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Sunday, September 23, 2012

Doepfer A-143-2 Quad ADSR

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via this auction

"the a-143 series of modules contain multiple modulation sources. module a-143-2 is a four-fold adsr type envelope generator.

the module contains 4 independent adsr-type envelope generators. each sub-module has available the controls attack, decay, sustain and release. the three-position range switch allows to select the desired time range (low - high - medium). the adjustable envelope time ranges from several minutes to less than 100 microseconds. on top of this each sub-module is equipped with three digital outputs (high/low): "end of attack (eoa)", "end of decay (eod)" and "end of release (eor)". as soon as the criterion is valid (e.g. end of decay state) the corresponding digital outputs turns to "high". these outputs can be used e.g. to daisy-chain several adsr sub-modules. for this the digital output in question (eoa, eod or eor) has to be connected to the gate input of the following adsr. even automatically running envelopes (pseudo lfos) or so-called "quadrature envelopes" with cyclical modulations of several ring-shaped, daisy-chained adsrs are possible. to obtain a pseudo lfo simply the eod or eor output has to be connected to the gate input of the same adsr.

in addition to the obligatory gate (g) input for envelope generators each sub-module has available a retrigger (rt) input. the retrigger turns the direction to "upward" if the envelope has already reached the decay state while the retrigger pulse occurs. if the envelope is still in the attack phase the retrigger input has no meaning. this a different behaviour from a-140 and a-141!

all gate inputs are normalled from top to bottom, i.e. the gate input of the above sub-module is connected to the switching contact of the succeeding module. thus only one gate signal can be used to trigger all four sub-modules. but even other types of normalling are possible if desired (e.g. eod or eor of the above adsr to the gate input of the succeeding sub-module)."

harvestman malgorithm (bitcrusher)

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via this auction

"Malgorithm is the world's first voltage-controlled bitcrusher.

Both bit depth and sampling rate are independently controllable by knob or control voltage. Additionally, a primitive digital waveshaper can make your signal hurt, with eight different modes (and optional rectification afterwards.)

Use the Malgorithm to bring external signals into aesthetic compliance with the rest of the Harvestman system. Enable eloquence through spectral profanity."

"specifications

20kHz maximum sampling rate, down to 200Hz
8 bits maximum resolution, down to 1 bit
10Vpp signal output
Input attenuation. Hard analog clipping on hot signals if desired.
Voltage controlled bit depth and sampling rate with attenuators. Manual control/CV offset.
Control voltages are processed at the same priority as audio input.
Toggle switches for rectification of signal, as well as destructive bitwise waveshaping: conditional bit-swap and XOR feedback functions.
Panel size: 9HP
Current consumption: 50ma or less"

With original box.

Future Retro XS semi modular analog synthesizer

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via this auction

Zo 3 PLL Folder


Published on Sep 23, 2012 by Ebotronix

4ms Peg RCD
Analogue Systems RS 100 RS 360
Cyndustries Thru Zero Oscillator
Doepfer A 196 A 152 A 149 A 160 (PLL divider)
foh choices
Intellijel u mod
Make Noise Maths Moddemix Optomix René Wogglebug
Roland System 104
Toppobrillo Quantimator (Oriental scale) Sportmodulator TWF
Logic Master Clock Kenton Pro 2000 II
Drums ESX 24
FX TC M3000 Boss VF 1 Line 6 Pro delay

***LIMITED EDITION***JOMOX XBASE 09 TOKTOK DRUM MACHINE

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via this auction

Jomox xBase 09 demo


Published on Sep 23, 2012 by halfofjackfield

"This is a basic operational demo of the xBase 09. It doesn't go in to the many advanced features, however it does give an idea of its overall sound and tweak-ability.

Its a great sounding 909 type drum sequencer, loaded with many 8 bit sounds that can run along side the purely analogue bass and snare drum. It features lfos and real time parameter recording for ultimate flexibility. Classic!"

Circuit Bent ELC DJ Keyboard by freeform delusion


Published on Sep 23, 2012 by freeformdelusion

"Now on eBay, worldwide shipping - [freeform-delusion (RSS)]


ELC DJ Keyboard

switched 1/4inch jack output
yellow LED
pitch up/down control
feedback switch
two feedback controls
switchable LED feedback & high frequency squeel thing

.fd. online
Facebook - http://www.facebook.com/pages/freeform-delusion/144587583120
Twitter - http://twitter.com/#!/freeformd
eBay -" freeform-delusion (RSS)

SynclavierX Editor to Become Stand Alone Virtual Synclavier


The SynclavierX editor may become a stand alone synth.

Via Synclavier.com:

"But here is where I need your help - all of you - former N.E.D. customers, employees and well-wishers alike. I have to turn SynclavierX into a saleable product that has a larger potential customer base than just the original Synclavier® users. I hope to accomplish that expanding SynclavierX to actually recreate the sounds of the original Synclavier® system. This can be done by digitally modeling the original FM and Poly Sampling voice cards under the control of the SynclavierX Application. I have everything I need to do that except for possibly the time and the patience..."

This one in via John.

LELL DD DRIVE DISTORTION

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via this auction

mechanical animals

"LELL were the first normal stompboxes made in Russia. They had normal guitar jacks and even a 9-volt socket - same format as BOSS pedals. The footswitch pad reveals a battery cavity underneath.
The company still exists! It's website for some unknown reason claims the company was established in 1992. But look at the pictures - we've got a proof it was active in the 80's. The headquaters is located in Moscow, on the Lower Krasnoselskaja street.

The Drive/Distortion features two circuits in one pedal and the mini toggle switches between them. Two upper knobs are overdrive and distortion gains and the lower row of master controls affect both effects. The overdrive section is more useable because the noise this thing produces is terrible and the distortion amplifies it too much. But I like the sound of the overdrive: it's not brutal and it aplies a very strong EQ to the signal. It cuts everything except for middles in a narrow 800-10kHz range (no' it's not from the manual, it's what I hear). The "filter" knob shifts the frequency peak around 1-5 kHz. All the rest of the knobs affect different gain/volume stages. I use this pedal mainly with vocals - the EQ it produces is very telephone-like and it makes the vocals cut through."

Alesis Andromeda Tutorial 04 - Envelopes


Published on Sep 23, 2012 by gstormelectro

http://gstormelectronica.blogspot.com/

"So far I have been showing the use of Envelopes in a conventional manner.
Today I will uncover advanced secrets of Andromedas envelopes in more detail. Some of these powerful envelope features may astonish you.

CONTENTS
0:05 Introduction
0:25 Envelope Polarity
2:13 Patch: Do-wah Bass
2:51 Time Page + Level Page
3:40 Trigger + Re-trigger
6:20 Patch: Delta Re-trigger
8:06 Dynamics Page
10:07 Loop Page
10:59 Patch: Reverse Technique + Loop Oscillation
12:32 Engine Optimizer
13:10 Closing

My next video will explore the CLOCK and its related functions: LFOs, Arpeggiator, and Sequencer. Thanks for watching!

PS - I apologize for some of the wobbly camera mount. I'm looking into building a more stable overhead camera rig."

All parts here.
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