Published on Feb 12, 2013 thevco·55 videos
"version rom 1 version rom 4"
Tuesday, February 12, 2013
grendel graph wash
Published on Feb 12, 2013 Ebotronix·586 videos
4 ms Peg RCD VCA Matrix
Analogue Systems RS 100 RS 110 RS 360
Arp Odyssey 2811 noise
Bananalogue Serge VCS
Cyndustries TZO
Doepfer A 134 panning by A 143-9 & Moog MP201
Flame Chord Machine
foh choices
Grendel Formant Filter
Make Noise Brains PP Maths Moddemix Optomix QMMG René Wogglebug
Malekko 4x Anti 4x Unkle & Jag
Moog 4x freqbox CP251
Roland System 104 Sequencer
SSL Modulation Orgy
Tiptop Audio Z 8000
Toppobrillo Quantimator Sportmodulator TWF
Logic Master clock to Kenton Pro 2000 II
FX Boss VF1 Line6 Echopro TC M3000
Pinball Pianola Synth
Pinball Pianola from Lucas Abela on Vimeo.
From the makers of The Vinyl Rally
Foundations of Synthesis Series by The Bob Moog Foundation
Published on Feb 11, 2013 moogfoundation·82 videos
Featuring Marc Doty, aka AutomaticGainsay
http://moogfoundation.org
Playlist:
1. The Synthesis of Synthesis - "This is the introductory video for the Bob Moog Foundation/macProVideo series "The Foundation of Synthesis." In it, Marc Doty sets the stage for the intent of these videos, which is an integrative instruction which not only describes synthesizer function and operation, but also gives a historical foundation for the functionalities and their implementation."
2. The Synthesis of Synthesis- Sound - "No instruction in synthesis would be complete without some explanation of the physics of sound! This video is one of several videos which outline the physical principles upon which synthesis is based."
3. The Synthesis of Synthesis- The Hammond Novachord - "The progression of devices which led to the modern synthesizer is diverse and interesting. The Foundation of Synthesis covers a number of them which portray a progressive development. One of these synthesizer precursors was the Hammond Novachord, a tube- based keyboard device whose groundbreaking technology is still present in some synthesizers today. More than most, this proto-synthesizer resembled what we came to think of as the modern synthesizer."
4. Foundation of Synthesis- Oscillator Introduction - "The Foundation of Synthesis dives into synthesizer technology with the Oscillator— the origin of sound in synthesis! Marc leads us through the history of this device from its beginning— as a lightbulb!— to its implementation in electronic musical instruments."
5. Oscillators- Pulse Width Modulation - "Pulse Width Modulation is a pleasing aural effect generated by the voltage-controlled adjustment of the width of a square wave. In this Foundation of Synthesis video, Marc demonstrates this function on several classic synthesizers. The video includes an oscilloscope, which shows you exactly what is happening when the width of the square wave output of the oscillator is changed!"
6. Filter- Introduction - "In this part of the 3rd Tutorial of the Foundation of Synthesis, Marc outlines the history of the filter from its origin in the telephone to its application in electronic devices in order to give a firm understanding of how the filter came to be an important part of modern synthesizers. The filter is a function which removes harmonics from a sound. Since harmonics define the timbre of the sound, this is a fast and easy way to create new timbres."
7. Filter- Cutoff Control - "Adjustment of the cutoff point of the filter is such a popular process that it has spawned whole genres of music. In this video, Marc shows the sound and functionality of this particular aspect of the most popular module in the modern synthesizer."
8. Filter-Voyager Serial Resonance - "The Moog Voyager design of Bob Moog includes some unique and useful functionalities. In this video, Marc explores the dual-filter nature of the Moog Voyager by demonstrating some unique ways to apply its filter arrangement."
9. Control Voltage Explanation Part 1 - "For the average musician, control voltage is an abstract concept. Of all the aspects of synthesis, it seems to be the most confusing. In this video, Marc gives a straight-forward and easy-to-understand description of the functionality using concrete examples. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"
10. Control Voltage Explanation Part 2 - "Here is part two of a video where Marc gives a straight-forward and easy-to-understand description of the process and application of control voltage. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"
11. The Amp Introduction - "In this video, Marc gives us a basic history of what can be the least-exciting module in the modern synthesizer, but then goes on to show what can be done when this module includes a fair amount of functionality. The Amp is the last step in the synthesis process, and can give you a variety of power over the timbre you create!"
12. The ARP Envelope Follower - "The Envelope Follower is one of the most fun control functions to exist. It takes the amplitude of a given signal and converts it to a voltage. As the amplitude rises, the control voltage rises. This can be used to control any function in the synthesizer which can be controlled via control voltage... which, in an analog synth, is most of them! In this video, Marc gives a demonstration of this under-implemented synthesizer function using the ARP 2600."
13. Designing Timbres- Introduction - "This video introduces the "Designing Timbres" tutorial by explaining exactly what is going to happen within it. It features some of the music and synthesizers used in the rest of the tutorial."
14. Designing Timbres: Major/Minor Chord - "'It doesn't play chords!' -This is the complaint most heard in regard to monophonic analog synthesizers... but wait... if you have three oscillators and some awesome functionality like the Moog Voyager, there is an answer to this complaint. In this video, Marc shows you how you can generate a sort of controllable polyphony using the monophonic Moog Voyager!"
15. Designing Timbres: Duality - "In this video, Marc demonstrates the the functional benefit of a synthesizer like the Yamaha CS-15, which is essentially two different synthesizers stacked together. By altering settings in each division, interesting timbres can be created."
Featuring Marc Doty, aka AutomaticGainsay
http://moogfoundation.org
Playlist:
1. The Synthesis of Synthesis - "This is the introductory video for the Bob Moog Foundation/macProVideo series "The Foundation of Synthesis." In it, Marc Doty sets the stage for the intent of these videos, which is an integrative instruction which not only describes synthesizer function and operation, but also gives a historical foundation for the functionalities and their implementation."
2. The Synthesis of Synthesis- Sound - "No instruction in synthesis would be complete without some explanation of the physics of sound! This video is one of several videos which outline the physical principles upon which synthesis is based."
3. The Synthesis of Synthesis- The Hammond Novachord - "The progression of devices which led to the modern synthesizer is diverse and interesting. The Foundation of Synthesis covers a number of them which portray a progressive development. One of these synthesizer precursors was the Hammond Novachord, a tube- based keyboard device whose groundbreaking technology is still present in some synthesizers today. More than most, this proto-synthesizer resembled what we came to think of as the modern synthesizer."
4. Foundation of Synthesis- Oscillator Introduction - "The Foundation of Synthesis dives into synthesizer technology with the Oscillator— the origin of sound in synthesis! Marc leads us through the history of this device from its beginning— as a lightbulb!— to its implementation in electronic musical instruments."
5. Oscillators- Pulse Width Modulation - "Pulse Width Modulation is a pleasing aural effect generated by the voltage-controlled adjustment of the width of a square wave. In this Foundation of Synthesis video, Marc demonstrates this function on several classic synthesizers. The video includes an oscilloscope, which shows you exactly what is happening when the width of the square wave output of the oscillator is changed!"
6. Filter- Introduction - "In this part of the 3rd Tutorial of the Foundation of Synthesis, Marc outlines the history of the filter from its origin in the telephone to its application in electronic devices in order to give a firm understanding of how the filter came to be an important part of modern synthesizers. The filter is a function which removes harmonics from a sound. Since harmonics define the timbre of the sound, this is a fast and easy way to create new timbres."
7. Filter- Cutoff Control - "Adjustment of the cutoff point of the filter is such a popular process that it has spawned whole genres of music. In this video, Marc shows the sound and functionality of this particular aspect of the most popular module in the modern synthesizer."
8. Filter-Voyager Serial Resonance - "The Moog Voyager design of Bob Moog includes some unique and useful functionalities. In this video, Marc explores the dual-filter nature of the Moog Voyager by demonstrating some unique ways to apply its filter arrangement."
9. Control Voltage Explanation Part 1 - "For the average musician, control voltage is an abstract concept. Of all the aspects of synthesis, it seems to be the most confusing. In this video, Marc gives a straight-forward and easy-to-understand description of the functionality using concrete examples. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"
10. Control Voltage Explanation Part 2 - "Here is part two of a video where Marc gives a straight-forward and easy-to-understand description of the process and application of control voltage. With a firm grasp of control voltage, synthesis becomes considerably easier and fun!"
11. The Amp Introduction - "In this video, Marc gives us a basic history of what can be the least-exciting module in the modern synthesizer, but then goes on to show what can be done when this module includes a fair amount of functionality. The Amp is the last step in the synthesis process, and can give you a variety of power over the timbre you create!"
12. The ARP Envelope Follower - "The Envelope Follower is one of the most fun control functions to exist. It takes the amplitude of a given signal and converts it to a voltage. As the amplitude rises, the control voltage rises. This can be used to control any function in the synthesizer which can be controlled via control voltage... which, in an analog synth, is most of them! In this video, Marc gives a demonstration of this under-implemented synthesizer function using the ARP 2600."
13. Designing Timbres- Introduction - "This video introduces the "Designing Timbres" tutorial by explaining exactly what is going to happen within it. It features some of the music and synthesizers used in the rest of the tutorial."
14. Designing Timbres: Major/Minor Chord - "'It doesn't play chords!' -This is the complaint most heard in regard to monophonic analog synthesizers... but wait... if you have three oscillators and some awesome functionality like the Moog Voyager, there is an answer to this complaint. In this video, Marc shows you how you can generate a sort of controllable polyphony using the monophonic Moog Voyager!"
15. Designing Timbres: Duality - "In this video, Marc demonstrates the the functional benefit of a synthesizer like the Yamaha CS-15, which is essentially two different synthesizers stacked together. By altering settings in each division, interesting timbres can be created."
Solvent - Themogene (I Dream Of Wires theme)
'I Dream of Wires' is an upcoming, independent documentary film about the phenomenal resurgence of the modular synthesizer — exploring the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. Written and directed by Robert Fantinatto, with Jason Amm (Ghostly International recording artist Solvent) serving as producer and co-writer, I Dream Of Wires is set to premiere spring 2013.
idreamofwires.org
"Themogene" features in this brand new official trailer for "I Dream Of Wires: Hardcore Edition" - a limited edition, 4-hour cut available to pre-order now on BluRay / 2xDVD.
Jean Michel Jarre POPCORN (Dance version) My cover
Published on Feb 12, 2013 starshipfive·8 videos
"No copyright infringement intended.
Used for the purpose of criticism and education
Sequenced parts sequenced on Cubase 5, then audio mixdown passed to Roland SP-404
Live parts played on:
Main Lead: Roland V-Synth version 2
Lead 2: Yamaha AN1x
Pads: Yamaha FS1r trigged by Korg T3ex, Kurzweil PC3"
via Michel Fernandes on The MATRIXSYNTH Lounge
"No copyright infringement intended.
Used for the purpose of criticism and education
Sequenced parts sequenced on Cubase 5, then audio mixdown passed to Roland SP-404
Live parts played on:
Main Lead: Roland V-Synth version 2
Lead 2: Yamaha AN1x
Pads: Yamaha FS1r trigged by Korg T3ex, Kurzweil PC3"
via Michel Fernandes on The MATRIXSYNTH Lounge
V-Combo VR-09 Tricks and Tweaks for Effects and Synth Sound Modifications!
Published on Feb 12, 2013 RolandChannel·761 videos
"V-Combo VR-09
Tricks and Tweaks for Effects and Synth Sound Modifications!
PART 1. [SYNTH BRASS] (00:00 - )
PART 2. [MODIFY "SYNTH BASS" TB-303 at the end] (02:18 - )
PART 3. [SYNTH BASS] (03:36 - )
PART 4. [ORGAN] (07:42 - )
PART 5 [CELESTA] (11:29 - )
Performed by Peter Schreurs from Belgium and filmed in Japan"
"V-Combo VR-09
Tricks and Tweaks for Effects and Synth Sound Modifications!
PART 1. [SYNTH BRASS] (00:00 - )
PART 2. [MODIFY "SYNTH BASS" TB-303 at the end] (02:18 - )
PART 3. [SYNTH BASS] (03:36 - )
PART 4. [ORGAN] (07:42 - )
PART 5 [CELESTA] (11:29 - )
Performed by Peter Schreurs from Belgium and filmed in Japan"
ROLAND Synthesizer Logo / Promo Sign
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"Roland logo / sign
came from NAMM booth many years ago
'very cool and probably one of a kind!'
perfect for you music studio wall, dorm room, bedroom...or where ever you wanna show your love for ROLAND
logo is 1/8" black plastic on 2" thick styofoam & approx 8 3/4'' x 16 3/4''"
Follow-up to this post.
"Roland logo / sign
came from NAMM booth many years ago
'very cool and probably one of a kind!'perfect for you music studio wall, dorm room, bedroom...or where ever you wanna show your love for ROLAND
logo is 1/8" black plastic on 2" thick styofoam & approx 8 3/4'' x 16 3/4''"
Follow-up to this post.
Korg Monotribe Modded w/ MIDI, Drum Decay, and Separate Outputs
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"Unit has MIDi I/O on mounted Dinsync jacks, (see pics), a total of (3) additional outputs for the Drums (Kick, Snare, HH) so all sounds can be recorded on individual tracks, nice! Also the Drums have the Tone and Decay mods, which is what makes it sound similar to an 808. Two pots control the decay of the Bass and Snare, and two switches for HH and Snare Noise/Decay. PAste this phrase into youtube: MONOMOD - Korg Monotribe Mod / Hack [posted here] to watch a video demonstarting the mods/sounds. (this is not my video, but the mod/sound is the same). Below I have posted some info on the MIdi Mod taken from Gameboy Genius' Blog [link].
Details
Sync: It will both send and accept MIDI sync, start and stop messages, meaning the sequencer can be reset over MIDI, which can’t be done remotely if you’re only using the regular sync input.
Notes: It will send and receive notes within the limits of the sequencer. It’s using channel 1 for notes. Notes outside these limits will be ignored. It doesnot react to varying velocities. It does however react to pitch bend MIDI messages and is able to record and play back pitch bend in flux mode! I don’t have MIDI out hooked up at the moment, so I can’t confirm this right now, but I’m assuming it also transmits MIDI pitch bend messages when it plays notes in flux mode.
Drums: It’s using the standard General MIDI specification for drums, which means the following notes on MIDI channel 10.
Name Note number Note name GM drum name
BD 36 C1 Bass drum 1
SN 40 E1 Snare dum 2/Electric snare
HH 42 F#1 Closed hi-hat
Control change messages (CC): It can send and receive CC for all the knobs and switches marked green above. The parameters are mapped as follows:
Name CC number Values GM parameter name
LFO rate 16 – General purpose controller 1
LFO int. 1 – Modulation wheel
EG shape 80 32=decay
64=sustain
96=attack General purpose controller 5
LFO target 81 32=VCO
64=VCO+VCF
96=VCF General purpose controller 6
LFO mode 82 32=Fast
64=Slow
96=1shot General purpose controller 7
LFO wave 83 32=Saw
64=Triangle
96=Square General purpose controller 8"
via this auction
"Unit has MIDi I/O on mounted Dinsync jacks, (see pics), a total of (3) additional outputs for the Drums (Kick, Snare, HH) so all sounds can be recorded on individual tracks, nice! Also the Drums have the Tone and Decay mods, which is what makes it sound similar to an 808. Two pots control the decay of the Bass and Snare, and two switches for HH and Snare Noise/Decay. PAste this phrase into youtube: MONOMOD - Korg Monotribe Mod / Hack [posted here] to watch a video demonstarting the mods/sounds. (this is not my video, but the mod/sound is the same). Below I have posted some info on the MIdi Mod taken from Gameboy Genius' Blog [link].
DetailsSync: It will both send and accept MIDI sync, start and stop messages, meaning the sequencer can be reset over MIDI, which can’t be done remotely if you’re only using the regular sync input.
Notes: It will send and receive notes within the limits of the sequencer. It’s using channel 1 for notes. Notes outside these limits will be ignored. It doesnot react to varying velocities. It does however react to pitch bend MIDI messages and is able to record and play back pitch bend in flux mode! I don’t have MIDI out hooked up at the moment, so I can’t confirm this right now, but I’m assuming it also transmits MIDI pitch bend messages when it plays notes in flux mode.
Drums: It’s using the standard General MIDI specification for drums, which means the following notes on MIDI channel 10.Name Note number Note name GM drum name
BD 36 C1 Bass drum 1
SN 40 E1 Snare dum 2/Electric snare
HH 42 F#1 Closed hi-hat
Control change messages (CC): It can send and receive CC for all the knobs and switches marked green above. The parameters are mapped as follows:
Name CC number Values GM parameter name
LFO rate 16 – General purpose controller 1
LFO int. 1 – Modulation wheel
EG shape 80 32=decay
64=sustain
96=attack General purpose controller 5
LFO target 81 32=VCO
64=VCO+VCF
96=VCF General purpose controller 6
LFO mode 82 32=Fast
64=Slow
96=1shot General purpose controller 7
LFO wave 83 32=Saw
64=Triangle
96=Square General purpose controller 8"
Mc505 Groovebox Factory Demo
Published on Feb 12, 2013 Lee Mitchell·54 videos
"Rolands Mc505 Factory Demos.......Love them or hate them....its 100% Roland Japan!
Straight from the outputs...no external processing....."
Roland MC-505s on eBay
"Rolands Mc505 Factory Demos.......Love them or hate them....its 100% Roland Japan!
Straight from the outputs...no external processing....."
Roland MC-505s on eBay
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
