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"Fully functional and in excellent condition, this Oberheim Ob-8 has been serviced. It features a brand new fatar keybed which plays and feels so much better than the original cheap plastic keybed that came installed from the factory."
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"Here's another Crumar Multiman S3 at last. There's a bit of rust on the panel, but that's a common issue for all Crumars from these years. This is a Multiman S3, a model that's almost impossible to find with a nearly unique sound. CEM chips. It's not just a string machine like the S2 and S models, but it has a unique polyphonic synth section, and the sound is amazing. Phaser, onboard LFO!! Everything works perfectly, it just has cosmetic issues."
"Good working order, caps replaced, a few faders and switches replaced, fully tested and ready to go.
This unit has some cosmetic issues including wear and tear and some scratches on the front panel consistent with age, some touch up paint applied in a couple of spots, and knobs that are not factory original however 3-D printed versions could be created or acquired eventually."
"Hey, this is Romain, creator of Kiviak Instruments 👋
Last week, I went to Nantes to shoot a Twitch live with Knarf from Les Sondiers.
We jammed in the afternoon and had a lot of fun, and I wanted to share some things that came out!
By the way, maybe some of you have missed the news...WoFi is now 100% funded! 🎉 THANKS A LOT!
And the Kickstarter campaign is still live until the 16th of November, so it's not too late to preorder your WoFi ⏳😌
"So we were asked to remake the bass sound of West End Girls by @officialpetshopboys with only Frap modules, and here's how we did it! It's not completely there but still seems like a fair approximation. Got other ideas? Let us know in the comments!
Modules used (all of them...) BRENSO: https://frap.tools/brenso/ CUNSA: https://frap.tools/cunsa/ USTA: https://frap.tools/usta/ FALISTRI: https://frap.tools/falistri/ CGM: https://frap.tools/cgm/ 321: https://frap.tools/321/ 333: https://frap.tools/333/
00:00 Introduction and original patch breakdown by Stephen Hague 01:21 The FM 'thump' on the BRENSO 03:31 The Jupiter 6 sound on the CUNSA 05:37 The Emulator II kick drum on the CUNSA 07:59 Adding variation through the Ping input and decluttering the patch 09:23 Changing the envelope fall through the USTA sequencer 10:34 Balancing the resonance with USTA's COMBO mode 11:06 Adding an extra sawtooth to the Jupiter 6 sound through FALISTRI 15:14 Final result and closing remarks"
