"The Mode Machines F-106 Juno Filter is an analog device that can be used to modulate audio signals. You can also connect external devices using the CV inputs to control the functions of the unit.
Switchable filter quality (12 or 24 dB / oct.)
Disconnectable self-oscillation
Front-side power switch with power LED
Three CV inputs for cutoff, resonance, and VCA
Desk-compact steel case with wooden side plates (Micro Fashion Series)
Knobs Cutoff: Adjusts the cutoff of the low-pass filter
Resonance: Adjusts the resonance (feedback) of the filter
VCA: Adjusts the audio output level
Switches 24 dB / 12 dB: Selects the filter type, 24 or 12 dB / oct
Self Oscillator: Enables self-oscillation
Power: Turns the unit On/Off
Connections Audio Output: 1/4"( 6.35 mm) mono jack
Audio Input: 1/4" (6.35 mm) mono jack
Frequency-CV Input for Cutoff (0 to 5 V): 1/8" (3.5 mm) mono jack
Resonance-CV Input for Resonance (0 to 5 V): 1/8" (3.5 mm) mono jack
VCA-CV Input for VCA (0 to 5 V): 1/8" (3.5 mm) mono jack
12 to 20 VDC Power Input: + on center pin
Power Consumption <100 mA at 12 VDC
Audio Approximately 30 Hz to >15 KHz"
"The Mode Machines MW-01 Wasp Filter is a distortion filter device. It uses the same VCF model as from the EDP Wasp Synth, but adds tweaks and modifications to bring out the noise. Built into a robust, folded, aluminum case with a chunky layout, an intuitive design, and an LED indicator, this filter is well-suited for live performance as well as experimentation in the studio. The MW-01 Wasp Filter is capable of adding grit and punch to drums, ambient sweeps, filter wobble, and plain crazy noise.
Select between Low, Band, and High filter types
Control the LFO speed and levels via a dedicated knob for each
Select between a Self Oscillator mode via the switch
Control drive, cutoff, and resonance via the dedicated knobs for each
Audio in/ audio out"
"This one has been serviced with new sliders installed in all locations so it performs as accurate as Arp originally intended. It also has replaced key bushings, capacitors were updated and it was calibrated so the tuning and power supply are accurate. When you tune to C all vco sliders are dead center. All work was done within the past year and It's kept covered in a clean studio when not in use to preserve the fresh sliders."
"Testing the ROLAND JD-XA. Own sound creations.
Using arpeggios and sequences. Tweaking occasionally. JD-XA does not contain any drum kits as its smaller and cheaper sibling is providing. If there are any drums to be heard they're mostly programmed from scratch with the internal sound engines -- both digital and analog.
More thoughts about the synth:
Many options. But it is a little bit the JD800 problem: the basic sound is quickly edited but the fine tuning takes hours because you have to step thru hundreds of parameters in a 2-line-display (without dial!!!).
No computer editor!
The sequencer is almost the same as in JD-Xi with the same flaws. It crashes frequently and it DOES NOT TRANSPOSE! I hope Roland will fix and implement this with the next update.
About the integration of digital and analog section: The routing is a bit confusing to me but once you managed to lea a digital sound through the analog section it sounds very nice. The digital waves are also well chosen and sounding. For understanding the concept: There are two synths -- one digital, one analog -- that only share the housing and the FX. As a consequence you cannot choose a digital waveform in your analog synth you can only lead a complete sound of the digital machine through the analog section for sound enhancement.
But all in all it is a versatile well sounding synth!"
ROLAND JD-XA // OWN SOUND CREATIONS // part 2
Published on Jan 20, 2016 LESINDES
ROLAND JD-XA // OWN SOUND CREATIONS // part 3
Published on Jan 23, 2016 LESINDES
"Testing the ROLAND JD-XA. Own sound creations.
Using arpeggios and sequences. Tweaking occasionally. JD-XA does not contain any drum kits as its smaller and cheaper sibling is providing. If there are any drums to be heard they're mostly programmed from scratch with the internal sound engines -- both digital and analog.
More thoughts about the synth:
Many options. But it is a little bit the JD800 problem: the basic sound is quickly edited but the fine tuning takes hours because you have to step thru hundreds of parameters in a 2-line-display (without dial!!!).
No computer editor!
The sequencer is almost the same as in JD-Xi with the same flaws. It crashes frequently and it DOES NOT TRANSPOSE! I hope Roland will fix and implement this with the next update.
About the integration of digital and analog section: The routing is a bit confusing to me but once you managed to lea a digital sound through the analog section it sounds very nice. The digital waves are also well chosen and sounding. For understanding the concept: There are two synths -- one digital, one analog -- that only share the housing and the FX. As a consequence you cannot choose a digital waveform in your analog synth you can only lead a complete sound of the digital machine through the analog section for sound enhancement.
But all in all it is a versatile well sounding synth!"
If you are curious what the internal circuit boards on the new Minilogue from KORG, see the new pic currently at the bottom of the main KORG Minilogue announcement post here. Modern day analog.
Selling my beloved Korg Mono/Poly Serial # 375547. Incredible, pure, old-school VCO sound. No digital or batteries anywhere near this thing. Super lush and super crazy with the arpeggiator cycling thru each of the voices, add in some sync and cross and you're in outer space. I'm super careful with my gear so this beast has been under a cover in a smoke and dust free environment since I bought it about 10 years ago(at which point I had it professionally calibrated and key contacts cleaned). It has never had an issue and always sounds great. All knobs and functions operate as new. Minor corner damage as to be expected with a item of its age. The unit will be expertly packed when shipped. Buy with confidence."