"New England Digital Synclavier keyboard only. This is the extra (backup) keyboard for the Synclavier II system, Keyboard is in great physical condition and has few minor scuffs and scratches. All the keys work good and are not damage."
"quick video demoing the vcf, envelopes and vca of my Estradin, russian MiniMoog clone. sadly the vcos are not operational at the moment but i am sure it is only something small. unfortunately i cannot read russian so any help with schematics would be great appreciated. 2 vco's from my MiniMoog voyager old school are feed into the external input. (straight from the mixer out of the voyager, just pure oscillators)
terrible tribuite to the kraftwerk, just so i don't get sued, i did not write any of this music :)"
"Got the Korg Volca FM yesterday. It is extremely musical and easy to approach, even if you don't completely understand what's happening under the hood. I can't say I can make it do what I want, but I can make it do all kinds of things and that may be even better. Sometimes inspiration and order comes from chaos. In this video here's what's going on:
I'm controlling the Volca from the Mopho SE keyboard. The Volca is clock-synced from the Minilogue via the Minilogue's Volca sync output. The TR8 is synced also from the Minilogue via MIDI. Those Korg blokes are so damn smart.... The Volca and Minilogue are both running into the Roland RE-301, and get some chorus from Valhalla Ubermod.
I am only manipulating four different parameter settings on the Volca to get this huge variety is sound. There are two sliders, one for Transpose, which (surprise) transposes the notes up or down octaves, and one for Velocity control. The Velocity gives velocity info to your incoming notes played and can significantly vary the sound. I have not found a way to get the FM to respond to velocity in from the keyboard so if anyone out there knows how to do that please make a comment and let me know.
The other two parameters I'm messing with in the video are the Modulator Attack and Release. As I understand FM, you have a sine wave (operator) that acts as a Carrier, then additional waves (Modulators) that act as, well, modulators. By manipulating the modulator waves, you get a huge variation in the timbre.
Honestly, I'm not really sure what's happening on the technical level, but I do know it sounds totally bitchin.
Finally, the FM has an arpeggiator which I engage at about 3:50. Add some Minilogue lead, and later a beat from the TR8, and this little box is one of the most musical, most inspiring pieces of kit I have bought in a long time. It's just fun. Hope you enjoy."
"Analogue at its best: KORG ELECTRINE 2 HOUSE loop gets some filter treatment from CWEJMAN QMMF-4 4 band multimode filter + a little help from MAKE NOISE ECHOPHON"
