Beat Smuggling Vol 1

Beat Smuggling Vol 1 from John Durbin on Vimeo.

"Sort of a work in progress of a bunch of beats I've been mashing together on the Octatrack and Analog RYTM.
Lots of samples from a few records and a Slim Phatty."

Easel playing the LPG

Published on Dec 30, 2014 Todd Barton

Buchla Modular System 100

Published on Dec 30, 2014 Morgan Karlsson

"Written by Matthias Becker"

All Buchla 100.

Buchla 291e VCA AM FM mod mix

Published on Dec 30, 2014 JurekPrzezdziecki

"Just another experiment with this amazing module. 291e triple morphing filter used as feedback oscillator. Modulation inputs A/B/C feeded with audio for AM and FM modulation. Audio output from 261e sent to 258v and have been mixed together. So 258v works as a 'hub' to mix audio waveforms. Filter snapshots previously created and i have changed them manually. Changing frequency of 261e and 258v creates interesting polyrhythm patterns. Powerful module."

Arp Axxe & Roland CSQ-600 Demo [HQ Audio]

Published on Dec 30, 2014 Hyboid a.k.a. Astro Chicken

"Arp Axxe bassline driven by Roland CSQ-600 digital sequencer.
FX:
Korg SDD-1000
Roland RSP-550"

Single VCO split to create dub chords (modular trick)

Published on Dec 30, 2014 alternatingbitmusic

"Thanks to the enginerring genius of Stereotactixxx I was able to follow his lead on the concept of using a single VCO to create a chord via pulse split / gate sourcing. In short:
Take one VCO, tune it high and set the pulse width no wider than 50%. Split the pulse out with a multiple, and send two instances of that pulse to the clock inputs of two rows of sympleSEQs. Set one sympleSEQ to 5 steps and the other to 6 steps. Mix the gate outs of the sympleSEQs using a mixer, and there is your chord. Flip the gates on and off on the sequencers until you get a sound you like. Some has to be off, otherwise you will will only end up with the fifth in the chord, which is the original clock signal. Now that you have your chord, just send it through a VCF and a VCA and modulate them the way you would do with any sound. (his words)"

Sub37, Pro2, TR8, TB3, BSII, Leipzig-S - my last live session 2014

Published on Dec 30, 2014 Trooper Starship

"Everything recorded live (except 1 pad).
Synths: Sub37, Pro2, TR8, TB3, BassStation II, Leipzig-S
Mic: SCT-800, VT3, VoiceLiveRack 2
FX: RMX500, Strymon Deco & BigSky, Eventide H9, Echolution II"

Elektron Sidstation C64 MOS 6581 8-Bit Chiptune Synthesizer Sid

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Vintage Roland SH-101 Analog Synthesizer Keyboard

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Atomosynth Mochika XL analog synthesizer / step sequencer

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"This is a handmade boutique step sequencer from Lima, Peru. The fiberglass casing is an amazing neon yellow [green]."

 “OSC”: Oscillator playing mode.

 “4STP”: Four steps normal sequence.
 “6SPT”: Six steps normal sequence.
 “8STP”: Eight steps normal sequence.
 “4F/B”: Four steps forth and back sequence.
 “6F/B”: Six steps forth and back sequence.
 “8F/B”: Eight steps forth and back sequence.

“RAND”: 8 note random sequence mode.
 “OSC” and “4STP” LEDs lit: Gate arpeggio 1.
 “6STP” and “8STP” LEDs lit: Gate arpeggio 2.
 “4F/B” and “6F/B” LEDs lit: Gate arpeggio 3.
 “8F/B” and “RAND” LEDs lit: Gate arpeggio 4.

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