Monday, December 01, 2014
Befaco DUAL ATENUVERTER Eurorack Module
via Befaco
Available assembled or as a DIY kit.
"CV/Audio utility able to atenuate, invert and apply offset to an input signal.
With the main pot (atenuverter) at right it will multiply the signal by 1 and at the left will do by -1.
Offset control will add +/- 10V DC to the output. Quite useful as DC adder when no input is present.
Bicolor LEDS will turn on in red when the output signal is positive and becomes green when the signal is negative, this make the unit a good as CV monitor"
Befaco SLOPE GENERATOR II Eurorack Module
via Befaco
Available assembled or as a DIY kit.
"Dual multifunction ramp generator.
It can be used as :
Double Envelope Generator Attack / Decay. (Trigger mode)
Double Envelope Generator Attack( sustain ) Release. (Gate mode)
Complex envelope generator by mixing the two ramps in the sum output.
Double triangular /saw tooth voltage controlled LFO (repeat mode) It is synchronizable and also other waveforms achieved by feedback
Double audio oscillator (not volt per octave) if desired can only be active in the presence of a Gate
Double voltage controlled trigger delay.
Each of the two states has a “End”output that triggers at the end of this state to chain more ramps or events in other modules.
“Repeat IN” inputs enable the Repeat mode momentarily creating rhythmic effects.
Inspired by the famous 281 Quad Function generator of Buchla."
Befaco SAMPLING MODULATOR Eurorack Module
via Befaco
Available assembled or as a DIY kit.
"Sampling Modulator is a multi-function module. Something between a VCO a Sample & Hold and a 8 step trigger sequencer
It can work as:
-Sequencer clocked Sample and Hold. In this mode it is like a regular sample and hold, but since it is “sequencer clocked” make more interesting patterns than the usual S&H melodies because they can have more repetition.
The clock In, can work in two ways: Clock and Sync. Clock is just a typical clock and Sync is a “positive going Hard sync” so you can create shuffling and poly-rhythmic Fx with it.
also the hold In is useful to keep some notes on.
-Analog down sampling effect. In that mode (with the clock running at audio rates) you can go from nasty and harsh Sampling rate reduction to almost clean signal. (the clock run up to 25Khz without external CV and up to 200Khz with CV on the input)
-Sampling Modulator. (or maybe is better to call it sampling shaper)
Due to the V/oct clock, you can feed the IN with a simple wave shape like a sine, and later send pitch CV to that VCO and to the Sampling modulator CV In, so the two frequencies are related to each other and the aliasing created by the sampling rate reduction is also related to that frequency creating lots of clangorous metallic sound, 8 bit textures and much more. The game became much more interesting when you begging to destroy the wave turning on and off the switches of the sequencer. (sometimes it sound like tree VCOs the same time…)
To understand this mode keep in mind it have a temperature compensated ramp core VCO with more than 4 octaves tracking, so the timbre keep the same when you move trough different notes because the internal and external VCOs are moving same way in something like a “frequency related sampling rate modulation”
-8 step trigger sequencer. Just a regular utility trig generator, useful also as clock divider. The switches have tree position. On, Off and Reset (reset to the first step for non 4/4 signatures)
-Unusual V/oct VCO. You can use the trigger outs like a pulse VCO but when you switch on and off the switches timbre changes a lot
A surprising Swiss knife in just 8HP
Block diagram:"
Befaco SPRING REVERB Eurorack Module
via Befaco
Available assembled or as a DIY kit.
"It´s been alwas discussed if electronic generated sound is less “realistic” than the acoustic generated sound. One of the main differneces is the natural inclussion of the acoustic space where an acoustic instrument is played in opposition of electronic generatd ones.A good technique to aproach both worlds is to simulate the acoustic feeling of a closed space.
The reverberation (effect produced by the space where the sounding object is) is the sum of all sound reflexions of a single sound, that reaches a point in differnet moments.
To simulate this effect we pass the sound thru a spring via two transcievers (one in each end). The sound will propagate and, thanks to the contraction and expansion capabilities of the spring, a series of reflexions will be generated. These are very similar to the ones that are generated in an acoustic space.
This module main features:
Two audio inputs. Both CVcontrolled plus slider control.
“IN1″ is routed both to “DRY” mix and reverb tank input.
“IN2″ Goes only to the reverb tank.
Two outputs
“WET” comes stright from reverb tank.
“MIX” is the mix of DRY signal and the outpur of reverb tank. It has CV control
This configuration allows to feedback “WET” signal back to the module via “IN2″ either a stright feedback of passing thru other modules before coming back to IN2.
Like this, with MIX control we never loose our original signal, controlling the ammount of reverber and feedback on the mix.
It features a high pass filter at the input of the tank to control the tone of the reverberations and an eventual saturation of the spring when we are doing a feedback.
There is a built-in vumeter at “WET” output to visualize level and eventual saturation of the signal."
Befaco MIXER V2 Eurorack Module
via Befaco
Available assembled or as a DIY kit.
"Four channel mixer. Suitable for audio or control signals.
Features inverted output and LED level meter.
Specs.
Four channel input
Inverted output (negative).
DC coupled
5 HP / 47 mm depth"
DSI Tempest vintage synth sounds by YellowRabbit
Published on Oct 14, 2014 YELLOW RABBIT
"DSI Tempest vintage synth sounds, patches by YellowRabbit, additional delay by Elektron Analog Four.
Enjoy!!"
Tempests on eBay
DSI Tempest analog sounds - vintage#2
analoge studio HKU KMT modular madness
Published on Dec 1, 2014 elektrovolt
"sequenced with arturia beatstep, roland system 100m modular, synton oscillators and audio-rate clocked doepfer sequencer."
Kilpatrick Audio Phenol - More Experiments
Published on Dec 1, 2014 KilpatrickAudio
"Here is a short clip of my friend Keith trying out Phenol. The clock divider is proving to be extremely useful for people wanting to create patterns that sound like they came from a sequencer."
Aleatoric Dance of the Aliens
Published on Dec 1, 2014 trabouliste
"While Patching the aliens stepped in.
Aleatoric selfplaying patch. Used Eurorack Modules: Doepfer A-149-1, A-149-2, 2 x A-171-2, A-119, Make Noise Maths, Function, Optomix, Phonogene, Echophon, Mutable Instruments Braids, Intellijel Azimuth II, PGH Outs"
Different audio recording / same patch:
Kilpatrick Audio Phenol - Multitrack Synth Tune
Published on Dec 1, 2014 KilpatrickAudio
"I ventured over to my friend Keith's studio and we messed around with this digital multitrack deck and some different sounds with Phenol. The drum machine is a Kawai R-100, and all other sounds are produced by Phenol, except the flute which uses Phenol for real-time amplitude modulation processing through the external input."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH