qasar I."
Bottom: "In 1972-1973, Furse created his second prototype, the Qasar II, with the financial help of both the Federal Government of Australia and Don Banks, composer and director of the Canberra School of Electronic Music."
And via the comments of The First Synth To post: "What about the Quasar, (c.1975) predecessor of the Fairlight or the RMI digital keyoboard? (c.1974) Also one of the first additive/wavetable machines was the PPG 340/380 System, around late 70's I think. Wavetable synthesis become famous and widely available by the PPG Wave series starting with the wavecomputer 360 (c.1979) Also don't forget the Crumar CDS.
Also: First sampling keyboard: the Chamberlain and first speech synthesis modeler: the Voder! Also first 16 voice analogue synth would be the EMU Audity if it had be released.
Nick the space_nerd"
via Deviant Synth
Tuesday, February 28, 2012
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH