MATRIXSYNTH


Wednesday, December 23, 2020

ROLAND SH-09 Analog Synthesizer Keyboard SN 118051

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ROLAND MKS-80 REV4 Super Jupiter

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"This is the more desirable rev 4 version of the Super Jupiter. This unit has been fully serviced and is in perfect working order. MPG-80 programmer module available separately."

ROLAND U-220 w/ Original Box SN AB12624

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Elektor Formant 18-module case + keyboard

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"Up for sale is an Elektor Formant 18-module case: a big unit with space for 12 modules and a smaller case with space for 6 modules. Two modules are installed: 'kov / gate' and a 'netz (psu)' module. The keyboard is also included, but the cable to connect it with the case isn't there anymore. We sell it as-is, for spares / project. There are some psu boards installed, but it's such a mess inside that we can't say anything about the technical condition.

Cosmetically everything is in used condition. One of the corners of the keyboard is broken, an inlay of a knob of the keyboard interface is missing, there are a few scratches on the keyboard case and keys. The wooden cases have a few scratches and wear and tear. A lot of screws are missing. Please check all the photos before purchase."

Roland Jupiter-6

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Roland TB-303

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US $2,977.99

E-MU Emu Systems Emulator III EIII Model 6080 OS2.40 Synth Sampler 07000223

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MFB-522 Analog Drum Machine Sequencer SN 09073

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“mfb-522 is a drumcomputer with a fully analogue sound engine that offers plenty of editing capabilities. it includes a step-sequencer with popular tr-style running-light-programming. memory locations are available for 72 patterns as well as for 8 songs.

available edit controls:
bass drum [decay, tune, tone, level] - the bass drum can be programmed in two different lengths per pattern. it also offers and individual output.

snare drum [noise, tone, level] - rimshot [level] - snare drum and rimshot cannot be played simultaneously. however, they can be used in the same pattern. both instruments share the same individual output.

clap [attack, filter, decay, level] - the parameters allow setting the width and fullness of the clap sound. this sound also has its proprietary individual output.

tom/conga [tune, decay, level] - this sound source can be switched between tom and conga instruments. sounds programming allows setting of three different pitches.

cowbell [tune, decay, level] clave [level] - tune for cowbell controls a detune-effect, while the pitch is set commonly with cymbal and hihat. cowbell and clave cannot be played simultaneously. however, they can be used in the same pattern.

cymbal [tone, decay, level] - tune sets the pitch for cymbal, cowbell and hihat

open/closed hihat [decay, level] - open and closed hihat cannot be played simultaneously. however, they can be used in the same pattern. this sound source offers and individual output.

the step-sequencer allows programming of 72 basic patterns plus 72 fill-ins. the latter being associated to the basic pattern memory location, resulting in a two-bar-pattern when using the fill-in. patterns can be combined to eight songs that each hold a user-definable sequence of up to 64 patterns. in addition to the instruments, a global accent-track is available. when set, the corresponding step will be played with a higher or lower volume-setting in comparison to the standard level. the mfb-522's sequencer offers three different steps of shuffling. a stereo output will carry all instruments minus those where individual outputs are in use (bass drum, snare drum/rimshot, claps and hihat). using the midi-in, drum-sounds can be played with a keyboard or external sequencer. here, the sound sources act velocity sensitive. finally, mfb-522 can be synchronized to incoming midi-clock.

Introducing LUMATOUCH. Only on Lumatone Isomorphic Keyboard.


Lumatone Keyboard

"Lumatouch is an experimental mode of expression that allows you to modulate your aftertouch parameter using a key's entire range of motion. To learn more about Lumatone or Lumatouch, visit https://www.lumatone.io."

This Soviet synth is A E S T H E T I C


HAINBACH

"In which I demo the Maestro synthesizer which was made in the Soviet Union in 1986. The brainchild of synth genius Vladimir Kuzmin, it combines digital and analog sound generation in a most hauntingly beautiful way."
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