A Dark Plot Of Land ADPOL-AV-109 Abstract Video Eurorack Sound Design Experimental Music

video upload by Outsider Sound Design

"Through deconstruction and reconstruction the work continuously evolves and with every new permutation offers a new message.

Sounds were performed with a Eurorack modular synthesizer.

Experimental music available at https://adarkplotofland.bandcamp.com

Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

That One Time ( Dirtywave M8 ) + bonus DEFMON version

video upload by Avrilcadabra

"This ones a bit of an emotional chiptune pop song

When I was studying a lot of music theory last year this one one of the tracks I wrote. I recently was trying to port it to the C64 on DEFMON so figured I'd post them both.

No bandcamp release as of yet as well I have to make an Album cover which is the bane of my existence lately and I don't want to use A.I to do it. As usual if you would like it see it on bandcamp comment below and I'll make it happen, thank you.

Find my content entertaining or helpful? you can make my day by buying one of my songs at https://avrilcadabra.bandcamp.com/rel..."

R-MONO Lab's "Bear-shaped rhythm machine TP-808" くま型リズムマシン 2019/08/03

video upload by PikoPiko Factory ピコピコファクトリー

"R-MONO Lab's 'Bear-shaped rhythm machine TP-808' くま型リズムマシン　2019/08/03

https://r-mono-lab.tumblr.com/product..."

Solton TS4 (Italy, 1989) Italo Disco Machine Rack Synth Module

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This one was spotted and sent in via M Me.

"Solton TS4 synth module with PCM drums and some analog sections like bass especially designed for real-time arranger performance.

Made in Italy in 1989! It’s the brother of the famous Solton Programmer 24!

SERIAL NUMBER: 1675/89

Derived from the same project of Solton Programmer 24, the TS4 has the same analog fat sounds and programmable patterns. There are several preset functions for live play!

FUNCTIONS:

• Auto Bass
• Custom Arranger
• Patch Change
• Manual Drums (triggers with notes)
• Odd Bass 16/8 feet
• Tempo Change
• Memory Save
• Custom Variation
• Intro Fill in-End

SOUNDS:

• BASS: features 16 different presets e.g slap, picked, sixties, fingered. With BASS BRILLANCE which is a kind of filter EQ.
• CHORD 1: there are 32 patches e.g strings, EP, grand piano, fiddle, organ, choir, brass, pads... You can filter it with CHORD BRILLANCE function.
• CHORD 2: another wave of 32 patches: marimba, piano, funky, mellow, clarinet, flute, harmonica, guitar, bell.

You can mix sounds between bass, chord 1 and chord 2 to create incredible new sounds!

• DRUMS: 7 channels with individual gain and outs for a total of 43 percussions sounds samples. Some drum functions like ROLL and FLAME. Drums includes: kick, snare, hit hat, ride, tambourine, toms, shaker-maracas."

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Custom White Novation Bass Station II

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via this auction

"Custom painted by me. It was done properly, taping all openings etc. Gives it a nice different look from other Bass Stations. The paint isn't perfect but looks pretty good, zoom in the pics to see. It works perfectly!"

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Yamaha CS-50

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via this auction

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Roland Juno-60 w/ Dtronics MIDI

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via this auction

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Making a Patterning 2 beat with the Linn6000 kit.

video upload by Olympia Noise Co

Cš-L | Episode 01 | The Instruō Ecosystem + Crash Course

video upload by Cinematic Laboratory

"I am not sure how many episodes this series will have, but one episode is definitely not enough. What an amazing module!

In this episode I'll go through the Cs-L in an instruo case and trying to familiarize myself with it. I know many of these modules on their own, but not as a combo and it feels like having two left hands. I simply did not feel 'qualified' to cover a complex module like the Cs-L but I learned a lot while making this video.

I am not in any way related to Instruō except for being a customer. I've been building this case since 2017 and now it's finally almost finished."

This Is A Test: Bio-feedbacker prototype - eurorack bio-intergration interface device

video upload by Mountainking Electronics

"My interest in biofeedback therapy and technology and electronic music has led me to design a variety of bio-intergration interface devices. These are devices that allow you to use your body to control and influence audio and cv signals within a modular synthesizer system but whereas we normally use our bodies to mechanically manipulate controls (ie using our hands to turn knobs, push buttons and flick switches) these B.I.D.s allow us to use things like galvanic skin response, eeg, physical proximity, body capacitance, etc to use our bodies AND minds to control and influence the signals within a modular synthesizer system in ways that we normally don't even consider. I believe that through experimentation and practice these devices can help us tap into a relatively unexplored universe of interaction with our musical instruments.

On to the Bio-feedbacker. The Bio-feedbacker is what I call a "touch box". A touch box is simply a box that houses touch plates that are connected to jacks. The Bio-feedbacker contains two signal touch plates and one ground touch plate but what makes it different than the other touch boxes I have designed is that it also contains a switchable, adjustable attenuator which can be used the way we normally use an attenuator in a modular synthesizer system or it can be used to create a feedback loop for use with signal processor modules. To accommodate this feedback looper feature there are two sets of normalled jacks on the input and output of the attenuator. These jacks also allow the Bio-feedbacker to be used as a multiple module.

Video clips:

1. In this clip a fixed control voltage from a voltage processor module is sent into the Biofeedback and out to the pitch cv input of a VCO. The clips shows the control voltage going through and being manipulated by hands as well as going through the attenuator and hands.

2. In this clip a fixed control voltage from a voltage processor module is sent into the Biofeedback and then into the cv input for the cutoff frequency of a VCF. The clips shows the control voltage going through and being manipulated by hands as well as going through the attenuator and hands.

3. In this clip a audio square is sent into a VCF and the Bio-feedbacker is used to create a feedback loop. First the loop is created by hands and the it created by the attenuator as well as hands. What is interesting about this patch is that because the VCF inverts the signal, mixing it with the noninverted and unfiltered signal that passes through via the feedback loop path you get phase cancelation creating an effect similar to that of an allpass filter or phaser.

4. . In this clip a fixed control voltage from a voltage processor module is sent into the Biofeedback and then into the trigger input of a drum module. Touching the two plates at the same time sends a short burst of voltage acting like a trigger or gate. The strength of the signal can be varied by the amount of contact your hands/body has on the signal touch plates as well as the pressure you apply on the touch plates and because the input of the drum module is sensitive to the amplitude of trigger/gate signal you can create the type of effect achieved by striking an actual drum harder or softer. In the second part of the clip a clock/low frequency square wave is sent into the Bio-feedbacker and then into the trigger/gate input of the drum module and this signal is manipulated by hands and then used inconjuction with the attenuator.

As with all of my B.I.D.s designs, the Bio-feedbacker's design is still being experimented with but if you would like to order one I would be happy to build you one so please email me for details:

alan@mountainkingelectronics.com

Thank you,
Alan"