Sunday, July 01, 2012
devi ever MEGA BIT prototype
YouTube Published on Jul 1, 2012 by devieverfx
http://www.deviever.com/fx/
Bit reducer demoed with guitar.
Uniton Swissecho 2000 Update
Swissdoc updated his page on the Uniton Swissecho 2000"I updated the page with some statements from Mr. Garcia about the AKG relationship and Uniton History. In addition I added some more sound samples from guitar amps with spring reverbs. Great how muffled they sound in comparision with the high-end tank of the Swissecho 2000."
Do a find for "comparison to guitar amps' for the demos when you get there, and Mr. Garcia of course for Mr.Garcia's comments.
Moog Guitar and Ableton Live Effects Examples
YouTube Published on Jul 1, 2012 by experimentalsynth
"My main camera is out of order so the droid will have to do for now. This is a selections of hand-held videos I created while experimenting with Ableton Live Suite effects and The Moog Guitar. Learn more at www.experimentalsynth.com"
Update:
Improvisation for Moog Guitar and Ableton Live
Published on Jul 1, 2012 by experimentalsynth
"Moog Guitar run through Ableton Live Suite effects and (last half) playing over drones and drums created with Ableton. Visit www.experimentalsynth.com to learn more."
Acid Lab Bombass
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"Midi controlled analog synthesizer based on the circuits of the 303 with a lot of modulation and sound extensions."
via this auction
"Midi controlled analog synthesizer based on the circuits of the 303 with a lot of modulation and sound extensions."
YAMAHA CS-10 Vintage Analog Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
More pics and a couple of vids at the auction while up.
"A very cool but underrated analogue synth. Built in 1978, before the age of the New Romantics, this synth had Gary Numan written all over it. Since this CS-10 is 100v we will be including a step down transformer free of charge.
Sonics: positive points - synthesis on the CS10 is really straightforward and within about 10 minutes of playing it I had bass leads in the same league as the SH101. The low and high band VCFs sound really great and allow you to cut and drop the bass whenever you want. The external input also allows you to add the Yamaha CS10 sound to ANY of your favourite synths, samples etc. This is probably the winning feature for me."
via this auctionMore pics and a couple of vids at the auction while up.
"A very cool but underrated analogue synth. Built in 1978, before the age of the New Romantics, this synth had Gary Numan written all over it. Since this CS-10 is 100v we will be including a step down transformer free of charge.
Sonics: positive points - synthesis on the CS10 is really straightforward and within about 10 minutes of playing it I had bass leads in the same league as the SH101. The low and high band VCFs sound really great and allow you to cut and drop the bass whenever you want. The external input also allows you to add the Yamaha CS10 sound to ANY of your favourite synths, samples etc. This is probably the winning feature for me."
ROLAND JP-8000 Virtual Analog Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
More pics at the auction while up.
"The Roland JP8000 - made in 1996 but travelling back to 1980s courtesy of analogue modelling. Analogue purists will probably look the other way, however synth lovers that want great analogue sounds with the ability to tweak away using features found on many of Roland classic synths (Juno 106, SH101 etc) will love this 49 key blue metallic plastic box of fun.
It’s a great keyboard for live sessions and studio sessions. Live musicians can easily find their desired sounds by tweaking away at the vast array of oscillators, filters and effects – as was the case with all of Roland classic Juno and SH range. The only time you need to access the LCD backlight screen menu is when you want to select one of the 128 preset patches, or one of your own programmed sounds (up to 128). There are a range of bass, lead and “atmospheric” sounds. The leads sound sharp and bass sounds range between deep down, dirty and squelchy. In addition, there is also Midi In and Out, but strangely enough no Midi Thru
There are 2 main oscillators, each offering a range of waveforms (e.g saw, square, triangle etc). There is also a 4 stage ADSR. However my favourite effect is the chorus as it reminds me of the Juno 106 chorus sound. The JP also has an arp and it is easy to set up and use, but the only negative point is that there is no “tap” feature for you to sync up to beats.
Overall it is a great synth doing what it says on the tin “analogue modelling”. The JP8000 could be put in the same league as other analogue modelling synths such as Korg’s MS2000, Radias and R3. However, the JP8000 will not steal the Juno and the SH's god-like legendary name status, but it will allow mere mortals to experience these sounds at an affordable price."
via this auction
More pics at the auction while up.
"The Roland JP8000 - made in 1996 but travelling back to 1980s courtesy of analogue modelling. Analogue purists will probably look the other way, however synth lovers that want great analogue sounds with the ability to tweak away using features found on many of Roland classic synths (Juno 106, SH101 etc) will love this 49 key blue metallic plastic box of fun.
It’s a great keyboard for live sessions and studio sessions. Live musicians can easily find their desired sounds by tweaking away at the vast array of oscillators, filters and effects – as was the case with all of Roland classic Juno and SH range. The only time you need to access the LCD backlight screen menu is when you want to select one of the 128 preset patches, or one of your own programmed sounds (up to 128). There are a range of bass, lead and “atmospheric” sounds. The leads sound sharp and bass sounds range between deep down, dirty and squelchy. In addition, there is also Midi In and Out, but strangely enough no Midi Thru
There are 2 main oscillators, each offering a range of waveforms (e.g saw, square, triangle etc). There is also a 4 stage ADSR. However my favourite effect is the chorus as it reminds me of the Juno 106 chorus sound. The JP also has an arp and it is easy to set up and use, but the only negative point is that there is no “tap” feature for you to sync up to beats.
Overall it is a great synth doing what it says on the tin “analogue modelling”. The JP8000 could be put in the same league as other analogue modelling synths such as Korg’s MS2000, Radias and R3. However, the JP8000 will not steal the Juno and the SH's god-like legendary name status, but it will allow mere mortals to experience these sounds at an affordable price."
ROLAND SH-101 Vintage Analog Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"For the few that may not be familiar with the the unit, the SH-101 is a monophonic analog synthesizer famous for being a monster of a bass machine. Equipped with 3 separate wave forms, the square, the sawtooth and a dedicated sub-oscillator, the SH-101's mixer section allows you to mix in as much or as little of each wave to satisfy your inner basshead. The 101 is just as happy pushing out deep bowel disrupting sub bass as it is doing snappy funky rubbery acid type bass.
Or, silence all the oscillators and make the filter self-oscillate to create that subby 808 kick and then tweak all of its parameters to make it sit in your mix. Samples simply cant touch it.
You would, however, be making a mistake only thinking of the 101 as a bass machine. It is a full-on synth and as such can be made to produce deep evolving soundscapes, leads or bleeps and bloops (as they are technically known) and synthesised percussion, as well as the hardcore electronic sounds that will freak your cat out.
Within the manual, which is downloadable online, is a section with suggested settings for coaxing a wide variety of sounds out of the SH-101,... these include some of the usual things you'd expect to see such as electric piano, clarinet ,tuba, violin and vibraphone. The settings for making it self-oscillate are also there, but there are some odd sounds as well such as Machine Gun, Space Sound, and my personal favorite Funny Cat."
via this auction"For the few that may not be familiar with the the unit, the SH-101 is a monophonic analog synthesizer famous for being a monster of a bass machine. Equipped with 3 separate wave forms, the square, the sawtooth and a dedicated sub-oscillator, the SH-101's mixer section allows you to mix in as much or as little of each wave to satisfy your inner basshead. The 101 is just as happy pushing out deep bowel disrupting sub bass as it is doing snappy funky rubbery acid type bass.
Or, silence all the oscillators and make the filter self-oscillate to create that subby 808 kick and then tweak all of its parameters to make it sit in your mix. Samples simply cant touch it.
You would, however, be making a mistake only thinking of the 101 as a bass machine. It is a full-on synth and as such can be made to produce deep evolving soundscapes, leads or bleeps and bloops (as they are technically known) and synthesised percussion, as well as the hardcore electronic sounds that will freak your cat out.
Within the manual, which is downloadable online, is a section with suggested settings for coaxing a wide variety of sounds out of the SH-101,... these include some of the usual things you'd expect to see such as electric piano, clarinet ,tuba, violin and vibraphone. The settings for making it self-oscillate are also there, but there are some odd sounds as well such as Machine Gun, Space Sound, and my personal favorite Funny Cat."
Roland SH-2 Vintage Analog Monophonic Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
Tons more pics at the auction while up. Note the mini tune knobs.
"The Roland SH-2 is a monophonic analog synthesizer that comes with two individual voltage controlled oscillators and a third sub-bass oscillator, making the SH-2 sound very warm, fat and gritty, especially when the oscillators are detuned. Unlike the SH-101 and its singular oscillator, the SH-2 can sound both "vintage" and modern depending on how the knobs and faders are set, while the SH-101 has a distinctly clean sound in comparison. The SH-2 excels at bass in an organic way that the SH-101 could never compete with, and it performs brilliantly on leads, being upfront and in your face without being harsh.
However, if you're into that vintage 70's sound, and love the sound of raw, dirty bass on vinyl or tape, but the classic Moog sound is a bit too tame for you, then the SH-2 is probably what you're looking for. The SH-2 is capable of being deep and subby, warm and airy, or raw and dirty all at the twist of a knob or a flick of a fader.
The SH-2's filter can also be made to self oscillate, just like the SH-101, which gives you that deep hard hitting subby kick, but of the two, I personally prefer the self-oscillation of the SH-2, its dirtier, slightly sweeter and has more chunk, while the SH-101's is more straightforward and to the point. Both will give you a thunderous bowel moving bass kick, but which you prefer ill have more to do with your personal musical inclinations.
For those of you who may be trying to decide between the SH-2 or the SH-101, the sound you're after is more important than the differences in their features. While the SH-101's sequencer and arppegiator is incredibly useful and just stupid amounts of fun both live and in studio, the SH-2 simply sounds fatter, like you've lifted a sample off of a 70's record, warm and raw and full of character. In comparison, the SH-101 can sound plastic and "digital". They both do things that the other cant, but despite being part of the same line, and despite what certain websites may say, their sounds are very different."
via this auction
Tons more pics at the auction while up. Note the mini tune knobs.
"The Roland SH-2 is a monophonic analog synthesizer that comes with two individual voltage controlled oscillators and a third sub-bass oscillator, making the SH-2 sound very warm, fat and gritty, especially when the oscillators are detuned. Unlike the SH-101 and its singular oscillator, the SH-2 can sound both "vintage" and modern depending on how the knobs and faders are set, while the SH-101 has a distinctly clean sound in comparison. The SH-2 excels at bass in an organic way that the SH-101 could never compete with, and it performs brilliantly on leads, being upfront and in your face without being harsh.
However, if you're into that vintage 70's sound, and love the sound of raw, dirty bass on vinyl or tape, but the classic Moog sound is a bit too tame for you, then the SH-2 is probably what you're looking for. The SH-2 is capable of being deep and subby, warm and airy, or raw and dirty all at the twist of a knob or a flick of a fader. The SH-2's filter can also be made to self oscillate, just like the SH-101, which gives you that deep hard hitting subby kick, but of the two, I personally prefer the self-oscillation of the SH-2, its dirtier, slightly sweeter and has more chunk, while the SH-101's is more straightforward and to the point. Both will give you a thunderous bowel moving bass kick, but which you prefer ill have more to do with your personal musical inclinations.
For those of you who may be trying to decide between the SH-2 or the SH-101, the sound you're after is more important than the differences in their features. While the SH-101's sequencer and arppegiator is incredibly useful and just stupid amounts of fun both live and in studio, the SH-2 simply sounds fatter, like you've lifted a sample off of a 70's record, warm and raw and full of character. In comparison, the SH-101 can sound plastic and "digital". They both do things that the other cant, but despite being part of the same line, and despite what certain websites may say, their sounds are very different."
JOMOX XBASE 999 - ANALOG DRUM SYNTHESIZER
Note: links to listings are affiliate links for which the site may be compensated.
via eBay UK
"The XBase 999 is a fantastic drum machine. Although based on the TR-909, it absolutely stands up in its own right as a unique instrument with a phenomenal sound and features. Here are some of its features:
- Massive kick drum!!
- Super-fast attack
- Stereo 2-pole multimode filter
- Storage for up to 64 patterns
- Patterns can be up to 32 steps in length using the A/B feature
- Individual parameter control per step
- Different time signatures can be used
- External MIDI tracks to sequence other hardware or software synths
- Can act as MIDI master or slave (syncing to MIDI beat clock)
- Individual outputs for all 10 voices plus main stereo (or mono) outs
- Stereo input for processing of external signal"
via eBay UK"The XBase 999 is a fantastic drum machine. Although based on the TR-909, it absolutely stands up in its own right as a unique instrument with a phenomenal sound and features. Here are some of its features:
- Massive kick drum!!
- Super-fast attack
- Stereo 2-pole multimode filter
- Storage for up to 64 patterns
- Patterns can be up to 32 steps in length using the A/B feature
- Individual parameter control per step- Different time signatures can be used
- External MIDI tracks to sequence other hardware or software synths
- Can act as MIDI master or slave (syncing to MIDI beat clock)
- Individual outputs for all 10 voices plus main stereo (or mono) outs
- Stereo input for processing of external signal"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
