Published on Jan 6, 2013 Ebotronix·549 videos
Bajo Sexto Telecaster Drone 2x Ebow (old & new)
MXR Dynacomp Emma ReesaFRATzitz Digitech Whammy V1
Doepfer A 119 to Line 6 Filter Pro and 4ms VCA Matrix
Moog 4x FreqBox
4 ms Peg RCD
Analogue Systems RS 100 4x RS 110 RS 360
Doepfer A 134 pan by Moog MP 201 & Maths
foh Choices
Grendel Formant Filter
Make Noise Maths Optomix QMMG Wogglebug
Moog CP251
Roland System 104 Sequencer
Toppobrillo Quantimator Sportmodulator TWF
Logic Master clock to Kenton Pro 2000 II
12/8 time
FX Boss VF1 Line6 Echopro TC M3000
Aphex Model 104 Alesis 3630 SPL Goldmike
Update:
Ebowdronix²
Sunday, January 06, 2013
Shruthi 1 Filter calibrator by TubeOhm
Published on Jan 6, 2013 tubeohmsound·29 videos
"A freeware tool for filter calibration Shruthi 1 and some prevs for the Shruthi midi controller. direct download www.tubeohm.com/demos/FilterCalib.zip"
"A freeware tool for filter calibration Shruthi 1 and some prevs for the Shruthi midi controller. direct download www.tubeohm.com/demos/FilterCalib.zip"
Access Virus B - Dreamy ambient synth demo
Published on Jan 6, 2013 synth4ever·16 videos
"Performing a dreamy ambient soundscape on Access Virus B synthesizer, utilizing 2 oscillators, reverb, filter/evelope adjustments and minor LFO changes.
Performed live, no external processing. Excerpt from a longer session.
=======
For more:
http://synth4ever.bandcamp.com -- download tracks or buy album
http://www.facebook.com/synth4ever.music
http://www.soundcloud.com/synth4ever
http://www.youtube.com/synth4ever"
"Performing a dreamy ambient soundscape on Access Virus B synthesizer, utilizing 2 oscillators, reverb, filter/evelope adjustments and minor LFO changes.
Performed live, no external processing. Excerpt from a longer session.
=======
For more:
http://synth4ever.bandcamp.com -- download tracks or buy album
http://www.facebook.com/synth4ever.music
http://www.soundcloud.com/synth4ever
http://www.youtube.com/synth4ever"
Buchla morphing terrarium
Published on Jan 6, 2013 cray56·141 videos
"Buchla and morphing terrarium"
"Buchla and morphing terrarium"
iPad Music Jam: Korg iMS-20, Magellan, GarageBand, Geo Synthesizer, iRIg MIDI and Moog Slim Phatty
Published on Jan 5, 2013 Marcus Padrini·140 videos
"iPad Music Apps are improving fast. Now you can do almost everything using only one device. In this Jam I'm playing with Geo Synthesizer controlling iMS-20 (Lead) and Magellan (Synth Bass and ARP). The arp was programed in Magellan but played by Moog Slim Phatty (using the iRig MIDI interface). Drums by GarageBand.
MIDI Bridge was used for splitting notes played with geo synth for Magellan and iMS-20.
Os apps musicais para iPad estão evoluindo rapidamente. Agora é possível fazer quase tudo usando só um dispositivo. Nesta improvisação estou tocando com o Geo Synthesizer para controlar o korg iMS-20 (Lead) e o Magellan (Baixo e ARP). O arpeggio foi programado no Magellan mas executado pelo Moog Slim Phatty (usando a interface iRIg MIDI). Bateria no GarageBand.
O MIDI Bridge foi utilizado para dividir as notas tocadas com o Geo Synth para o Magellan e iMS-20.
http://musicapps.com.br"
iTunes:
Geo Synthesizer - Jordan Rudess: Wizdom Music, LLC
KORG iMS-20 - KORG INC.
Magellan - Yonac Inc.
GarageBand - Apple
iOS Devices on eBay - Daily Tech Deals
"iPad Music Apps are improving fast. Now you can do almost everything using only one device. In this Jam I'm playing with Geo Synthesizer controlling iMS-20 (Lead) and Magellan (Synth Bass and ARP). The arp was programed in Magellan but played by Moog Slim Phatty (using the iRig MIDI interface). Drums by GarageBand.
MIDI Bridge was used for splitting notes played with geo synth for Magellan and iMS-20.
Os apps musicais para iPad estão evoluindo rapidamente. Agora é possível fazer quase tudo usando só um dispositivo. Nesta improvisação estou tocando com o Geo Synthesizer para controlar o korg iMS-20 (Lead) e o Magellan (Baixo e ARP). O arpeggio foi programado no Magellan mas executado pelo Moog Slim Phatty (usando a interface iRIg MIDI). Bateria no GarageBand.
O MIDI Bridge foi utilizado para dividir as notas tocadas com o Geo Synth para o Magellan e iMS-20.
http://musicapps.com.br"
iTunes:
Geo Synthesizer - Jordan Rudess: Wizdom Music, LLC
KORG iMS-20 - KORG INC.
Magellan - Yonac Inc.
GarageBand - Apple
iOS Devices on eBay - Daily Tech Deals
Saturday, January 05, 2013
AE FOND KISS by Robert Burns
Published on Jan 5, 2013 copperleaves·57 videos
"I have known this song for many years, but I had always heard it sung by classically trained sopranos and tenors, so I never dared to sing it. A couple of weeks ago, I heard a rendition of it performed here on YT by Scottish popular singer Eddi Reader, and I loved it! So I decided to take a crack at it myself.
Robert Burns is Scotland's poet/ambassador to the world, and this song (only one of many that he wrote) is for me one of the most poignant songs of unrequited love that has ever been written. I'm not going to bore everyone with the history of this song. If you are curious about it, here is the Wikipedia entry that will tell you the whole story.
http://en.wikipedia.org/wiki/Ae_Fond_Kiss
The instrument I am playing in this video I call the "tibicen" (this is the Latin word for "piper"). I devised this instrument myself because I love to sing with the pipes but it is impossible to play them and sing at the same time. The tibicen is entirely electronic and consists of two parts (only one of which can be seen in this video). There is a keyboard "chanter" which sits on the knees of the performer and can play in any key over a range of many octaves. The other part is a pedal board similar to an organ (which is not visible in the video) which plays the drones, and can change keys and harmonies very much like the Irish uilleann pipes.
Part of the problem with pipes (and with the hurdy gurdy which I also play) is that they are extremely loud and their volume cannot be controlled by the player so they tend to drown out a singer. With the tibicen, every aspect of the sound, volume, slides, range, etc., can be controlled, and it is ideal for an electronic musician like myself."
"I have known this song for many years, but I had always heard it sung by classically trained sopranos and tenors, so I never dared to sing it. A couple of weeks ago, I heard a rendition of it performed here on YT by Scottish popular singer Eddi Reader, and I loved it! So I decided to take a crack at it myself.
Robert Burns is Scotland's poet/ambassador to the world, and this song (only one of many that he wrote) is for me one of the most poignant songs of unrequited love that has ever been written. I'm not going to bore everyone with the history of this song. If you are curious about it, here is the Wikipedia entry that will tell you the whole story.
http://en.wikipedia.org/wiki/Ae_Fond_Kiss
The instrument I am playing in this video I call the "tibicen" (this is the Latin word for "piper"). I devised this instrument myself because I love to sing with the pipes but it is impossible to play them and sing at the same time. The tibicen is entirely electronic and consists of two parts (only one of which can be seen in this video). There is a keyboard "chanter" which sits on the knees of the performer and can play in any key over a range of many octaves. The other part is a pedal board similar to an organ (which is not visible in the video) which plays the drones, and can change keys and harmonies very much like the Irish uilleann pipes.
Part of the problem with pipes (and with the hurdy gurdy which I also play) is that they are extremely loud and their volume cannot be controlled by the player so they tend to drown out a singer. With the tibicen, every aspect of the sound, volume, slides, range, etc., can be controlled, and it is ideal for an electronic musician like myself."
LINN DRUM LM-2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Has all the factory sounds except the sidestick which has been repaced with a second snare drum, (different from the stock one)..."
"Has all the factory sounds except the sidestick which has been repaced with a second snare drum, (different from the stock one)..."
EML ElectroComp 101 Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
via the listing: "This is a rare synthesizer serial number 522 out of 1000 made
Rather than list all of the EML101 specifications which are easily available online, I'd like to describe this particular synthesizer. I am the original owner and purchased this instrument in the mid-1970s. I went up to Vernon Connecticut, met Norman Milliard who was one of the owners of EML and picked up my instrument from the factory. I was intrigued with the amount of engineering that went into the construction of this instrument. For example, the way the instrument is constructed, the unit folds into itself to make a carrying case. So much of the engineering and construction was well thought out and was superior to what existed at the time. As a music educator, I used this instrument for demonstrations only. I have retired, and the instrument has been sitting in my house not being used and regrettably I must sell it.
Everything on this instrument is original. It is in working condition but because of its age and lack of use, some refurbishing is going to be required. The following are some examples of what would be required:
The original handle is deteriorating and doesn't feel very secure (this means replace it if you're set on using it. There are some typical rusty spots on the external metal hardware. Three of the original rubber feet are missing. There are some light surface scratches on the outside of the case and a small chip (or two) - check the pics. Several of the Alan – Bradley controls are going to need cleaning. I am sure that some additional internal cleaning on the keyboard will be required but all keys are level and play well / feel fine. These examples should give you some idea of what this instrument might need.
I will include a good amount of literature, too numerous to mention it all.
The owners manual of course is included as well as original patch diagrams sheets. Also included are factory directions such as tuning the oscillators as well as mods that the owner can make. The two mods I made were the addition of a switch to separate the high filter and low filter to create a band reject filter, and a separate external sampler input.
Most important is the inclusion of the schematics for the electronic circuitry. This wasn't easy to obtain, but at the end of EML’s run, thankfully they were willing to give up the schematics to an owner who was truly appreciative of all the work that went into designing this incredible instrument."
via this auction
via the listing: "This is a rare synthesizer serial number 522 out of 1000 madeRather than list all of the EML101 specifications which are easily available online, I'd like to describe this particular synthesizer. I am the original owner and purchased this instrument in the mid-1970s. I went up to Vernon Connecticut, met Norman Milliard who was one of the owners of EML and picked up my instrument from the factory. I was intrigued with the amount of engineering that went into the construction of this instrument. For example, the way the instrument is constructed, the unit folds into itself to make a carrying case. So much of the engineering and construction was well thought out and was superior to what existed at the time. As a music educator, I used this instrument for demonstrations only. I have retired, and the instrument has been sitting in my house not being used and regrettably I must sell it.
Everything on this instrument is original. It is in working condition but because of its age and lack of use, some refurbishing is going to be required. The following are some examples of what would be required:The original handle is deteriorating and doesn't feel very secure (this means replace it if you're set on using it. There are some typical rusty spots on the external metal hardware. Three of the original rubber feet are missing. There are some light surface scratches on the outside of the case and a small chip (or two) - check the pics. Several of the Alan – Bradley controls are going to need cleaning. I am sure that some additional internal cleaning on the keyboard will be required but all keys are level and play well / feel fine. These examples should give you some idea of what this instrument might need.
I will include a good amount of literature, too numerous to mention it all.
The owners manual of course is included as well as original patch diagrams sheets. Also included are factory directions such as tuning the oscillators as well as mods that the owner can make. The two mods I made were the addition of a switch to separate the high filter and low filter to create a band reject filter, and a separate external sampler input.
Most important is the inclusion of the schematics for the electronic circuitry. This wasn't easy to obtain, but at the end of EML’s run, thankfully they were willing to give up the schematics to an owner who was truly appreciative of all the work that went into designing this incredible instrument."
Roland Juno 60 Vintage Analog Synthesizer
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
