"The JSQ-60 is a polyphonic sequencer connectable with DCB synthesizers such as the JUNO-60 or the JUPITER-8.
Due to its large memory capacity of approximately 2,000 notes, the JSQ-60 can memorize a complete musical composition . The JSQ-60 can also memorize changes in the patch memory of the JUNO-60. The JSQ-60 is capable of both real-time and single-step loading. In the real-time mode, all performances played by the keyboard are loaded. And in the single step mode, the pitch of each note is loaded in each step. While listening to previously loaded performances, you can overdub up to three times in real time. Shifting the JUNO-60's patch memory and starting/stopping the JSQ-60 can be controlled by the DP-2 pedal switch. A cassette interface is provided for limit less data storage. Two Sync out jacks are provided to sync with devices such as the TR-606 DRUMATIX or TB-303 BASS LINE."
"A quick video to show some bass sounds of the Korg Monopoly. Not playing anything good at all just purely to show the sound. Recorded straight into Logic through and Apogee Duet."
Korg Monopoly Bass Arpeggiator
Published on Aug 20, 2017
"A quick video to show the bass sound of the Korg Monopoly. Recorded straight into Logic through and Apogee Duet."
"Some Bass sounds from the Univox Mini Korg. Recorded into a Apogee Duet into Logic. Not playing anything at all just a quick video to show the sound."
Univox Mini Korg Lead Sounds
Published on Aug 14, 2017 Joey
"A Univox Mini Korg showing off some lead sounds. Not playing anything good at all just a video to simply show the sound. Recorded straight into Logic through an Apogee Duet."
"Access Indigo Virus C showing a nice Lead sound. Recorded straight into logic through an Apogee Duet. Great synth for dreamy pads, nice arps, clean powerful leads, good bass. Tycho, Boards of Canada, Washed Out, chillwave style."
"A descending Shepard-Risset glissando that really works. Built for the fantastic DOTCOM synthesizer, but you may be able to port it to other platforms. Good luck and enjoy."
"The system is a combination from Yusynth and Synthesizers.com modules. Here I used 5 OSC, pink noise, 4 filters, 6 ADSR, 2 VCA, 1 LFO, Slew limiter, Switch, 1 mixer. Please listen also to my Bach/Handel modular records. More infos: http://www.danielphilippstotz.info/"
"This is a Expressive E Touche review, unboxing and short demo. This is more of a first impressions video than a comprehensive review. I begin by unboxing the unit, talking about it briefly, sharing my initial thoughts and then doing a short demo with the Roland System 100 Model 101 vintage analog synth.
The Expressive E Touche controller is an expression controller that you can play with your hands. It includes a piece of wood that you touch and which is suspended on a series of springs. You can push it down from the top or bottom or rock it side to side. You can then assign up to 4 CV outputs and up to 4 MIDI CC values to control either digital or analog gear. You can also connect it via USB to control software instruments. You can also program your own presets and load them directly onto the unit to use standalone. Think of it like an expression pedal meets aftertouch on steroids.
My first impressions are that it feels really nice to the touch. It's really well designed and feels solid and sturdy.
Stay tuned to future videos where I will be pairing the touche with a eurorack modular and other synths."
"The Dutch artist performs a freaky extended live session.
This whole lo-fi, straight-to-tape, DIY aesthetic that’s so popular these days? Danny Wolfers invented it. OK, that’s an exaggeration. But it’s true that the Dutch artist has embodied these characteristics for longer than some of this style’s recent adopters have been alive. Wolfers gets additional respect for never wavering from these core tenets of his artistry. He’s popular, to be sure. He plays live all over the world, and he releases records on big labels like Clone and L.I.E.S. But he still clearly values unfiltered creativity above anything else.
Head over to his website. There’s a section for the Ableton plug-ins he makes and gives away. There’s a bit for his zine, Shadow Wolf Cyberzine. He writes reviews of old synthesizers, and has a section called Obseuriosa where you can download his weird, sample-based experiments. Then see his Discogs page. He has over 30 aliases, and he’s released two albums already this year. He called the first, A Vampire Goes West, “amateur space jazz meets professional ambient.” He described the second, Unfolding The Future With Amateur Space Jazz, as “a lo-fi minimal [wave-ish] version of cosmic space jazz and anything closely related to it... from spiritual soul, G-funk, Ethiopian jazz to ambient and everything in between.” (He wrote and illustrated a 24-page graphic novel for that one.) To summarise all of this in a few words, Wolfers is the real deal.
His RA Session is longest we’ve released so far, which was probably to be expected. He turned up to our London office last month with a trunk full of gear and, roughly speaking, performed five tracks. The first two are versions of forthcoming material, and from around 16 minutes onwards we get Wolfers in full-blown improv mode.
Visit the RA feature page: https://www.residentadvisor.net/features/3064
Director - Sophie Misrahi
Producer/editor - Guy Clarke
Camera - Sophie Misrahi, Guy Clarke, Patrick Nation
Sound Engineer - Jesal Chohan-Padia (Sound Services)"
